More hidden treasures from the local newspapers of the past…
Assault on Precinct 13 played for four glorious weeks in Leeds (click on each ad to see it actual size).
Later it played in a double bill with the film Halloween.
Happy Friday the 13th!
I’ve been digging through copies of my local newspaper The Yorkshire Evening Post and have exhumed some amazing ads for some of the exploitation films that perverts like me love so dearly.
One series of movies that played well in Leeds was Friday the 13th. And the newspaper ads certainly don’t disappoint.
When Friday the 13th played Leeds in 1980 the other films that were playing the same cinema were Don’t Answer The Phone and Airplane. How fucking cool was that!
When Friday the 13th Part 2 played in Leeds it was paired with Prophecy as the second film. Other films showing at the same cinema were Excalibur, a special preview of a new film called Raiders of the Lost Ark (I think that film sank without a trace as I’ve never heard of it) and a double bill of The Gauntlet and Taxi Driver. I would have gladly gone to see ALL of those films.
1982 brought Jason in 3D to the city of Leeds. Other films showing at the same cinema then were 10 To Midnight, The Exterminator, American Gigolo and Mad Max 2. Again- I’d emerge from this cinema roughly 12 hours after stepping foot in the place. All great films.
1984 brought Part 4: The Final Chapter (the best and most brutal Friday the 13th film in my opinion). It also played in a double bill with Nightmares with Indiana Jones and the Temple of Doom, Supergirl and Losin’ It playing on different screens. Can you imagine seeing the Final Chapter and Supergirl on the same day?! Sweet dreams are made of this.
More newspaper ads to follow…
I actually went to see Lady Bird because the trailer was so good. Any film that uses ‘Days of Steam’ by John Cale instantly grabs my attention.
Lady Bird is a quirky film that makes me want to punch the air with delight. Thank Christ for all of the filmmakers who see things from a different perspective and dare to portray events by thinking outside of the box rather than just following the herd.
The lead character of Lady Bird is finishing up at school and waiting to go to college. The netherworld period of transition just before the bird leaves the comfort of the family nest is poignant, restless and full of conflicting emotions- a fact which doesn’t escape the filmmakers.
There are gorgeous observations concerning family relationships and dynamics. One scene involves Lady Bird and her mother having a very serious and embittered argument in a thrift store. But this all ends abruptly on the discovery of a beautiful dress. Suddenly all resentments and grievances evaporate as mother and daughter bask in the glory of this maroon lace concoction.
Another thing about the film that I loved was the Catholic setting. It was refreshing that we have such a setting in a film and it isn’t full of cruelty and abuse (OK- maybe thats me as I’ve watched both Spotlight and Silent Night, Deadly Night recently). Watch out for the inspirational Mother Superior, the all too enthusiastic play director/wannabe football coach and the drama teacher. All great characters which compliment this unique film.
The entire cast are awe-inspiring. Saoirse Ronan owns the role of Lady Bird and is perfect. And its great to see Laurie Metcalfe on our screens again after years of watching Roseanne.
Offbeat, innovative and original. Lady Bird deserves all of the praise its receiving at the moment.
4 out of 5
Like many people the only thing I knew about ice skater Tonya Harding before this film was the incident of violence that she inflicted upon Nancy Kerrigan. This film deals with Tonya’s upbringing and her life in general leading up to this point.
One striking feature of the film is that it well and truly breaks down the fourth wall with characters speaking to the audience and even disputing their version of events as the alleged events are being played out. Theres even one sequence in which Tonya’s mother admonishes the film’s screenwriters as she seems to have dried up in the film’s narrative.
The film depicts the sheer insanity of the events that led up to the fateful encounter with Kerrigan but it never feels like this has been exaggerated or that it descends into farce. Theres an air of authenticity as we see the craziness and dysfunction unfurl before our bewildered eyes.
The setting of working class America also feels real, warts and all. The film depicts the obstacles to true success and the snobbery that Tonya has to endure and overcome. Theres an irony to the nouveau riche mothers, skaters and judges of ice skating looking down on Tonya for being cheap and trashy when all of the contestants are encouraged to look that way but without the actual poverty. The mainstream world of the sport doesn’t like the real thing but rather a contrived and affluent ‘faux’ version of it. It reminds me of a Dolly Parton quote- ‘It takes a lot of money to look this trashy’.
But whilst many events in the film are hilarious and surreal, the incidents of domestic violence depicted are as harrowing and serious as they deserve to be. These sequences still disturb, as well they should.
There are amazing performances from the central three actors of Stan, Robbie and Jenney as Tonya’s mother- a force of nature who is great entertainment on the screen but would be a nightmare in real life.
A special mention is needed for the soundtrack- any film that features both Siouxsie and the Banshees and Fleetwood Mac is something very special indeed.
4 1/2 out of 5
I love it when I know nothing about a film but then discover it on Netflix.
Thats what happened here and I wasn’t disappointed. A deaf mute writer lives in her isolated home on the edge of a forest. And then a psycho nutjob comes her way.
Its suddenly a case of do or die with the writer fighting for her life whilst trying to outwit her tormentor and somehow survive.
This film is ingenious with a truckload of twists and turns to keep you hooked. Add amazing acting, direction and gorgeous cinematography and you have a gem of a horror movie.
It also has the best use of a corkscrew since Friday the 13th Part 4: The Final Chapter and a reference to Extremities.
Watch it and renew your relationship with the edge of your seat. Stunning.
4 out of 5
A film that was on my ‘Haven’t got round to seeing it yet’ list. Until now.
Journalists at the Boston Globe investigate sexual abuse of children by local Roman Catholic priests- and uncover much more.
This is based on a true story and feels authentic and not over-dramaticised for the big screen.
The locales are pinpoint perfect too. Note the cramped offices of The Globe compared to the splendid locations frequented by the higher echelons of the church and those paid to defend them. Corruption pays well- but only if you have no soul.
Notice also the Boston street scenes- this is a film that loves the city.
The performances are also amazing. Mark Ruffalo deserves special praise here- the best performance I’ve seen in a film in a long, long time. Batman was pretty damn great too 🙂
A brilliant film that indeed casts the spotlight onto the darkest of places. This deserves all of the many accolades it received and continues to receive.
4 1/2 out of 5
Its amazing what you find when you go trawling through the microfiche archives for your local newspaper.
When browsing through the back issues of The Yorkshire Evening Post for 1979 I noticed that The Warriors, Walter Hill’s gritty, comic book style New York action flick was actually shown at a ‘members only’ cinema called The Tatler here in Leeds rather than the bigger Odeon and ABC cinemas where I’d expect a big studio film (The Warriors was made by Paramount) to play. Why was this?
With a bit more research I discovered why. Local authorities here in the UK can view any film that the BBFC has rated 18, or when The Warriors was released, X certificate. They can then go further than the BBFC and ban a film outright if they wish to do. These are exceptional cases but in the past this has happened. The Life of Brian was notoriously banned in Hull until 2008.
This can also happen in reverse- a local authority can show a film in cinemas in its threshold that the BBFC has banned. This occurred in 1999 when Camden Council awarded The Texas Chain Saw Massacre a special ‘C for Camden’ certificate to show the film even though it was still banned by the BBFC. I was lucky enough to see the film during this run. It was reclassified as an 18 and no longer banned by the BBFC shortly after this.
In the case of The Warriors, the local authority here in Leeds chose to ban the film even though the BBFC has classified it as an X. This was due to the violent content of the film.
However, you can’t keep a great piece of art down for too long. There was a loophole that meant that any banned film can be shown uncut in a licensed ‘members only’ cinema even if its been banned by the BBFC or a local authority.
And thats just what happened in Leeds. The Warriors was shown at The Tatler Cinema- a ‘members only’ cinema that at that time was showing ‘erotic’ (or as we’d say here in Leeds- ‘mucky’) films.
This must have been a massive two fingers up to the Leeds local authority who thought that no one would be able to see this film that they thought would corrupt and inspire a whole slew of really nicely choreographed gang violence here in Leeds as The Armley Baseball Furies fight for their turf against The Gipton Riffs.
This loophole was later amended by the BBFC decades later to prevent uncut films (specifically with pornography in mind) being shown in members cinemas if the BBFC had banned them or not certified them R18.
Strange bedfellows- The Warriors, a film made by huge studio Paramount Pictures being shown at a cinema that primarily showed porn. Overzealous censorship makes great comedy.