Review- Three Billboards Outside Ebbing, Missouri

Review- Three Billboards Outside Ebbing, Missouri

Why is it that when I see that Film 4 funded a film that its going to look like its been made for TV and lacking in scope or depth?

This film could have been a massive example of social justice warrior filmmaking (damn those white men in power!) But instead there are so many twists and turns that characters who were earlier stereotyped as either ‘goodies’ (the strong woman, anyone of colour, the white man labelled a ‘faggot’, the midget…) or baddies (white men with power to abuse, of course) are in fact shown to be three dimensional and fully nuanced. Everyone is capable of good and evil. Yes, even white men can be good! Its a miracle. I hope Oprah has seen this movie.

Sometimes the film’s comedical stance works wonders, sometimes it feels awkward seeing as the film is about makes the rape and murder of a young woman.

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The lead character of Mildred is one of the most interesting I’ve seen in a long time and is played to perfection. In fact there are great performances all round. Woody Harrelson is fast building a filmography that would be the envy of any actor.

But the film doesn’t knit together quite right. And sometimes its ‘politiks’ feel so holier than thou that I wanted to vomit. Mildred only looks happy when embracing her black co-worker. Virtue, anyone?

On the plus side, its photographed beautifully with Ebbing looking absolutely gorgeous.

So, not a masterpiece. But with enough redeeming qualities to ensure you’re not looking at your watch.

3 out of 5

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Review- ‘Hostiles’ (2017)

Review- ‘Hostiles’ (2017)

A Western with a twist or ten.

Beautifully shot, amazingly acted and perceptive insights into humanity, its darkness and beauty, masculinity, life and death. And thats just for starters.

The realities of this tough life are also explored with mental illness, PTSD and the burden of murder, even if its a job requirement, all being depicted.

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I went to see this film just because Christian Bale was in it- which is the ultimate accolade for an actor. He was top class- as were all of the performances.

This deserves to win every award under the sun.

4.5 out of 5

Review- ‘Wonder’ (2017)

Review- ‘Wonder’ (2017)

WARNING- The ending of this film is so sugar coated that you will become diabetic.

This film is basically saying ‘Life sucks whether you have a facial deformity or not’.

Julia Roberts is great (as per). Owen Wilson is in a film that isn’t an utter embarrassment for once (way to go).

But the film feels like an overlong episode from some bright and breezy TV show. Theres no real depth even though the subject of someone being different could be examined perceptively in relation to human nature and people’s vicious pack mentality.

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Theres also some vile stereotyping going on here. All the bullies within the film are white and stinking rich. The goodies either have a facial deformity, are related to him, aren’t white or are a member of another religion (the Jewish headmaster). Social justice filmmaking. Urgh.

If John Waters had made this film, the lead character would have accentuated his unique looks, dressed in drag and owned this film. Maybe Mr Waters could remake this. In fact I think hes already made that film- it had songs, dance routines, Divine and was called Hairspray.

Watch Mask instead. You get Cher and bikers thrown in as well.

2 out of 5

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Mask (1985)- Cher, bikers and a blind girl. A much better film