I was looking forward to this movie. Someone who had seen it in the States said that it was ‘grim’. Another said that it ‘stayed with you long after you’ve finished watching it’.
Having watched the movie I can now say that it is grim. But not in a good way. It’s the most pretensious, overly dramatic and ultimately vapid film I think I’ve ever seen.
In fact it reminds me of when I was at university studying film analysis. There was a drama department within the arts faculty. You just knew that the small minority of quiet and introspective drama students would go far whilst you got the feeling that those who were loud, strutting and attention seeking weren’t interested in acting at all but only in being centre stage. At the end of the year the drama students had to write and stage their own production which they would also act in.
Hereditary felt like the kind of end of year production that one of the extroverted dramatists would have produced if it had then been picked up by a film production company and allowed to pollute cinema screens worldwide. Hysterics are ramped up to the max whilst tension and depth, y’know the things that good horror should hinge on are nowhere to be seen. In fact, the only tension I experienced were by a couple near me who insisted on talking during the film. And they left halfway through. I was gutted and felt like running after them to try to persuade them to come back in.
With Hereditary the film also seems to throw so many ideas into the pot that it really is a case of ‘Let’s throw all these ideas at the wall. Some are bound to stick!’ It didn’t work. In this age of remakes, sequels and reboots, especially within the horror genre, original and new ideas are paramount. It can still be done. Some critics and reviewers think this film might be the start of such a renaissance. It isn’t and I pity them.
I’m now going to watch Muriel’s Wedding- a genuine masterpiece that doesn’t squander Toni Collette’s considerable acting chops.
Hereditary is loud, hysterical, hyperactive and desperate for your attention. It’s clearly the James Corden of horror films.
Harry is on his way to a country holiday home with his new ex-model girlfriend, Diane when they cross paths with a rowdy car-full of drunken yahoos who try to intimidate them. After the couple run them off the road and ruin the suspension on their car, they are tracked to their country lair with the angry men proceeding to invade this picuresque idyll.
Violence and rape ensues as the hillbilly gang seek revenge. In the course of events Harry is actually killed and Diane is raped when trying to escape. But then Diane turns the tables single-handedly and in brutal fashion.
They are elements of both Last House on the Left and Straw Dogs within this film’s premise (in the UK, this film played as part of a double bill with the latter film) but theres also enough to distinguish Death Weekend from these two films. Theres a strong feeling of the ‘haves vs have nots’ thats interesting. The hillbilly gang see what they don’t have within the house and their lives and instinctively seek to destroy and tarnish it.
Also, this isn’t a case of the good vs the bad- when Diane arrives at the house by the lake she very quickly realises that Harry is a slimeball personified. Hes a swinger who has invited Diane to the house for one reason and that isn’t holding hands and going for long walks. We see him taking pictures of Diane as she gets undressed and showers as the mirrors in the swingers paradise masquerading as a country house are all two-way. Diane finds out this later when one of the gang stumbles upon the pictures that the pervert Harry has taken unbeknownst to her.
Also, just before the gang invades the house Diane is just about to leave as she learns that although Harry had told her that there were other guests who would be joining them, in fact this was a lie. Harry appears to be just as repellent as the gang members who are just about to kick the door in- its just his social class that separates him from them.
This film is also made noteworthy by the cast with Brenda Vacarro and Don Stroud deserving special mention.
A very good film that deserves a really good Blu ray release. In fact, this would be ideal for Scream Factory.
I’ve been digging through copies of my local newspaper The Yorkshire Evening Post and have exhumed some amazing ads for some of the exploitation films that perverts like me love so dearly.
One series of movies that played well in Leeds was Friday the 13th. And the newspaper ads certainly don’t disappoint.
When Friday the 13th played Leeds in 1980 the other films that were playing the same cinema were Don’t Answer The Phone and Airplane. How fucking cool was that!
When Friday the 13th Part 2 played in Leeds it was paired with Prophecy as the second film. Other films showing at the same cinema were Excalibur, a special preview of a new film called Raiders of the Lost Ark (I think that film sank without a trace as I’ve never heard of it) and a double bill of The Gauntlet and Taxi Driver. I would have gladly gone to see ALL of those films.
1982 brought Jason in 3D to the city of Leeds. Other films showing at the same cinema then were 10 To Midnight, The Exterminator, American Gigolo and Mad Max 2. Again- I’d emerge from this cinema roughly 12 hours after stepping foot in the place. All great films.
1984 brought Part 4: The Final Chapter (the best and most brutal Friday the 13th film in my opinion). It also played in a double bill with Nightmares with Indiana Jones and the Temple of Doom, Supergirl and Losin’ It playing on different screens. Can you imagine seeing the Final Chapter and Supergirl on the same day?! Sweet dreams are made of this.
I actually went to see Lady Bird because the trailer was so good. Any film that uses ‘Days of Steam’ by John Cale instantly grabs my attention.
Lady Bird is a quirky film that makes me want to punch the air with delight. Thank Christ for all of the filmmakers who see things from a different perspective and dare to portray events by thinking outside of the box rather than just following the herd.
The lead character of Lady Bird is finishing up at school and waiting to go to college. The netherworld period of transition just before the bird leaves the comfort of the family nest is poignant, restless and full of conflicting emotions- a fact which doesn’t escape the filmmakers.
There are gorgeous observations concerning family relationships and dynamics. One scene involves Lady Bird and her mother having a very serious and embittered argument in a thrift store. But this all ends abruptly on the discovery of a beautiful dress. Suddenly all resentments and grievances evaporate as mother and daughter bask in the glory of this maroon lace concoction.
Another thing about the film that I loved was the Catholic setting. It was refreshing that we have such a setting in a film and it isn’t full of cruelty and abuse (OK- maybe thats me as I’ve watched both Spotlight and Silent Night, Deadly Night recently). Watch out for the inspirational Mother Superior, the all too enthusiastic play director/wannabe football coach and the drama teacher. All great characters which compliment this unique film.
The entire cast are awe-inspiring. Saoirse Ronan owns the role of Lady Bird and is perfect. And its great to see Laurie Metcalfe on our screens again after years of watching Roseanne.
Offbeat, innovative and original. Lady Bird deserves all of the praise its receiving at the moment.
Like many people the only thing I knew about ice skater Tonya Harding before this film was the incident of violence that she inflicted upon Nancy Kerrigan. This film deals with Tonya’s upbringing and her life in general leading up to this point.
One striking feature of the film is that it well and truly breaks down the fourth wall with characters speaking to the audience and even disputing their version of events as the alleged events are being played out. Theres even one sequence in which Tonya’s mother admonishes the film’s screenwriters as she seems to have dried up in the film’s narrative.
The film depicts the sheer insanity of the events that led up to the fateful encounter with Kerrigan but it never feels like this has been exaggerated or that it descends into farce. Theres an air of authenticity as we see the craziness and dysfunction unfurl before our bewildered eyes.
The setting of working class America also feels real, warts and all. The film depicts the obstacles to true success and the snobbery that Tonya has to endure and overcome. Theres an irony to the nouveau riche mothers, skaters and judges of ice skating looking down on Tonya for being cheap and trashy when all of the contestants are encouraged to look that way but without the actual poverty. The mainstream world of the sport doesn’t like the real thing but rather a contrived and affluent ‘faux’ version of it. It reminds me of a Dolly Parton quote- ‘It takes a lot of money to look this trashy’.
But whilst many events in the film are hilarious and surreal, the incidents of domestic violence depicted are as harrowing and serious as they deserve to be. These sequences still disturb, as well they should.
There are amazing performances from the central three actors of Stan, Robbie and Jenney as Tonya’s mother- a force of nature who is great entertainment on the screen but would be a nightmare in real life.
A special mention is needed for the soundtrack- any film that features both Siouxsie and the Banshees and Fleetwood Mac is something very special indeed.