Take The Red Pill. Do it now.

Take The Red Pill. Do it now.

As its International Men’s Day I thought I’d review a documentary that I saw a few days ago.

How did I learn of The Red Pill? Thats a journey in itself…Someone tried to bully me in my place of work for being openly gay (note the word ‘tried’. I fought back and have never seen myself as a victim. I’m a fighter). However, in the midst of what was happening to me I began to suffer from clinical depression. The panic attacks that I had kept at bay since the age of 13 were now out of control and I began to experience suicidal thoughts on a daily basis.

It was whilst suffering from all of this that I began to research the issue of suicide and learnt that 75-78% of suicides are male. This fact shocked me massively.

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And so from looking into male suicide I learnt about The Red Pill. The title is actually a reference to the movie The Matrix ”in which the protagonist is offered the choice of a red pill, representing truth and self-knowledge, or a blue pill representing a return to blissful ignorance”.

I knew that the film was seen as controversial to some people with some feminists wanting it to be banned.

So is this film about the Men’s Rights Movement a rancid cesspool of anti-feminism rhetoric, a film that only conveys views from rape enablers that are fundamentally anti-women? Of course not. The film is amazingly balanced with Men’s Rights activists finally given a platform as well as feminists on the same topics. I had never heard these Men’s Rights advocates speak before which is also very telling. The audience is granted a modicum of intelligence with which they can make up their own mind.

Topics raised and discussed include male suicide, the lack of funding for male health conditions such as testicular and prostate cancer, the custody battles that fathers go through, the male victims of domestic abuse…the list goes on. These are all issues in which there is no equality between the sexes with men coming out disadvantaged.

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The documentary itself is amazingly made by filmmaker Cassie Jaye. She presents a well rounded and perceptive documentary that is balanced, fact-based and free from hysterical amateur dramatics. The documentary flows effortlessly and you feel like you want to see more when it finishes. Thankfully there are uncut and unedited interviews from the film on YouTube. And whilst you’re on YouTube look up Cassie Jaye’s videos. Especially of note are the interviews given to the Australian media who had never even seen the film (they claim that Ms Jaye hadn’t supplied the film for them to see when in fact she had and several times. Ignorance is bliss, Andrew O’Keefe) but called it misogynistic and hateful. This is clear proof that they had never seen the film as The Red Pill is neither.

But it seems that others are also taking The Red Pill. Taste of Cinema had a list of their favourite documentaries on their website recently. The Red Pill featured in that list. And it fully deserved to be there.

I’ll finish this review by reiterating the fact I quoted earlier. 75-78% of suicides are male. 75-78%! These conversations regarding men’s issues need to be had before there are many more casualties. And I speak from very bitter experience. The Red Pill starts this process of discussion and discourse in a brilliantly balanced and intelligent way. Thank you, Cassie Jaye.

 

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Life Imitates Art

Life Imitates Art

Its amazing the similarities between different sources I see in my research for this page.

Here is a comparison I’ve made between Wes Craven’s gritty masterpiece Last House on the Left (1972) and a women’s self defence video called Rapist Beware! (1990).

Another accolade that can be attached to the legacy of Wes Craven- his pioneering vision of women’s rights.

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Top 10 Prisoner Cell Block H Characters

Top 10 Prisoner Cell Block H Characters

I’ve just created a video of my Top 10 Prisoner Cell Block H characters.

The videos here.

For those of you who don’t know I’m a huge Prisoner fan. I actually think its the best TV programme ever made.

Yes, this is Meathook Cinema but with Prisoner being Cult TV at its finest I have no problems with extolling its virtues.

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Coming soon- a mammoth article on the programme and why its so vital to anyone with a taste for brilliant popular culture.

Now, I’ll have ten bucks on Fancy Nancy running in the 2.10 at Kiteton. I hope you’re not a piker…

Halloween 2 (1981) – Day 15- 31 Days of Halloween

Halloween 2 (1981) – Day 15- 31 Days of Halloween

It takes a great big set of balls to make a sequel to a film that is recognised as a classic. One such film is Halloween. Is the sequel any good?

Well, yes it is actually. There are many things to love.

One such thing is that the film carries on straight after the events from the first film. Laurie is taken to hospital and Michael Myers follows her. This is audacious in the extreme. It also means that the feel and look of the original need to be similar to the iconic original. And whilst Carpenter isn’t directing this time (he co-wrote the film with partner Debra Hill and co-scored with Alan Howarth), new boy Rick Rosenthal does a pretty good job. It feels for the most part like the first film but that doesn’t mean that its as good. But if Halloween is A+ then Halloween 2 is B+.

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Original press ad

The hospital provides the perfect setting for the terror to continue. Yes, there aren’t many people in the building but its a small local hospital. Stop nitpicking, horror geeks. The setting also means that Michael can use medical implements to kill with- ironic when these instruments are intended to save lives rather than shorten them. Hence, Michael’s weapon of choice is a scalpel. In other scenes he also uses syringes (inserted into eyeballs!) and a therapy pool is turned up to boiling and a nurse is dunked underwater until her face receives the face-peel from hell whilst drowning at the same time. This scene was severely cut in the UK video release. In its uncut glory it really is something to behold.

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A new use for a syringe

In fact, the murders in this film are a lot nastier and more graphic than in the original. When Halloween 2 was made the slasher genre it inspired was in full swing. This film had something to prove and so the murders are very nasty indeed. Its like the makers of Halloween 2 were trying to show that they were still head and shoulders above the rest of the pack. And they succeed whilst doing so with artistic aplomb.

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The murders in Halloween 2 are more graphic than the original

There also seems to be a grittiness and cynicism underlying the film that is both endearing and entertaining to watch. Examples of this jaded mentality are peppered throughout the movie. A child is admitted with a razor blade embedded in his mouth which alludes to the ‘razor blade in the candy’ urban legend. A female reporter tells a colleague when reporting Myers’ bloodbath from the first film ‘You need the parents’ permission to get a statement. If you can’t get it then get a statement anyway!’ The nurse who deals with the child bleeding from his mouth shows no compassion at all and gets the child and his mother to wait whilst the child suffers. The security guard Mr Garrett is seen reading a comic book instead of doing his job properly. Hence he doesn’t see Myers on his CCTV monitors. The doctor who treats Laurie’s injuries from the first film was at the same party as her parents and is actually drunk on the job. These quirks make Halloween 2 much better than its competitors. Whilst this isn’t George A Romero level social commentary this film isn’t as vacuous as many slasher imitators and still has astute observations to make.

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Razorblade in the candy

But there are a few (but not many) examples of the film pandering or conforming to slasher movie conventions. One such is the scene in which Mr Garrett goes to investigate a break in. There is the cliched cat scare and also a door being opened to have lots of boxes fall onto the rotund night watchman. Whilst this all happens as a build up to Michael finishing off this character these events would never have happened in the original film. In fact, wasn’t there a cat scare in Friday the 13th Part 2? Thats more the kind of thing to find in that franchise than the Halloween films.

Also, the nudity and sexual references are ramped up in this film. Hence there are more titties and the irritating character of Bud singing a really unfunny dirty version of Amazing Grace. I cheered when he was killed by Michael in such a non-descript way. His vile character deserved no more than this.

Within this film is the revelation that Michael is actually Laurie’s brother. Hence why Myers wants to kill her- hes killed one sister, hes come back for the other. This plot detail doesn’t feel forced and gives the film the truly chilling dream sequence that Laurie has- including seeing an evil looking Michael in his asylum.

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Laurie’s flashback of Michael in the asylum

Theres also appearances of other characters from the first film. Annie appears as a corpse (!) and Laurie’s crush Ben Tramer is killed by when running from a gun wielding Dr Loomis (more of that cynicism). Freud would have a field day with the Myers costume that Tramer is wearing. Was this the film being really clever by suggesting a kind of subconscious incestuous desire between Laurie and Michael or was it just being really stupid by having Ben coincidentally wear the exact same costume as Michael? The examination of the teeth of Ben Tramer’s charred body fully depicts the sequel’s mentality- where the original used the economy and anonymity of shadowplay and genius framing this film presents the horror in full sight with all of the lights on, warts and all. Nothing is hidden, on any level.

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Halloween 2- horror with the lights on

On the whole the film feels similar to the original and pulls off, for the most part, the impossible. Jamie Lee Curtis is as kickass as ever as Laurie (check out the big chase scene- its edge of the seat brilliant) and Donald Pleasance is also excellent (even though some of his dialogue lapses into camp. ‘I’ve been trick or treated to death!’ says a neighbour to which Loomis replies ‘You don’t know what death is!’ I stifled a laugh).

The score is a progression of the original score. Where the original was piano led with a smuttering of synth, this score is all synth with the original songs elaborated upon by Carpenter and Alan Howarth. Its a great soundtrack even though, like the film itself, it isn’t as great as the original. The score for this film was named one of the best soundtracks of all time by Empire Magazine.

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The remastered and expanded soundtrack

This film is great fun. Its as good as a sequel to a masterpiece could be. Which is the highest praise possible. Judging by the other Halloween movies featuring Myers, this could have been a lot worse.

4 out of 5

The Stepford Wives (1975) – Day 8 – 31 Days of Halloween

The Stepford Wives (1975) – Day 8 – 31 Days of Halloween

If you could replace your wife with a robot hausfrau who lives to cook, clean, be subserviant to her man and climax every time you had sex, would you? 

Joanna Eberhart has just moved to Stepford and is suspicious of the sinister Men’s Association. Joanna is a liberated woman, a free spirit. And in Stepford that just won’t do.

This is a brilliant satire of both the patriarchy and Women’s Lib movement. It hits its targets effortlessly and is a bone chilling joy from start to finish.

A great cast with the director Bryan Forbes’ wife Nanette Newman playing a home loving android. Her casting is genius as shes known in Britain as the face of Fairy Liquid and an uber Stepford Wife in the sunshine drenched world of advertising.

This is one of the scariest and bleakest horror films I’ve ever seen. Brilliant.