Lady Bird (2017)

Lady Bird (2017)

I actually went to see Lady Bird because the trailer was so good. Any film that uses ‘Days of Steam’ by John Cale instantly grabs my attention.

Lady Bird is a quirky film that makes me want to punch the air with delight. Thank Christ for all of the filmmakers who see things from a different perspective and dare to portray events by thinking outside of the box rather than just following the herd.

The lead character of Lady Bird is finishing up at school and waiting to go to college. The netherworld period of transition just before the bird leaves the comfort of the family nest is poignant, restless and full of conflicting emotions- a fact which doesn’t escape the filmmakers.


There are gorgeous observations concerning family relationships and dynamics. One scene involves Lady Bird and her mother having a very serious and embittered argument in a thrift store. But this all ends abruptly on the discovery of a beautiful dress. Suddenly all resentments and grievances evaporate as mother and daughter bask in the glory of this maroon lace concoction.

Another thing about the film that I loved was the Catholic setting. It was refreshing that we have such a setting in a film and it isn’t full of cruelty and abuse (OK- maybe thats me as I’ve watched both Spotlight and Silent Night, Deadly Night recently). Watch out for the inspirational Mother Superior, the all too enthusiastic play director/wannabe football coach and the drama teacher. All great characters which compliment this unique film.

The entire cast are awe-inspiring. Saoirse Ronan owns the role of Lady Bird and is perfect. And its great to see Laurie Metcalfe on our screens again after years of watching Roseanne.


Offbeat, innovative and original. Lady Bird deserves all of the praise its receiving at the moment.

4 out of 5


Review: ‘I, Tonya’ (2017)

Review: ‘I, Tonya’ (2017)

Like many people the only thing I knew about ice skater Tonya Harding before this film was the incident of violence that she inflicted upon Nancy Kerrigan. This film deals with Tonya’s upbringing and her life in general leading up to this point.

One striking feature of the film is that it well and truly breaks down the fourth wall with characters speaking to the audience and even disputing their version of events as the alleged events are being played out. Theres even one sequence in which Tonya’s mother admonishes the film’s screenwriters as she seems to have dried up in the film’s narrative.

‘This didn’t happen!’- differing versions of events are played out and refuted directly to the audience

The film depicts the sheer insanity of the events that led up to the fateful encounter with Kerrigan but it never feels like this has been exaggerated or that it descends into farce. Theres an air of authenticity as we see the craziness and dysfunction unfurl before our bewildered eyes.

The setting of working class America also feels real, warts and all. The film depicts the obstacles to true success and the snobbery that Tonya has to endure and overcome. Theres an irony to the nouveau riche mothers, skaters and judges of ice skating looking down on Tonya for being cheap and trashy when all of the contestants are encouraged to look that way but without the actual poverty. The mainstream world of the sport doesn’t like the real thing but rather a contrived and affluent ‘faux’ version of it. It reminds me of a Dolly Parton quote- ‘It takes a lot of money to look this trashy’.

The right kind of furs, the right kind of sequins- the trash aesthetic of the world of ice skating

But whilst many events in the film are hilarious and surreal, the incidents of domestic violence depicted are as harrowing and serious as they deserve to be. These sequences still disturb, as well they should.

There are amazing performances from the central three actors of Stan, Robbie and Jenney as Tonya’s mother- a force of nature who is great entertainment on the screen but would be a nightmare in real life.

Screen Shot 2018-02-22 at 1.46.55 PM
Mommie Dearest- Allison Janney as Tonya’s mother

A special mention is needed for the soundtrack- any film that features both Siouxsie and the Banshees and Fleetwood Mac is something very special indeed.

4 1/2 out of 5

Review- Hush (2016)

Review- Hush (2016)

I love it when I know nothing about a film but then discover it on Netflix.

Thats what happened here and I wasn’t disappointed. A deaf mute writer lives in her isolated home on the edge of a forest. And then a psycho nutjob comes her way.

Its suddenly a case of do or die with the writer fighting for her life whilst trying to outwit her tormentor and somehow survive.


This film is ingenious with a truckload of twists and turns to keep you hooked. Add amazing acting, direction and gorgeous cinematography and you have a gem of a horror movie.

It also has the best use of a corkscrew since Friday the 13th Part 4: The Final Chapter and a reference to Extremities.

Watch it and renew your relationship with the edge of your seat. Stunning.

4 out of 5

Review- Spotlight (2015)

Review- Spotlight (2015)

A film that was on my ‘Haven’t got round to seeing it yet’ list. Until now.

Journalists at the Boston Globe investigate sexual abuse of children by local Roman Catholic priests- and uncover much more.

This is based on a true story and feels authentic and not over-dramaticised for the big screen.


The locales are pinpoint perfect too. Note the cramped offices of The Globe compared to the splendid locations frequented by the higher echelons of the church and those paid to defend them. Corruption pays well- but only if you have no soul.

Notice also the Boston street scenes- this is a film that loves the city.

The performances are also amazing. Mark Ruffalo deserves special praise here- the best performance I’ve seen in a film in a long, long time. Batman was pretty damn great too 🙂

A brilliant film that indeed casts the spotlight onto the darkest of places. This deserves all of the many accolades it received and continues to receive.

4 1/2 out of 5

The Warriors (1979)- The Film Leeds Local Authority Tried To Ban

The Warriors (1979)- The Film Leeds Local Authority Tried To Ban

Its amazing what you find when you go trawling through the microfiche archives for your local newspaper.

When browsing through the back issues of The Yorkshire Evening Post for 1979 I noticed that The Warriors, Walter Hill’s gritty, comic book style New York action flick was actually shown at a ‘members only’ cinema called The Tatler here in Leeds rather than the bigger Odeon and ABC cinemas where I’d expect a big studio film (The Warriors was made by Paramount) to play. Why was this?

20041210_31228274 2
The Tatler Cinema Club, Leeds

With a bit more research I discovered why. Local authorities here in the UK can view any film that the BBFC has rated 18, or when The Warriors was released, X certificate. They can then go further than the BBFC and ban a film outright if they wish to do. These are exceptional cases but in the past this has happened. The Life of Brian was notoriously banned in Hull until 2008.

This can also happen in reverse- a local authority can show a film in cinemas in its threshold that the BBFC has banned. This occurred in 1999 when Camden Council awarded The Texas Chain Saw Massacre a special ‘C for Camden’ certificate to show the film even though it was still banned by the BBFC. I was lucky enough to see the film during this run. It was reclassified as an 18 and no longer banned by the BBFC shortly after this.

The original ticket stub from the TCM screening in 1999. The film was certified ‘C for Camden’ but still banned by the BBFC.

In the case of The Warriors, the local authority here in Leeds chose to ban the film even though the BBFC has classified it as an X. This was due to the violent content of the film.

What the film critic in The Yorkshire Evening Post had to say about The Warriors and it’s local authority ban.

However, you can’t keep a great piece of art down for too long. There was a loophole that meant that any banned film can be shown uncut in a licensed ‘members only’ cinema even if its been banned by the BBFC or a local authority.

Original Yorkshire Evening Post newspaper ad for The Warriors and it’s Tatler run

And thats just what happened in Leeds. The Warriors was shown at The Tatler Cinema- a ‘members only’ cinema that at that time was showing ‘erotic’ (or as we’d say here in Leeds- ‘mucky’) films.

Original newspaper listing for The Warriors in Leeds. Don’t understand the ‘One Hours Wait’ though- yet another mad rule that applies to such clubs?

This must have been a massive two fingers up to the Leeds local authority who thought that no one would be able to see this film that they thought would corrupt and inspire a whole slew of really nicely choreographed gang violence here in Leeds as The Armley Baseball Furies fight for their turf against The Gipton Riffs.

This loophole was later amended by the BBFC decades later to prevent uncut films (specifically with pornography in mind) being shown in members cinemas if the BBFC had banned them or not certified them R18.

1141-2013710113543_original 2
Original Warriors UK quad cinema poster

Strange bedfellows- The Warriors, a film made by huge studio Paramount Pictures being shown at a cinema that primarily showed porn. Overzealous censorship makes great comedy.

Inside The Tatler. Plush for a cinema that showed mucky films.




Review- ‘On The Waterfront’ (1954)

Review- ‘On The Waterfront’ (1954)

A young ex-boxer and a priest team up with the sister of a victim of the local mob to find out who killed her brother and try to stop the mob from unfairly controlling all of the work and wages that should be going to the dockers in the area.

This is one of those films that everyone says is a classic but I hadn’t got round to seeing. All I can say is- the people who say this is a classic are undervaluing the film greatly. I knew as I was watching this that one of my favourite films that I hadn’t even seen for the first time from start to finish yet was unfurling before my very eyes.

Karl Malden, Eve Marie Saint and Lee J Cobb are all remarkable.


But then theres Marlon Brando. One still of him from this movie, any still of him from this movie is worth a million Monets. The fact that he went into acting and the movies specifically is a wonder. To see his face, his expressions, everything about him in this film projected onto a huge cinema screen reminded me why I love the movies. Flawless.

5 out of 5. A masterpiece.

Review- The Death and Life of Marsha P. Johnson (2017)

Review- The Death and Life of Marsha P. Johnson (2017)

From the director of the quite extraordinarily brilliant How To Survive A Plague comes this film.

Marsha P Johnson was a black transvestite/drag queen (there was no ‘transgender’ then) who hung around Christopher Street in the 60s until her mysterious death when she was pulled out of the Hudson River in the early 90s. As we hear from one person captured on video back then who witnessed her body being recovered there appears to have been some kind of wound on her head. Could there be more to Marsha’s death than just the officially held cause being accidental? Was it suicide or homicide?

David France expertly tracks the work of Victoria Cruz in unearthing and unravelling what happened to Marsha whilst celebrating this revolutionaries life. Moments of this documentary are sometimes very shocking. One such is when Ms Cruz telephones a retired member of the NYPD who she asks to meet to discuss the circumstances surrounding Johnson’s death. ‘Definitely not’ he responds to her meeting request. He then warns her ‘Don’t go playing detective’. Sinister.

This film feels like new unexplored relics and answers from LGBT history being unveiled right before your eyes.


However, there are politics at play regarding the film. Some members of the non-white trans movement are slamming France’s work as hes a white cisgender (non-trans) man who is making this film rather than a trans person of colour. There have been accusations of theft of material from another project that was being made by the trans community regarding Johnson. There are also accusations that David France could get funding and distribution because hes white and cisgender. I think these accusations are just a case of sour grapes. If you are a filmmaker who has made films before, have a proven track record and can actually accomplish these projects through to fruition then you will get funding and distribution. How long have we been waiting for the fictionalised short film Happy Birthday, Marsha? I’m amused that its fictionalised- so was Stonewall in 2015. Lets see if there are protests regarding this new film if events are seen to be historically accurate.

Also, does it matter whether the person making the film is trans or cisgender or what their ethnicity is when the film they make is as great as this?

There seems to be a huge emphasis on Marsha and Sylvia Rivera when it comes to LGBT history and the Stonewall Riots. But when anyone else is represented they are lumped together and not given the same kind of detailed analysis or be the centre of attention. I’d love a similar documentary on Danny Garvin, Martin Boyce or the person widely believed to have started the riots- Jackie Hormona (Marsha P Johnson admitted in an interview that when she arrived at the Stonewall Inn on that fateful night in 1969 that the rioting had already started. The interview is here- She dashed off to Bryant Park to tell Sylvia Rivera who had taken heroin). You don’t know who Garvin, Boyce or Garvin are? Thats very telling.

A great documentary. Now lets hear about other Stonewall voices.

4 out of 5