I love a sequel that not only ups the ante regarding the original film but decides to be as extreme as possible and really ‘go for it’.
In this film theres a new family who move into Amityville. You know that any family that includes Burt Young and Rutanya Alda as members is going to be dysfunctional. And, by Christ, I mean VERY dysfunctional. Any film that deals with incest is going to be special. Theres also a domestic violence subplot which is just as shocking.
Add to that some of the grossest special effects as the teenage son is possessed and transformed into an utter beast of a nightmarish character and you have a great, twisted and truly messed up (in a good way) sequel.
I remember this having one of the most disturbing sleeves of any horror video in my local video stores which instantly made me want to investigate this further.
There is also a scene involving a Sony Walkman which freaked me out so much that it made me question using mine for days after seeing this filth classic.
I actually saw this back in the 80’s when it was called Piranha 2: Flying Killers.
Theres really not much plot except that there is a shoal of piranhas who have wings terrorising a resort. Pulitzer Prize worthy stuff.
The lead female character seems to have been based on Stevie Wayne from The Fog if we got to see her a few years later.
This film is famous for being directed by James Cameron. He stated in an interview that in fact he was fired after a week, the producer shot and edited the rest of the film and Cameron couldn’t get his name taken off the credits.
The movie feels like an early sun-drenched porno flick with all the sex cut out.
This certainly isn’t the worst film I’ve ever seen and doesn’t deserve it’s reputation. But it certainly isn’t a patch on Joe Dante’s original masterpiece. It does possess a certain weird cheesy charm though.
The print I saw of this flick was pan and scan and somewhat fuzzy. I’d love to see Scream Factory’s Blu ray. Apparently it looks and sounds amazing.
A boat sails into New York but the only person onboard happens to be a morbidly obese zombie who seems to be pissed off and hungry. The daughter of the boat’s owner decides to venture to where her father had been, a Caribbean island called Matul. She takes along with her a journalist who smells a story.
This film was butchered by the BBFC on its initial release. The distributors decided to release a stronger uncut version that then lead to the film being banned and placed on the DPP video nasties list.
This film is reknowned for going the extra mile. Ever wondered what would happen if a zombie took on a shark? Of course you have! This film features it. Add to the mix a revolutionary eye-gouging scene, a great score by Fabio Frizzi and one of the most iconic ending scenes in horror history. Oh, and some of the most annoyed zombies with especially bad attitudes and you have a great movie.
This Italian shocker directed by maestro Lucio Fulci actually billed itself as a sequel to the Argento cut of Dawn of the Dead in Italy. Is it a masterpiece like Dawn? No. But its still one hell of a ride.
I first heard of Phantasm when its sequel came out. Barry Norman reviewed it and admitted that he hadn’t even heard of the first film. Neither had I.
Fortunately, my sister in law had a friend who had closed down their video business and so gave her a lot of the videos he used to rent out. She lent me two films that could be classed as life-changing. One was The Rocky Horror Picture Show. The other was Phantasm.
The film starts off like standard horror fare- sinister goings-on at a small-town American mortuary. But then the film starts to get more and more surreal. It’s like a lot of the film inhabits a dark dream-like world.
Check out the scene where the lead character goes to see a local seer. Add to that the chase scene in which Michael chops off The Tall Man’s fingers and takes one home. This film is most famous for the flying silver spheres within the funeral home. These spheres certainly don’t disappoint.
And then there’s the soundtrack which fluctuates between gritty analogue synths of doom and funereal organs. I found the soundtrack on CD and within the sale section of a local and long gone record store.
One of the best purchases I’ve ever parted money for.
Angus Scrimm as The Tall Man deserves recognition as one of the scariest and most sinister baddies of all time. He’s unrelenting, otherworldly and the inhabitant of many viewers’ nightmares.
Back in the day, this film was shown not just individually but also as a double bill with John Carpenter’s The Fog. Two amazing kick-ass horror films right there.
This film was remastered and released at cinemas across America last year. And it deserved the 4K treatment.
File this film under ‘underrated’. Also, file it under ‘masterpiece’.
A class are transported to an island and its then disclosed that they have to kill each other with the last person left standing the winner.
Brutal (as you’d expect) but also witty, humane and strangely poignant in places. This film is brilliantly acted, directed with style and is beautiful to look. Murder and deception has never looked so good. In fact the ‘killing for sport’ theme reminded me of one of my favourite films, Turkey Shoot.
And thats all I’m going to say. To say anything more would ruin the film completely. See it.
Every day in October I will be reviewing a different horror film.
Some of the criteria I’ve used for the choice of films are
– a film from each decade from the 1920s onwards
– films from a number of different countries
– a Friday the 13th film as within October this year the 13th falls on a Friday!!! (mind blown)
The rest of my choices were films that I had wanted to see for ages but hadn’t gotten around to or were films that I have seen before but was dying to revisit (three of the films have ratings already by myself. These are some of the films that will be revisited and be reviewed again to see if my opinion has changed).
When I had my list of films they were then fed into an online randomiser so that they could be mixed up. With my randomised list I made one change- I made sure that the film watched on the 13th of October was the Friday the 13th movie. But thats the only change.
Here are the films-
Day 1- The Nanny (1965)
Day 2- Battle Royale (2000)
Day 3- The Exorcist (1973)
Day 4- Piranha (1978)
Day 5- Dark Night of the Scarecrow (1981) and Tales From The Unexpected episode ‘Flypaper’ (1980)
Day 6- The Abominable Dr Phibes (1971)
Day 7- The Fog (1980)
Day 8- Eyes Without A Face (1960)
Day 9- Phantasm (1979)
Day 10- Nosferatu (1922)
Day 11- Blood Beach (1980)
Day 12- The Hills Have Eyes (1977)
Day 13- Friday the 13th Part 4- The Final Chapter (1984)
A bigger budget, a remake of sorts, this film was released when the video nasties furore was petering out. People were starting to see that horror movies wouldn’t turn the working class oinks into bloodthirsty serial killers or even adversely affect their dogs (as Graham Bright so hilariously claimed) but could be considered as art and great entertainment to boot.
This film was held up quite rightly as one such film. Raimi’s imagination goes into overdrive with this entry as we have Ash battling his own hand, chopping it off and replacing it with a chainsaw. Groovy. My favourite character has to be the mounted moose head that suddenly comes back to life.
This really is one of the most franetic, kinetic pieces of film I’ve ever seen. We also get to see Ash as a Kandarian demon. Brilliant. And the premise for the next film in the series is established at the end. And theres no CGI. Hooray. There is so many great scenes in this film that its impossible to cover even a tiny amount of the insanity. Watch this film and fasten your seatbelts.
Highly recommended. 4 out of 5
Halloween 2 (1981) – Day 15- 31 Days of Halloween
It takes a great big set of balls to make a sequel to a film that is recognised as a classic. One such film is Halloween. Is the sequel any good?
Well, yes it is actually. There are many things to love.
One such thing is that the film carries on straight after the events from the first film. Laurie is taken to hospital and Michael Myers follows her. This is audacious in the extreme. It also means that the feel and look of the original need to be similar to the iconic original. And whilst Carpenter isn’t directing this time (he co-wrote the film with partner Debra Hill and co-scored with Alan Howarth), new boy Rick Rosenthal does a pretty good job. It feels for the most part like the first film but that doesn’t mean that its as good. But if Halloween is A+ then Halloween 2 is B+.
The hospital provides the perfect setting for the terror to continue. Yes, there aren’t many people in the building but its a small local hospital. Stop nitpicking, horror geeks. The setting also means that Michael can use medical implements to kill with- ironic when these instruments are intended to save lives rather than shorten them. Hence, Michael’s weapon of choice is a scalpel. In other scenes he also uses syringes (inserted into eyeballs!) and a therapy pool is turned up to boiling and a nurse is dunked underwater until her face receives the face-peel from hell whilst drowning at the same time. This scene was severely cut in the UK video release. In its uncut glory it really is something to behold.
In fact, the murders in this film are a lot nastier and more graphic than in the original. When Halloween 2 was made the slasher genre it inspired was in full swing. This film had something to prove and so the murders are very nasty indeed. Its like the makers of Halloween 2 were trying to show that they were still head and shoulders above the rest of the pack. And they succeed whilst doing so with artistic aplomb.
There also seems to be a grittiness and cynicism underlying the film that is both endearing and entertaining to watch. Examples of this jaded mentality are peppered throughout the movie. A child is admitted with a razor blade embedded in his mouth which alludes to the ‘razor blade in the candy’ urban legend. A female reporter tells a colleague when reporting Myers’ bloodbath from the first film ‘You need the parents’ permission to get a statement. If you can’t get it then get a statement anyway!’ The nurse who deals with the child bleeding from his mouth shows no compassion at all and gets the child and his mother to wait whilst the child suffers. The security guard Mr Garrett is seen reading a comic book instead of doing his job properly. Hence he doesn’t see Myers on his CCTV monitors. The doctor who treats Laurie’s injuries from the first film was at the same party as her parents and is actually drunk on the job. These quirks make Halloween 2 much better than its competitors. Whilst this isn’t George A Romero level social commentary this film isn’t as vacuous as many slasher imitators and still has astute observations to make.
But there are a few (but not many) examples of the film pandering or conforming to slasher movie conventions. One such is the scene in which Mr Garrett goes to investigate a break in. There is the cliched cat scare and also a door being opened to have lots of boxes fall onto the rotund night watchman. Whilst this all happens as a build up to Michael finishing off this character these events would never have happened in the original film. In fact, wasn’t there a cat scare in Friday the 13th Part 2? Thats more the kind of thing to find in that franchise than the Halloween films.
Also, the nudity and sexual references are ramped up in this film. Hence there are more titties and the irritating character of Bud singing a really unfunny dirty version of Amazing Grace. I cheered when he was killed by Michael in such a non-descript way. His vile character deserved no more than this.
Within this film is the revelation that Michael is actually Laurie’s brother. Hence why Myers wants to kill her- hes killed one sister, hes come back for the other. This plot detail doesn’t feel forced and gives the film the truly chilling dream sequence that Laurie has- including seeing an evil looking Michael in his asylum.
Theres also appearances of other characters from the first film. Annie appears as a corpse (!) and Laurie’s crush Ben Tramer is killed by when running from a gun wielding Dr Loomis (more of that cynicism). Freud would have a field day with the Myers costume that Tramer is wearing. Was this the film being really clever by suggesting a kind of subconscious incestuous desire between Laurie and Michael or was it just being really stupid by having Ben coincidentally wear the exact same costume as Michael? The examination of the teeth of Ben Tramer’s charred body fully depicts the sequel’s mentality- where the original used the economy and anonymity of shadowplay and genius framing this film presents the horror in full sight with all of the lights on, warts and all. Nothing is hidden, on any level.
On the whole the film feels similar to the original and pulls off, for the most part, the impossible. Jamie Lee Curtis is as kickass as ever as Laurie (check out the big chase scene- its edge of the seat brilliant) and Donald Pleasance is also excellent (even though some of his dialogue lapses into camp. ‘I’ve been trick or treated to death!’ says a neighbour to which Loomis replies ‘You don’t know what death is!’ I stifled a laugh).
The score is a progression of the original score. Where the original was piano led with a smuttering of synth, this score is all synth with the original songs elaborated upon by Carpenter and Alan Howarth. Its a great soundtrack even though, like the film itself, it isn’t as great as the original. The score for this film was named one of the best soundtracks of all time by Empire Magazine.
This film is great fun. Its as good as a sequel to a masterpiece could be. Which is the highest praise possible. Judging by the other Halloween movies featuring Myers, this could have been a lot worse.