Halloween 2 (1981)- A Sequel That Is Better Than It Has Any Right To Be

Halloween 2 (1981)- A Sequel That Is Better Than It Has Any Right To Be

John Carpenter’s Halloween had been a huge hit at the box office through the word of mouth of people who had seen it and were knocked out by the experience. In fact, the film was so successful that it became the most profitable independent film of all time, a title it held until it was overtaken by 1999’s The Blair Witch Project.

Producer Irwin Yablans wanted a sequel even though director John Carpenter didn’t. He instead decided to write and score the project but not direct it. Carpenter was in the midst of developing another project that he would go onto directly which was The Fog when he was approached by Yablans. He recommended Rick Rosenthal on the strength of a short film Rosenthal had made called The Toyer. Before Rosenthal, Carpenter had actually asked Tommy Lee Wallace who had been the art director on the original Halloween but he declined. He would go on to direct Halloween 3: Season of the Witch though.

Carpenter and his producer and co-writer Debra Hill had envisaged the idea of a sequel based several years later than the events that take place in the first Halloween movie with Michael tracking Laurie down to a high rise building that she has moved to. When I first read about this I immediately thought of the TV movie Carpenter had made around this time, Someone’s Watching Me! starring Lauren Hutton and Adrienne Barbeau which takes place primarily in a high rise complex. Maybe this would have been too similar and so Carpenter was forced to think of a new concept. He said that this involved drinking beer (for inspiration) whilst sitting at a typewriter and wondering what he was doing there.

SomeonesWatchingMe
A murder mystery in a high rise. Carpenter’s excellent Someone’s Watching Me!

I was also surprised to learn that Debra Hill had looked into the possibility of shooting the film in 3D, a gimmick that was about to enjoy a renaissance around this time. Hill gave up on this possibility however as it was very costly. It was also very difficult to accomplish 3D effects in a film that would visually be dependent on darkness and shadows. This seems to make sense in relation to another sequel from another horror franchise. Friday the 13th Part 3 was shot in 3D the following year and altered its look from earlier films in the series because of it. The third instalment was brighter and more colourful than its preceding two films. Part 3 feels almost like some kind of demented horror comic come to life. This works very well indeed whilst ensuring that the 3D effects could be brilliantly effective and delivered with panache and style.

Whilst Halloween 2 wouldn’t be filmed in 3D, the cinematographer who went a long way to why the original was so memorable and looked so hauntingly beautiful would be returning to shoot the film. Dean Cundey also turned down the opportunity to work on the film Poltergeist to film Halloween 2. I think he made the right decision.

Halloween2CrewJacket
An original Halloween 2 crew jacket

A funny thing happened between the release of the original and Halloween 2 and that is that another film tried to market itself as a sequel to the first film. Snapshot, an Ozploitation film retitled itself The Day After Halloween for its American release with posters and press ads utilising the font and style used for the original Halloween promotional material. The makers of H2 ordered the distributors of The Day After Halloween to add a disclaimer to their posters and ads that stated that this was in no way connected to Carpenter’s original film. This was done but when The Day After Halloween was coming to the end of its run anyway. When Halloween 2 was officially released the words ‘All New’ were added to its posters and ads so that people knew this was the real deal. Snapshot, by the way, is a fantastic oddity of a film that is now widely available and well worth checking out, especially if you’re a fan of Prisoner Cell Block H as there are many cast members used.

TheDayAfterHalloweenNewspaperAd
The film that would cause Halloween 2 to use the words ‘All New’ in their promotional material
CanadianHalloween2Ad
‘All New’. And what a double bill Halloween 2 would make with An American Werewolf in London

So, what is Halloween 2 actually like?

The first thing which is noteworthy about the sequel is that it continues straight after the events of the first movie. In fact, not just that but there is even an overlap with the first film (with Mr Sandman by The Chordettes playing over the soundtrack that bookends the movie as it also plays at the end) as we see the ending before the new narrative begins with Dr Loomis going downstairs to where the shot body of Myers should have been. We also see that Loomis’ dialogue has started to become even more exaggerated than it was in the original. A neighbour comes out and approaches Loomis remarking about the noise and exclaiming ‘I’ve been trick or treated to death tonight’ to which Loomis replies ‘You don’t know what death is!’ Yes, this first reply exemplifies a lot of Loomis’ lines in the sequel. Just a little bit more unhinged, fraught and oh so camp.

We then get the title sequence which is similar to that of the original film with the pumpkin but this time the camera glides into it as it opens to reveal a skull at its centre. With this sequence as with the recap of the end of the first film and the addendum as to what happens next, we get a sense of how audacious Halloween 2 is. It was made in 1981 a full three years after the original and enough time for the first film to be recognised and reviled as the masterpiece it truly is. For a sequel to pick up just after the original had ended was a massive risk as Carpenter’s original had a look and feel that was very unique to it. The sequel would have to try to replicate this to feel authentic. Halloween 2 almost succeeds. The word ‘almost’ isn’t an insult though. The first film was and is so iconic that ANY attempt to either equal or top its brilliance and innovation would be foolhardy at best. That Halloween 2 still comes across as a worthy attempt is the best that could be hoped for. If Halloween is an A+ movie, then Halloween 2 is a B+ film. That’s no mean feat.

Halloween2QuadPoster

Halloween was so iconic that it spawned a whole subgenre of movies within horror, the slasher movie. In the three years since the original, this genre had been given birth to, had enough time to establish its conventions and also showed why audiences were flocking to see these movies. Carpenter realised this and so after seeing a rough cut of Rosenthal’s sequel suggested the film be beefed up with more kills, more blood and more edge of the seat suspense sequences that would satisfy the rabid slasher movie aficionados. He also commented that the rough cut he had seen was about as scary as an episode of Quincy! In fact, the sequences that could be seen to be (thankfully) quite restrained in the original, particularly the kills, were turned up to 11 for the sequel. The Fangoria crowd would get a film that looked great, felt eerie as hell (thank God for Cundey), but with kills that were more graphic, more innovative and more shocking than the other entries in the genre. Apparently, it was Carpenter who actually directed these sequences. He would do a similar thing on the next movie that he actually directed himself, The Fog as he would direct new kills to insert into the film merely days before the film was due to be released as he realised that it didn’t quite work.

And it wasn’t just the kills that were made more explicit within the film. Halloween 2 also ramps up the sexiness within the movie to keep in line with its competition. Hence, we get the nudity during the therapy room sequence and Bud’s rather unique (and cringeworthy) version of Amazing Grace.

Whilst watching the film again recently it seemed as if Myers was gleefully bumping off the only types of people he would have had dealings with during his incarceration- doctors, nurses and cops. Maybe this sequel really was a case of ‘This time it’s personal’ for our leading psychopath.

MyersKillsMarshallHalloween2
Michael’s murder of another authority figure which feels strangely personal

The fact that there are people who Michael had a perfect opportunity to dispose of but didn’t shows that he isn’t just some killing machine, indiscriminately killing anyone who crosses his path. One example of this is poor old Mrs Elrod who is making a sandwich for her dozing husband (who’s sleeping through the classic Night of the Living Dead. Sacrilege!) when Myers sneaks in and grabs the knife that she was using. Myers knows the groups of people who he wants to butcher which is one of many reasons why Halloween from 2018 and its sequel seemed so inauthentic and fake. Of course, Michael also bumps off anyone who fits the same criteria as his sister Judith and Laurie Strode. The next person Myers encounters is Alice, the young woman who is within the same age category, is saying how great it is that she has the house to herself to her friend on the phone (she could invite a male over because of this. Michael doesn’t like potential horny hi-jinx) and so, hence, she meets some of the criteria for someone who would be killed by Michael. And he obliges.

MyersKillsAliceHalloween2
Alice’s murder

The hospital that Laurie finds herself at and which Michael follows her to is the perfect locale for gruesome but innovative kills involving implements that would ordinarily be used for more altruistic purposes. Hence we find that Michael carries a scalpel rather than his ordinarily preferred butcher knife. We also get hypodermic needles inserted in eyeballs and temples and an overheated therapy pool used to fatally scold a nurse (both of these sequences were cut in different versions).

MyersNeedleHalloween2
Hypodermic needle through the temple. Nasty.

The hospital also provides a great locale for Michael to make his own private slaughter ground. The shots of him walking (never running) down the dimly lit corridors is very effective indeed (I love the fact that a deleted scene that was shown as part of the TV version of the film shows that the electricity goes out for the building but an emergency generator kicks in that uses only some of the lights. Boom! Instant moody lighting that is perfect for a horror film).

In fact, there was a lot of additional footage that didn’t make it into the film but was then seen in the TV version of the film that excised a lot of the violence but padded out the running time with trimmings that didn’t make it into the final movie.

MoodyLightingHalloween2
The emergency generator makes for perfect lighting for a horror film

Another great device that is used within this location is the building’s CCTV. Not only does Myers look very scary when captured on the monitors looking for Laurie, but he even sees where Laurie is through seeing her on the CCTV screens. They help to direct him in the right direction when he’s looking for her. Also, the CCTV monitors act as a third eye for the audience. One scene shows where Myers is headed, but a moment later it shows a nurse heading in the same direction and possibly to her doom. The CCTV has just been utilised as another way of adding suspense and tension to a scene and has just placed the viewer on the edge of his or her seat.

Halloween 2 also has some perceptive things to say about the media and how corrupt and unscrupulous they are. We see a reporter who says to a colleague to get a statement from any witnesses to Myers’ crimes. She adds that if they’re underage they will need their parent’s permission. She also adds that if they can’t get that they should get a statement anyway! As a side note, there was apparently a deleted scene in which this reporter was murdered by Myers which was maybe Rosenthal’s two fingers up to what he thought of the media.

The film also brilliantly depicts a horrific incident that has nothing to do with Michael Myers. A mother and her small son rock up to the hospital as he has bitten into something that he was given whilst trick or treating which contained a razor blade which we see is still lodged in his mouth which has blood pouring out of it. The infamous urban myth is made flesh here and also shows that there are enough dangers in the world, with or without Myers.

RazorBladeHalloween2
The young man with a razor blade lodged in his mouth. This urban myth is made flesh in Halloween 2

Another great aspect of the film is the soundtrack that Carpenter and the great Alan Howarth would compose and perform. The score is a major part of why Halloween 2 is wayyy better than it should have been. Whilst the music for the first film was primitive, simplistic and utterly brilliant because of it, the soundtrack for Halloween 2 is the same music but with more synth, more layers and with even more of an urgency to it. In fact, I remember after I saw the film for the first time, in an issue of Empire magazine around that time (89/90), I saw an article on the Top 50 Soundtracks of All Time. They had actually included Halloween 2 and it didn’t surprise me.

Add to this that both Donald Pleasance and Jamie Lee Curtis are as excellent as ever in the film (check out the chase scene when Myers finally catches up with Laurie starting with the nurse being stabbed in the back by Michael. This is an AMAZING sequence. I love the fact that they made Laurie’s POV shots blurred because of the heavy meds she’s been placed on. Also, check out the shots of Myers strolling robotically after Strode and how genuinely unsettling it is, even when he’s tackling the stairs).

MyersNurseHalloween2
An uplifting experience. The start of the Michael/Laurie chase scene which is stunning!

Jamie Lee Curtis wears a wig for the movie. This is blatantly obvious (sorry fanboys who thought they were the only ones to have noticed this). In fact, I love the fact that in the tenser scenes the wig seems to take on a life of its own and frizzes up. It’s like the wig is acting along with the person who’s wearing it.

We also get a cameo by Nancy Loomis as her own corpse with her Sheriff father (again played by Charles Cyphers) damning the doctor who he sees as letting him out after he has seen his murdered daughter. It’s great that both actors returned to reprise their roles in the sequel instead of different actors stepping in.

Dick Warlock is a good Michael Myers but doesn’t quite nail what came before. But he gets pretty close and his depiction of Myers inhumanly walking around the hospital corridors is very chilling indeed. I can’t think of anyone doing a better job other than Nick Castle.

WarlockCarpenter
Dick Warlock on set with John Carpenter. Warlock also played a cop as well as Myers in the film hence his costume

There’s also a revelation regarding why Michael might be so insistent on coming after Laurie (I’m not going to ruin things here).

All in all, you have a fantastic film. Halloween 2 isn’t as good as the original. But for a film that has the balls not just to be that film’s sequel but also to have the audacity to carry on events straight after the original has ended, it’s a damned good effort.

Whatever its shortcomings, Halloween 2 is still head and shoulders above most slasher fare and is a very dignified sequel to a horror masterpiece. In a franchise in which each new entry makes me facepalm even more and is an even bigger embarrassment to the original’s legacy, (yes I’m looking at you Halloween Kills), the entries closest to the source film are the best with only the first three films being of any interest to me or anyone who knows anything about good filmmaking. They have suspense generated brilliantly, atmosphere by the bucketload, cinematography to die for and amazing music scores to boot. Part 4 onwards are just cynically made cash cows to milk revenue from the fanboys. More kills, no suspense, nothing redeeming in any of them.

If only the Laurie and Michael plotline had ended with Halloween 2.

Halloween 2 is available now on Scream Factory. My essay on Halloween 3: Season of the Witch is here

Advertisement

31 Days of Halloween- Day 26- White Zombie (1932)

31 Days of Halloween- Day 26- White Zombie (1932)

We see the soon to be wed Madeleine and Neil being driven by horse drawn carriage to the house of plantation owner Charles Beaumont. They pass by a man named Murder (a red flag) Legendre played by the one and only Bela Lugosi. His evil face is another red flag. This isn’t a good man as is obvious for any sane person. Beaumont is also in love with Madeleine and goes to see Legendre to enlist his services so that Madeleine will marry him instead of Neil as Murder is a master of voodoo. He even has zombies that he has created as workers at his sugar cane mill. Legendre states that the only way for Charles to get Madeleine to love him is to turn her into a zombie also. But will his dastardly plan work?

WhiteZombieLugosi
Lugosi in White Zombie. Just an average looking kinda guy

White Zombie was one of the films on the list I have labelled in my head as ‘Horror Films That I’ve Heard Are Really Influential But Haven’t Gotten Around To Watching Yet’. That is until now.

And I’m so glad that I finally have. It’s a fantastic film that still holds up as an experimental piece of cinema with superimposed images, the use of shadows and is perfectly framed. It’s a joy to watch. And the plot and subject matter is far from conventional for horror in the 1930s.

WhiteZombieFraming

But best of all is to see horror maestro Lugosi at the top of his game. He can say more with his eyes than most actors could even dream of. I’m so glad that someone who was destined to star in some of the genre’s very best works actually ended up doing just that. And by the time he starred in White Zombie he was already a star of the genre through his starring in Dracula and Murders in the Rue Morgue.

If I had to compare this film to any other it would be to the equally experimental (and brilliant) Vampyr. This is compliment in itself.

Grade- B+

31 Days of Halloween- Day 25- The Toolbox Murders (1978)

31 Days of Halloween- Day 25- The Toolbox Murders (1978)

This infamous film from 1978 starts with an anonymous man wearing a balaclava and going on a killing spree. He uses a different  tool for each murder such as an electric drill, a screwdriver and nail gun.

But then events take a bizarre twist as we get to see who the killer is and…to tell you anymore would ruin several surprises that the movie has in store. And it has plenty of surprises to shock us with!

ToolboxMurdersCinemaPoster

This film has such a notorious reputation and none so much as in Britain where it was firstly cut for its initial cinema release but then banned outright on video as it was then labelled as one of the more shocking video nasties.

ToolboxMurdersHokushinCover
The UK video artwork

There is an authenticity to the killing spree we witness and with the film in general. The balaclava motif felt all so real as it was a staple of killers such as Ted Bundy who was prolific during this era. Also, The Yorkshire Ripper was killing women with the implements used in the film around this time which gives it an extra layer of horrific realness.

BundyMurderKit
The Ted Bundy murder kit. Notice the balaclava

Your jaw will hit the floor when you watch Cameron Mitchell’s central performance. It truly is demented genius.

I’m so glad that The Toolbox Murders is now appreciated as the fantastic piece of psychotic art that it truly is. Watch out for the 4K scan on Blu Ray. The film looks and sounds amazing and has finally gotten the treatment it so rightfully deserves.

Grade- A-

31 Days of Halloween- Day 24- No Place To Hide (1981)

31 Days of Halloween- Day 24- No Place To Hide (1981)

Amy leaves her art class late at night and goes to her car. However, she then finds a man dressed all in black resplendent with a black balaclava and shades waiting for her in her backseat. She gets away but isn’t taken seriously by the police when she goes to report the incident. Apparently, the same man has been following her on previous occasions but has always gotten away. The police think she is a crank and that this mysterious man who is threatening and stalking her is a figment of her imagination.

NoPlaceToHideMaskedMan

Soon afterwards she receives a funeral wreath from the same man. Realising that this is the first tangible piece of evidence that there is that in fact someone stalking her, she goes with her stepmother to the florists to ask who placed the order and what he looked like. The florist is amused as he says that it was her, Amy who walked in and placed the order just hours earlier.

Is Amy mad? Or is there really a man stalking and threatening to kill her?

NoPlaceToHideForeignVHS

No Place To Hide is another example of an excellent made for TV horror movie. Tense, suspenseful and very well written not to mention perfectly acted.

In fact, it has so many twists and turns that it would make a great episode of either Tales of the Unexpected or Thriller.

Grade- B

31 Days of Halloween- Day 23- The Case of the Hillside Stranglers (1989)

31 Days of Halloween- Day 23- The Case of the Hillside Stranglers (1989)

A pretty faithful account of The Hillside Stranglers starring Dennis Farina as Angelo Buono and Billy Zane as Kenneth Bianchi. Richard Crenna is cop Bob Grogan who is hunting them. This made for TV movie is based on the book Two of a Kind: The Hillside Stranglers By Darcy O’Brien.

I love TV movies based on true crime cases especially those made in the 80’s ever after I saw The Deliberate Stranger starring Mark Harmon as Ted Bundy.

TheHillsideStranglersAd

This movie has chilling reverberations to the recent Sarah Everard case as it depicts the killers using a police badge to get their potential female victims’ attention so that they would go with them.

The film also has its fair share of tense moments such as Grogan’s girlfriend going to see Buono just to see what he’s like after she had discussed him with her cop boyfriend for so long. Obviously, this was a really foolhardy thing to do!

A solid TV movie.

Grade- C+

31 Days of Halloween- Day 22- Crowhaven Farm (1970)

31 Days of Halloween- Day 22- Crowhaven Farm (1970)

Maggie and Ben inherit an old farm by default (the man who it was actually left to had to inhabit the farm within 30 days but we see him attempt to move in in the dead of night but runs his car into a tree after swerving to miss a mysterious girl who intentionally caused the accident which results in the car exploding on impact). 

Maggie has a strong feeling that she’s been at the farm before and wonders if a phenomenon such as reincarnation actually exists as she remembers cooking in the farm kitchen, living on the farm and more sinister episodes. This freaks her out as she tells her husband Ben that she doesn’t want to move in even though he is excited at the prospect.

CrowhavenFarmAd

There are quickly established links to witch trials that took place at the farm in years gone by. 

For a 1970 horror TV movie, Crowhaven Farm pulls no punches. There are some very taboo aspects to the plot that are just as taboo now as they were back then. With the short running time, the action zips along which adds to the quickly developing insanity of how the plot develops that lends a surreal aspect to proceedings.

CrowhavenFarmPic.jpg

As I’ve said before, I hope a Blu ray company invests more in these made for TV gems and releases them looking and sounding as good as they possibly can with tons of extras. There are plenty of these movies to mine into and a horror audience who would gladfully lap them up. 

Grade- B

31 Days of Halloween- Day 20- Terror Train (1980)

31 Days of Halloween- Day 20- Terror Train (1980)

A prelude shows a prank in which a socially awkward and sexually inexperienced student is lured into having his first sexual encounter. What he doesn’t know is that the woman waiting for him in bed is actually a corpse stolen by medical students. On discovering this, Kenny becomes unhinged and is rightly traumatised.

Three years later the same students sans Kenny travel together on a train that doubles as a costume party. They start to be picked off one by one. Who could the killer be?

TerrorTrainFrenchPoster

It’s pretty obvious who it is but y’know…

This is one of the horror films that starred Jamie Lee Curtis that helped cement her status as The Scream Queen after Halloween in 1978. Of all of her horror vehicles from this time, I have to say Terror Train is my least favourite. It’s beautifully lit, with a gorgeous colour palate but remains strangely cold for me. A cross-country on a sleeper train could have been the perfect locale for a horror film but for me, the movie is surprisingly suspense free and not very atmospheric at all.

TerrorTrainLobbyCard

Slasher films in those days offered more than just kills for their audiences and there’s plenty of teen drama between the characters and even a magician in the guise of David Copperfield to add something different to proceedings.

But Terror Train is certainly substandard when compared to Halloween 2, Prom Night, The Fog and, of course, the first Halloween.

TerrorTrainAustralianPressSheet

A far too mediocre entry in the slasher sub-genre.

Grade- C-

31 Days of Halloween- Day 19- The Boogey Man (1980)

31 Days of Halloween- Day 19- The Boogey Man (1980)

This film begins with the vile abuse of a small boy and his sister after they spied on their mother getting it on with her boyfriend. After Willy is tied up and gagged on a bed, his sister Lacey grabs a huge butcher knife, cuts the ropes that are holding her brother to the bed and then hands him the knife. He then stabs his abuser repeatedly.

The film then flashes forward as we see Willy (now dumb after what had happened that night) and Lacey who is now married with a son. Lacey is also still traumatised from past events as she regularly has nightmares and night traumas. Lacy receives a letter from her mother in the mail who is writing as she doesn’t have long to live and wants to see her children again.

BoogeyManThaiPoster

She goes to see a psychiatrist (played by John Carradine) to try to fathom out how to overcome her past traumas. A visit to the old childhood house where the past traumatic events occurred is suggested. Lacey’s husband finds that the house is up for sale and so looking around inside it should be easy. It’s here that Lacey sees a vision of her mother’s abusive lover in a mirror and so smashes it with a chair. The mirror and its broken pieces are all taken back with Lacey and Jake to the farm they live on. Unbeknownst to them however is that the mirror and its broken fragments hold a malevolent evil for anyone who comes into contact with it as we see with very gory results throughout the rest of the film.

BoogeyManMirror

Even though there are loads of references to other more famous horror films (I counted bits pinched from Halloween, The Exorcist, The Amityville Horror, Carrie, Nightmares…) The Boogey Man is still a really entertaining horror film. It would earn its own notoriety in the UK as it would earn its own place on the DPP List and would forever be known as a Video Nasty. It was actually passed uncut for its initial cinema release in 1981 but was then banned in 1983 after being issued on the VIPCO label. It was issued on video in 1992 but only after being cut by 44 seconds. This was the release I watched when I saw the film for the first time.

Seeing it today I’m glad that it’s now looking fantastic on Blu ray and completely uncut. It has a great feel to it, even though it steals from many other films. Check out Tim Krog’s score for the film. It’s early 80’s slasher movies personified.

In fact, the poster for the film is hanging on the wall of the exploitation production company that John Travolta works at in Brian De Palma’s movie Blow Out. I bet De Palma referenced The Boogey Man when he was making the starting sequence of his film (cheekily called Co-Ed Frenzy within Blow Out) as there are many nods to The Boogey Man- the POV shot, the ultra sleazy analogue synth soundtrack…

BoogeyManBlowOut.jpg

Grade- B

31 Days of Halloween- Day 18- Watch Me When I Kill (1977)

31 Days of Halloween- Day 18- Watch Me When I Kill (1977)

This prime slice of Giallo starts with us witnessing the murder of a pharmacist. A woman sees the murderer leave the premises which places a target on her own head. Her boyfriend undertakes some amateur sleuthing to try to find out who could be her would-be assassin. Many twists and turns ensue with a few very stylish murders thrown in for good measure.

WatchMeWhenIKillBanner

This is a really interesting film as the emphasis is on the whodunnit aspect of Giallo (the original pulp novels were actually crime novels that incorporated a whodunnit aspect as well as gruesome murders. These books had distinctive yellow pages with yellow being ‘Giallo’ in Italian) rather than the murders although these are fantastic in this film.

What more can I say? Beautiful direction, gorgeous locales, style coming out of every pore- this is Giallo, baby!

WatchMeWhenIKillPoster

You’ll never guess the ending in a million years.

Grade- B-

31 Days of Halloween- Day 15- Halloween Kills (2021)

31 Days of Halloween- Day 15- Halloween Kills (2021)

After the frankly dreadful film from 2018 I wasn’t looking forward to it’s sequel. I even intended on not seeing the film but someone posted online that this was ‘The Film of the Year’. Mission accepted. I had to see and review it.

After the dodgy political posturing of the previous film (‘The Night The Patriarchy Came Home’), I was wondering which issues the new film would try to slyly convey. I looked at Jamie Lee Curtis’ Instagram profile to try to find a few clues. Maybe the new film would depict Michael Myers as an embodiment of inactivity against global warming with Laurie becoming a Greta Thunberg type Final Girl (or should that be Final Granny), accusing Michael of stealing her childhood and exclaiming that she can *actually see* CO2. Or maybe it will tackle transgenderism with Michael engendering (pun not intended) cis-gender bigotry and heteronormativity. Maybe Elliott Page could battle Michael. The options are limitless.HalloweenKillsQuadPoster

The start of Halloween Kills seemed to confirm my notions with the first character we see being the stunning and brave Bonnie (actually a man in a dress) from the fancy dress party from the previous movie still all frocked up and arguing with his Clyde on the phone. 

But then the film goes light on the political agenda posturing. There are a few touches here and there- the mainly white lynch mob who go after Michael, the mother-daughter action near the end of the film (‘I’m an innocent woman!’ screams Mommy Strode to Michael. ‘Just like my mother was!’ There’s Michael as patriarchy again).

HalloweenKillsWomen.jpg
The matriarchy are back!

Talking of Granny Strode, Jamie Lee is stuck in the hospital for much of the film rather than being the geriatric Linda Hamilton wannabe she was in the previous film. There is a God after all.

There was only one character I actually enjoyed and rooted for in this film and that was Michael. Maybe that’s his role in the later franchise entries and that’s viciously killing the film’s most irritating characters- the doctor, nurse and Marion (yes, the Marion from the first film), the couple flying the drone around their house, the gay couple who have taken over (and decorated to perfection) the old Myers house.

TommyDoyleHalloweenKills.jpg

But the worst crime of this film is that it references, steals and pillages far too much from the first film. In fact, it does so in such a heavy-handed fashion that it reminds you that you could be watching a genuine masterpiece rather than this anaemic entry. Characters from the first are introduced so thick and fast that it feels like there is an air of desperation about proceedings. There are sequences shot depicting other events from THAT night in 1978, a CGI Dr Loomis and even clips from the original film inserted here. Does it feel authentic? Does it hell. Halloween 2 felt wayyy more like the original film in feel, tone and visuals. After coming out of the movie I read a review that said these ham-fisted pilferings were ‘poisoning the well’ regarding the original’s legacy. I couldn’t agree more.

Halloween Kills feels like an episode from some kind of Halloween spin-off TV series that hasn’t even been made- yet. But give it time. It’s a film for the fanboys to salivate over, the kind of viewers who will lap it up as, y’know, Michael Myers is in it and he kills people.

HalloweenKillsFireman.jpg

Stick with the original and also Part 2 and the excellent Part 3: Season of the Witch. Everything after that is fanboy territory.

One final thought. During the runtime, I kept thinking about John Carpenter (who acts as Executive Producer for Halloween Kills as well as composing the soundtrack). I kept thinking ‘This is the worst thing he’s ever been associated with during his whole career. And he’s done it by seemingly not caring if he cheapens the legacy of the first Halloween film’. Maybe that’s the real horror regarding this film.

Grade- E