A boat sails into New York but the only person onboard happens to be a morbidly obese zombie who seems to be pissed off and hungry. The daughter of the boat’s owner decides to venture to where her father had been, a Caribbean island called Matul. She takes along with her a journalist who smells a story.
This film was butchered by the BBFC on its initial release. The distributors decided to release a stronger uncut version that then lead to the film being banned and placed on the DPP video nasties list.
This film is reknowned for going the extra mile. Ever wondered what would happen if a zombie took on a shark? Of course you have! This film features it. Add to the mix a revolutionary eye-gouging scene, a great score by Fabio Frizzi and one of the most iconic ending scenes in horror history. Oh, and some of the most annoyed zombies with especially bad attitudes and you have a great movie.
This Italian shocker directed by maestro Lucio Fulci actually billed itself as a sequel to the Argento cut of Dawn of the Dead in Italy. Is it a masterpiece like Dawn? No. But its still one hell of a ride.
I first heard of Phantasm when its sequel came out. Barry Norman reviewed it and admitted that he hadn’t even heard of the first film. Neither had I.
Fortunately my sister in law had a friend who had closed down their video business and so gave her a lot of the videos he used to rent out. She lent me two films that could be classed as life-changing. One was The Rocky Horror Picture Show. The other was Phantasm.
The film starts off like standard horror fare- sinister goings on at a small town American mortuary. But then the film starts to get more and more surreal. Its like a lot of the film inhabits a dark dream-like world.
Check out the scene where the lead character goes to see a local seer. Add to that the chase scene in which Michael chops off The Tall Man’s fingers and takes one home. This film is most famous for the flying silver spheres within the funeral home. These spheres certainly don’t disappoint.
And then theres the soundtrack which fluctuates between gritty analogue synths of doom and funereal organs. I found the soundtrack on CD and within the sale section of a local and long gone record store.
One of the best purchases I’ve ever parted money for.
Angus Scrimm as The Tall Man deserves recognition as one of the scariest and most sinister baddies of all time. Hes unrelenting, otherworldly and the inhabitant of many viewers nightmares.
Back in the day this film was shown not just individually but also as a double bill with John Carpenter’s The Fog. Two amazing kick-ass horror films right there.
This film was remastered and released at cinemas across America last year. And it deserved the 4K treatment.
File this film under ‘underrated’. Also file it under ‘masterpiece’.
A class are transported to an island and its then disclosed that they have to kill each other with the last person left standing the winner.
Brutal (as you’d expect) but also witty, humane and strangely poignant in places. This film is brilliantly acted, directed with style and is beautiful to look. Murder and deception has never looked so good. In fact the ‘killing for sport’ theme reminded me of one of my favourite films, Turkey Shoot.
And thats all I’m going to say. To say anything more would ruin the film completely. See it.
Every day in October I will be reviewing a different horror film.
Some of the criteria I’ve used for the choice of films are
– a film from each decade from the 1920s onwards
– films from a number of different countries
– a Friday the 13th film as within October this year the 13th falls on a Friday!!! (mind blown)
The rest of my choices were films that I had wanted to see for ages but hadn’t gotten around to or were films that I have seen before but was dying to revisit (three of the films have ratings already by myself. These are some of the films that will be revisited and be reviewed again to see if my opinion has changed).
When I had my list of films they were then fed into an online randomiser so that they could be mixed up. With my randomised list I made one change- I made sure that the film watched on the 13th of October was the Friday the 13th movie. But thats the only change.
Here are the films-
Day 1- The Nanny (1965)
Day 2- Battle Royale (2000)
Day 3- The Exorcist (1973)
Day 4- Piranha (1978)
Day 5- Dark Night of the Scarecrow (1981) and Tales From The Unexpected episode ‘Flypaper’ (1980)
Day 6- The Abominable Dr Phibes (1971)
Day 7- The Fog (1980)
Day 8- Eyes Without A Face (1960)
Day 9- Phantasm (1979)
Day 10- Nosferatu (1922)
Day 11- Blood Beach (1980)
Day 12- The Hills Have Eyes (1977)
Day 13- Friday the 13th Part 4- The Final Chapter (1984)
I feel like I’ve grown up with the Friday the 13th movies. Jason and his lovingly psychotic mother feel like friends to me. Through the many twists and turns of life they have remained a constant. Even if that constant is stalk, kill, repeat. Yet it would seem that the British board of Film Classification (BBFC) didn’t share my love of this misunderstood film hero. Watching the films when they were first released on video in Britain was a frustrating experience.
My first foray into the series was when I watched Part 3 which had just been released on video. I saw a poster for the film in the window of my local corner shop/off licence which would rent out any film to any person of any age (because of this I had a great relationship with them). Originally shot in 3D I watched it on video in 2D and cut by the BBFC but its brilliance still shone through. Jason acquired his trademark hockey mask and was dispatching of irritating teens in ingenious and brilliant ways. All was right with the world. I was 12 years old and already obsessed with Jason.
A little later Part 4: The Final Chapter was released in which Jason meets his maker and is killed off for good (yeah right!). I rented this at a video store near my friends house so that we could watch it together. We both loved it. The film loses the somewhat camp tone of Part 3 and gets down to the serious business of murders committed in the nastiest ways possible. However there was the issue of walking home in the dark after watching the film. I hadn’t figured on how scary the film would be. One whiff of a hockey mask wearing psycho and I’d actually become catatonic. My friends Dad gallantly offered to walk me home. Not cool- but I’m still alive.
Again as with the previous film, this entry was cut by the BBFC. As this film was more serious in tone and because make-up legend Tom Savini was back onboard the kills really were something to behold. Even with the more graphic killings being trimmed by the censors or cut out altogether (no machete slide!) the film was still very nasty indeed. Which is how a horror movie should be.
What I didn’t realise at the time was that the release of Parts 3 and 4 were actually delayed by their video company CIC. They were due to be unleashed earlier but by then the video Nasties furore had taken hold. CIC Video must have foreseen that if Mary Whitehouse had been introduced to Jason in his hockey mask at this time there would be a good chance that she would have made him and the movies that he appeared in the main focus of her puritanical destruction of other people’s fun. Jason would have been represented as Public Enemy Number 1. Jason is so iconic and terrifying in his hockey mask that Old Maid Whitehouse would have thought all of her Christmases had come at once. Great publicity but not so great if the films were banned. CIC even went so far as to issue a statement saying that in the current climate they would wait to release further Friday the 13th films. Very wise.
Whilst in 1987 things were seeming to settle down regarding horror videos a new version of the original film was released by Warners. Longer gore scenes and completely uncut, the previous version had been the cut US version which was released as a sell through video in 1983. The uncut version that was released on rental VHS the year before had been seized by the police and so Warners used the cut US version instead. This may also explain CIC’s decision to delay the release of the film’s sequels until Mrs Whitehouse and her cronies found something else to try and ban. This was possibly the only good reason for Warners having distribution rights of the original film in CIC’s eyes.
I then went and sought out the first two films. I devoured both Parts 1 and 2 and loved them unreservedly. The first was like some kind of whodunnit- like an American giallo film that was bloodfilled and only revealed the killer at the end. And boy, what a reveal! Betsy Palmer goes the extra five miles in her role as Pamela Voorhees and is one of the best performances in horror history. The second film introduced Jason to the world- sack over his head with only one eyehole as a tip of the hat to The Town That Dreaded Sundown. Friday Part 2 was an amazing film and nasty as hell. Machete to the face anyone?! I also loved the equally nasty and ominous video artwork- an electric blue outline of an anonymous malevalent figure carrying an axe against a black background.
CIC Video then got down to the task in hand- releasing the new Friday the 13th installments uninterrupted. Watching the CIC ident before watching the movies became a forewarning that we were in for a treat.
When I first heard that the next film would be called A New Beginning I imagined a TV movie style affair with family members of past victims coming together, sitting on chairs in a circle and consoling each other whilst sharing memories, hands held, about their dead loved ones. I still think my idea for the movie is better than the actual end product. It was a departure not just because the killer wasn’t Jason but the feel of the film is different from that of the first four. It felt more stylised and slick- a Friday the 13th that was trying to capture the attention of the MTV demographic. Gone was the innocence of the first four that appealed to the Fangoria reading audience.You got the impression that the series was now trying to appeal to the wider teenage moviegoers who would be happier going to see the latest John Hughes fare.
Years later I’ve warmed to this film- kinda. Just as many Halloween fans hated Halloween 3: Season of the Witch there are also many who love this. Being a fan of the runt of a franchise’s litter makes it’s fans who actually like it more passionate and extol its virtues even louder. Apprently this is Quentin Tarantino’s favourite entry. Which says so much…
I stole a standee for this film from my local video store at the time. Just sayin’. Whilst this has been lost in the sands of time there are pictures on the internet still of this valuable artefact.
Part 6 rightfully saw the resurrection of Jason with a great homage to Frankenstein and an even better homage to James Bond in it’s title sequence. The film is still as gruesome as ever but the humour, early examples of metacinema and title song by Alice Cooper (Paramount must have been feeling generous) make this an entry that makes changes to what came before but doesn’t stray far enough away to alienate fans like they had with Part 5. Whilst this film is a fan favourite this film will never be one of my favourites in the series.
Part 7 in my opinion is so much better than the just OK Part 6. Its basically Carrie (named Tina in the movie) vs Jason- and it works really well. Kane Hodder really did feel like the ultimate Jason as he brought a physicality to Jason that the previous actors hadn’t really mastered. He also had a great way of making the kills look as brutal as possible but whilst being delivered with a flourish. Its within this film that bizarrely enough Jason uses a lot of gardening impliments to kill his victims. A nice touch- objects intended to make the lives of the normal folk being used to kill them instead.
I had high hopes for Part 8 which was called Jason Takes Manhattan. I used to get a glossy film magazine imported from America at this time called Premiere and they carried a feature on the filming of the movie. My appetite was well and truly whetted.
However when I came to see the film I was left thinking ‘What the fuck was that?!’ Only the last third of the film was based in New York (*cough* CANADA! *cough*) whilst the rest of the film takes place on a boat. And the worst ending of the whole franchise- Jason is melted in toxic waste to become a boy again. And not even the hydrocephalic child Jason who is seen in the first film. Don’t you just hate it when a director makes a franchise entry but doesn’t even bother watching the original film or any of the films in the series?! My opinion of this film was changed at a screening I attended about 20 years after first seeing the film. But as they say, more about that later…
Next followed the terrible Jason Goes To Hell : The Final Friday. After an inspired first ten minutes this film falls flat on its face. Jason’s evil soul inhabits different characters in the film so that they commit murders for him. Its Part 5 all over again but with different people acting as a surrogate Jason and a supernatural element thrown in for good measure. Not what I wanted from a Friday the 13th movie. The rights for the franchise had just been bought by New Line Cinema resulting in a very cheesey Freddy Krueger’s glove cameo in the movie.
In 1997 I had the priviledge of seeing Friday the 13th Part 3 in 3D at a cinema. The National Film Theatre is probably the most highly esteemed cinema in the UK as its the official cinema of the British Film Institute. It was showing a series of films in their original 3D. The cinema would be packed with Friday 13th fans and also cineastes who who normally be watching the work of some highfalutin auteur.
The cinema snobs laughed at the ending of Part 2 which acts as a recap for Part 3. This prologue was of course filmed in 2D. I thought that these purveyors of fine film might ruin the whole film watching experience for me by laughing at the whole film. But then the impossible happened- the 3D kicked in and everyone howled with delight. The 3D process used on this film is amazing! The filmmakers really went all out with what the audience member sees when watching the film and expolits the 3D medium to its fullest. As soon as the titles started ever single person in the sold out cinema crowd started gasping, laughing and screaming.
This lasted until the end credits. People were leaving the theatre smiling and commenting on how brilliant the film had been. This is probably the best cinemagoing experience I’ve ever sat through. The NFT repeated the screening the year after and I dutifully attended. The experience was just as brilliant.
It was then several years before there was another Friday 13th movie. Maybe the stench of Jason Goes To Hell lingered on. Jason X arrived in 2001. It was basically Jason In Space and worked brilliantly! I went to see the film three times on its initial release. The filmmakers obviously knew the demographics they were aiming for- the fans of the series, sci fi fans and geeks who were inro Star Trek: The Next Generation, Lexx, Deep Space Nine and their ilk. The kills were graphic, the film was great in its use of atmosphere and tongue was firmly in cheek. This could have failed miserably but it didn’t. It worked wonderfully. And their was even a David Cronenberg cameo.
Jason X continues to be derided by many franchise fans. But the Friday fans who like the film do so with real passion just like with Part 5.
It was also around this time that I got to see what I had been missing out on. All previous cuts to the films by the BBFC were suddenly waived meaning that the film would now be completely uncut. I had seen a screening of The Final Chapter uncut by accident when it was shown on Sky Movies a few years before this. They could show films uncut even when they were still cut on video. Bizarre logic there. I was unaware of the proper ending to the film and actually screamed in both horror and glee at unexpectedly seeing the notorious ‘machete slide’ scene for the first time. It was poetry in motion.
Now that all cuts were waived I started to buy the films for the first time on DVD. The transfers were amazing and showed that in fact the films looked beautiful when presented in their correct aspect ratios and in pristine prints. I was so glad that finally common sense prevailed and we could see what the Tory Government and Herr Thatcher hadn’t allowed us to before.
I knew Freddy vs Jason would be terrible. And I was right. I lasted about 20 minutes before I left the cinema. I desperately wanted to see Kelly Rowland of Destiny’s Child beng slaughtered (any music fan would) but just couldn’t hold on. I’ve since seen the scene I was trying to stay in my seat for. The fact that Kelly’s character calls Freddy a ‘faggot’ just makes me applaud my decision to leave anymore. It was Hollywood crap which held nothing for true Friday fans. Whats more Jason wasn’t played by the brilliant Kane Hodder. No dice.
The remake of Friday the 13th was inevitable. Even though it wasn’t a straight remake of the first film. Why waste a whole film on a mystery killer like the original when you can just jump to what the studio thought everyone wanted- Jason. The film was better than I thought it would be and was genuinely scary and innovative. Jason was portrayed as a kind of survivalist which was interesting and a nice twist.
In 2012 was a very special event that I travelled all the way over from Leeds (where I was now living) to London for. At the Prince Charles Cinema in Leicester Square they were showing the first 8 Friday the 13th films in a row. This would take 16 hours and start at 18:30 and then finish at 08:30 the following day. The event itself was more than awesome. In the queue waiting for the cinema to open was someone that the cinema had employed to dress up as Jason resplendent with machete. Nice touch.
The cinema had managed to get most of the original 35mm prints of the films and so they had their original old school BBFC X certificate cards before the actual films. Between each film there was a break of 15 mins in which people could go outside and have a cigarette, grab a can of Red Bull to try and stay awake or just stay seated to be entertained by all manner of old trailers. I only fell asleep during Part 5 (thats telling!) and got to reappraise Part 8. Its a pretty good movie- great humour and I had forgot about the scene with the boxer. The crowd roared when they saw it.
When I eventually left the cinema I thought I was Jason Voorhees as sleep deprivation kicked in and I wondered off in search of breakfast. What an amazing event and a wish on my wish list was well and truly fulfiled.
My life with Jason Voorhees has been an incredible journey. From the days of cut VHS tapes through to uncut DVDs and finally through to the films looking betting than ever on Blu ray. Growing up with these films means that watching them holds so many memories as I can trace back to when I first watched them on ther initial releases. Whilst Paramount Pictures might be embarrassed by them and horror snobs may sneer and deride them they’re clearly missing out on a brilliant and very evocative franchise.
But Mr Meathook Cinema- what are your Top 10 Friday the 13th movies? Thanks for asking dear reader. It just so happens that I’ve made a video answering your question. It contains trailers, rare TV spots, my favourite kills and a scene that was shot but not used. You’ll find it here.
A bigger budget, a remake of sorts, this film was released when the video nasties furore was petering out. People were starting to see that horror movies wouldn’t turn the working class oinks into bloodthirsty serial killers or even adversely affect their dogs (as Graham Bright so hilariously claimed) but could be considered as art and great entertainment to boot.
This film was held up quite rightly as one such film. Raimi’s imagination goes into overdrive with this entry as we have Ash battling his own hand, chopping it off and replacing it with a chainsaw. Groovy. My favourite character has to be the mounted moose head that suddenly comes back to life.
This really is one of the most franetic, kinetic pieces of film I’ve ever seen. We also get to see Ash as a Kandarian demon. Brilliant. And the premise for the next film in the series is established at the end. And theres no CGI. Hooray. There is so many great scenes in this film that its impossible to cover even a tiny amount of the insanity. Watch this film and fasten your seatbelts.
Highly recommended. 4 out of 5
Halloween 2 (1981) – Day 15- 31 Days of Halloween
It takes a great big set of balls to make a sequel to a film that is recognised as a classic. One such film is Halloween. Is the sequel any good?
Well, yes it is actually. There are many things to love.
One such thing is that the film carries on straight after the events from the first film. Laurie is taken to hospital and Michael Myers follows her. This is audacious in the extreme. It also means that the feel and look of the original need to be similar to the iconic original. And whilst Carpenter isn’t directing this time (he co-wrote the film with partner Debra Hill and co-scored with Alan Howarth), new boy Rick Rosenthal does a pretty good job. It feels for the most part like the first film but that doesn’t mean that its as good. But if Halloween is A+ then Halloween 2 is B+.
The hospital provides the perfect setting for the terror to continue. Yes, there aren’t many people in the building but its a small local hospital. Stop nitpicking, horror geeks. The setting also means that Michael can use medical implements to kill with- ironic when these instruments are intended to save lives rather than shorten them. Hence, Michael’s weapon of choice is a scalpel. In other scenes he also uses syringes (inserted into eyeballs!) and a therapy pool is turned up to boiling and a nurse is dunked underwater until her face receives the face-peel from hell whilst drowning at the same time. This scene was severely cut in the UK video release. In its uncut glory it really is something to behold.
In fact, the murders in this film are a lot nastier and more graphic than in the original. When Halloween 2 was made the slasher genre it inspired was in full swing. This film had something to prove and so the murders are very nasty indeed. Its like the makers of Halloween 2 were trying to show that they were still head and shoulders above the rest of the pack. And they succeed whilst doing so with artistic aplomb.
There also seems to be a grittiness and cynicism underlying the film that is both endearing and entertaining to watch. Examples of this jaded mentality are peppered throughout the movie. A child is admitted with a razor blade embedded in his mouth which alludes to the ‘razor blade in the candy’ urban legend. A female reporter tells a colleague when reporting Myers’ bloodbath from the first film ‘You need the parents’ permission to get a statement. If you can’t get it then get a statement anyway!’ The nurse who deals with the child bleeding from his mouth shows no compassion at all and gets the child and his mother to wait whilst the child suffers. The security guard Mr Garrett is seen reading a comic book instead of doing his job properly. Hence he doesn’t see Myers on his CCTV monitors. The doctor who treats Laurie’s injuries from the first film was at the same party as her parents and is actually drunk on the job. These quirks make Halloween 2 much better than its competitors. Whilst this isn’t George A Romero level social commentary this film isn’t as vacuous as many slasher imitators and still has astute observations to make.
But there are a few (but not many) examples of the film pandering or conforming to slasher movie conventions. One such is the scene in which Mr Garrett goes to investigate a break in. There is the cliched cat scare and also a door being opened to have lots of boxes fall onto the rotund night watchman. Whilst this all happens as a build up to Michael finishing off this character these events would never have happened in the original film. In fact, wasn’t there a cat scare in Friday the 13th Part 2? Thats more the kind of thing to find in that franchise than the Halloween films.
Also, the nudity and sexual references are ramped up in this film. Hence there are more titties and the irritating character of Bud singing a really unfunny dirty version of Amazing Grace. I cheered when he was killed by Michael in such a non-descript way. His vile character deserved no more than this.
Within this film is the revelation that Michael is actually Laurie’s brother. Hence why Myers wants to kill her- hes killed one sister, hes come back for the other. This plot detail doesn’t feel forced and gives the film the truly chilling dream sequence that Laurie has- including seeing an evil looking Michael in his asylum.
Theres also appearances of other characters from the first film. Annie appears as a corpse (!) and Laurie’s crush Ben Tramer is killed by when running from a gun wielding Dr Loomis (more of that cynicism). Freud would have a field day with the Myers costume that Tramer is wearing. Was this the film being really clever by suggesting a kind of subconscious incestuous desire between Laurie and Michael or was it just being really stupid by having Ben coincidentally wear the exact same costume as Michael? The examination of the teeth of Ben Tramer’s charred body fully depicts the sequel’s mentality- where the original used the economy and anonymity of shadowplay and genius framing this film presents the horror in full sight with all of the lights on, warts and all. Nothing is hidden, on any level.
On the whole the film feels similar to the original and pulls off, for the most part, the impossible. Jamie Lee Curtis is as kickass as ever as Laurie (check out the big chase scene- its edge of the seat brilliant) and Donald Pleasance is also excellent (even though some of his dialogue lapses into camp. ‘I’ve been trick or treated to death!’ says a neighbour to which Loomis replies ‘You don’t know what death is!’ I stifled a laugh).
The score is a progression of the original score. Where the original was piano led with a smuttering of synth, this score is all synth with the original songs elaborated upon by Carpenter and Alan Howarth. Its a great soundtrack even though, like the film itself, it isn’t as great as the original. The score for this film was named one of the best soundtracks of all time by Empire Magazine.
This film is great fun. Its as good as a sequel to a masterpiece could be. Which is the highest praise possible. Judging by the other Halloween movies featuring Myers, this could have been a lot worse.