Day 31- 31 Days of Halloween- Seytan (aka Turkish Exorcist)- 1974

Day 31- 31 Days of Halloween- Seytan (aka Turkish Exorcist)- 1974

There was a long standing tradition for Turkish remakes of huge Hollywood blockbusters. These remakes have miniscule budgets and are made quickly so that they can be released soon after the original.

The Exorcist was remade in Turkey for a tiny proportion of the original’s budget. This means that we get hilarious special effects, truly garish decors and the worst hairstyles ever committed to celluloid.

 

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But whilst we know what we’re getting this film is a true cult movie through and through. It might be cheap and tacky but its also what a lot of more expensive films struggle to be- utterly charming, engaging and a pleasure to watch.

Let me leave you with a question- would you rather watch a film like this or a Hollywood studio multiplex movie that has a budget of millions but also has characters you couldn’t care less about, an uninspired plot and CGI that makes the film look more like a computer game?

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I hope these Turkish remakes get restored and released on Blu ray. I’d buy them.

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Day 30- 31 Days of Halloween- It Follows (2014)

Day 30- 31 Days of Halloween- It Follows (2014)

A young girl has sex with her boyfriend only to be informed that hes passed on a curse to her. From now on she will be followed by a supernatural entity. If the entity reaches her it will kill her. Only she will be able to see it. The only way to get rid of the curse is to have sex with someone else and pass it on.

Any modern horror film that isn’t a remake or reboot is a bonus. This film’s premise is innovative and imaginative.

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But I just didn’t connect with any character or care what happened to them. The film feels like a series of teenage dramatics that become tiresome after a while.

The film also feels like some update on the after school special which tackles an issue of the day. Don’t screw around or THIS will happen to you! Give me Jason Voorhees as the punisher of the teenagers who are doing the do before marriage anyday.

But, as I said before, at least this was an original idea- a rarity in the horror genre these days.

2 out of 5

Day 29- 31 Days of Halloween- Prom Night (1980)

Day 29- 31 Days of Halloween- Prom Night (1980)

A childrens game goes horribly wrong and a child falls backwards from the first floor window of an abandoned building and dies. The remaining kids vow to never tell anyone about what happened. Its now 7 years on and the children in the gang are preparing for their prom night. They one by one start to receive menacing phone calls…

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I first saw this and expected to see a C grade slasher movie- one of the many mediocre movies made in the wake of Halloween.

Boy, was I wrong! Theres loads to love about this movie. Firstly, Jamie Lee Curtis is in it. Shes such a great actress that if shes on the cast list you can expect a stunning performance. Not only is she another kick arse Final Girl but we also get to see her disco moves. She also has a great exchange with the school bitch. This features some fantastically camp lines (‘Its not who takes you to the prom. Its about who takes you home!’) Jamie wins and has the last word in this verbal volley naturally.

Another great feature of this film is that its actually very scary in the appropriate scenes. The killer ringing the teenagers one by one is a scene so threatening and jarring that its a sequence that is one of the scariest I’ve ever seen in any horror film. The simplicity of the scene (just a hand, a pencil, the school yearbook, the list of names and the phone) is extremely effective and downright chilling.

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The film is also brilliantly chilling as it touches on the subject of paedophilia- a local sex offender is known to the police and they think he is the reason for the dead little girl. They hound him to such a degree that he crashes his car which bursts into flames. The police had no evidence that it was him but hey, hes so disfigured that he now can’t commit anymore crimes and is placed in an asylum.

And there are the actual kills and the scenes they are contained within which are directed with aplomb. These are very tense and unnerving. OK so this certainly isn’t John Carpenter’s Halloween but these scenes are still very good for a slasher movie.

With Halloween being a major influence on this film there are also the atypical scenes of the female characters talking about, y’know, girls things- boys, hair, going to the prom etc etc. In fact in the book Blood Money it has been suggested that there were two types of advertising for this film- one that dwelt on the themes thought to be more appealing to a young female demographic (the disco music, the relationships and drama within the film) and one that dwelt on what was thought to appeal to the guys- namely the tension, suspense and kills.

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The film really does feel like a cross between Halloween, Carrie (the prom setting and the potential for carnage in this setting) and Saturday Night Fever- this film has disco stomps and a brilliant disco soundtrack that strangely provides a brilliant and sinister backdrop to the murders.

Another great feature is that of the character of Slick. Just like the bawdy British comedies of the 1970’s featured the most unlikely candidates for male eye-candy who somehow get the women, so does this film. Slick thinks hes a modern day babe magnet. I’ll leave it up to you to agree or disagree with his self perception.

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This movie also has one of the most hilarious characters in horror history- look out for Mr Sykes played by Robert Silverman (he would also appear in Scanners and Jason X). Is he the killer or a far too obvious red herring?

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Prom Night is far too good than a Halloween rip-off slasher movie deserves to be. If Halloween is A+ then Prom Night is B+

If you’re going to buy this film please look out for the Region 1 Blu ray from Synapse Films. The best transfer and bonus features I’ve ever seen for ANY Blu ray title. Stunning.

4 out of 5.

Day 19- 31 Days of Halloween- Invasion of the Body Snatchers (1978)

Day 19- 31 Days of Halloween- Invasion of the Body Snatchers (1978)

A remake of the 1958 classic gets a 70s update.

The premise is the same but the reasons behind it are different. It seems like each incarnation of this film reflects the unrest of each society it was made in.

This film depicts the 70s swing towards pop-psychology and psychiatry that was popular at the time. The psychiatrist characters played by Leonard Nimoy and Jeff Goldbloom brilliantly convey this angle.

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But the film also shows American society and its people in disarray. Post-Watergate and post-Vietnam politics and the related disillusionment fuel the characters and general feel of this film. No one knows who to trust, what the truth is or who/what to believe in anymore.

Paranoia is also a key component in this movie. This makes the film a very intense watch and quite exhausting at times. Whilst I love this film its a movie I have to be in the mood to watch. It seems like tiny nuances and interactions that characters would normally take for granted are given thought time, credence and then magnified. An example is when Brooke Adams character is bumped into. There is then a sequence in which Adams and this character are walking away from each other down a corridor but take turns to look at each other over their shoulders.

There is also a sequence where Adams is walking around San Francisco and passes a bust city bus. Every single passenger is looking right at her. Is the camera capturing reality or the internal and paranoid thoughts of Ms Adams?

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The paranoia and suspicion escalates until we get to one of the most famous unsettling endings in movie history.

Brilliantly acted, written and directed. This really is a prime slice of time capsule filmmaking then is strangely as relevant today as it was in the 70s. This is also one of the best San Francisco movies ever made. The city looks amazing and provides a gorgeous backdrop to the film’s events. Added kudos for the mud baths locale.

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Look out for the cameo by Robert Duvall as a priest on a swing and the man-dog that suddenly appears who is a weird fusion of a banjo playing character and his dog earlier in the film.

4 out of 5.

Day 18- 31 Days of Halloween- Zombie Flesh Eaters (1979)

Day 18- 31 Days of Halloween- Zombie Flesh Eaters (1979)

A boat sails into New York but the only person onboard happens to be a morbidly obese zombie who seems to be pissed off and hungry. The daughter of the boat’s owner decides to venture to where her father had been, a Caribbean island called Matul. She takes along with her a journalist who smells a story.

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This film was butchered by the BBFC on its initial release. The distributors decided to release a stronger uncut version that then lead to the film being banned and placed on the DPP video nasties list.

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This film is reknowned for going the extra mile. Ever wondered what would happen if a zombie took on a shark? Of course you have! This film features it. Add to the mix a revolutionary eye-gouging scene, a great score by Fabio Frizzi and one of the most iconic ending scenes in horror history. Oh, and some of the most annoyed zombies with especially bad attitudes and you have a great movie.

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This Italian shocker directed by maestro Lucio Fulci actually billed itself as a sequel to the Argento cut of Dawn of the Dead in Italy. Is it a masterpiece like Dawn? No. But its still one hell of a ride.

Day 16- 31 Days of Halloween- The Tingler (1959)

Day 16- 31 Days of Halloween- The Tingler (1959)

A scientist (played by Vincent Price with his usual aplomb) discovers an organism that attaches itself to the human spine and feeds on the feeling of fear from the host person. The parasite is known to be present as it makes the spine of the person feel a tingling sensation. For this reason its known as a Tingler.

Add into this premise a plot line involving a couple who own a small cinema, one of whom is deaf and mute and another story strand involving the wife of Price’s character and her potential infidelity.

I was obsessed with the film’s director William Castle as a boy as I had read so much about the gimmicks he dreamt up to make the audience’s moviegoing experience something out of the ordinary and in keeping with a ‘roll up, roll up’ circus host as well as a filmmaker.

The gimmick for The Tingler was for some of the seats in the larger cinemas to have an electrical device attached underneath so that some audience members really did feel a tingling sensation at the end of the film when Price’s character has to announce to the cinema audience within the film that The Tingler is loose in the theater somewhere. Castle also employed planted screamers in the audience and people who were told to faint at specific points. A young John Waters famously went to see this film on its original release time after time but only after checking under every seat until he found a seat that had the device attached.

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As I had read plenty about Castle and his brilliant brand of showmanship it was almost as if this overshadowed the actual films. His films weren’t available in England when I first read about his work and so there was an agonising wait before I could see any of his filmography.

And here in lies his greatest gimmick. For all of the pranks and hoopla, his film’s are actually amazingly made, beautiful to look at and constantly achieve just the balance of terror, kitsch and camp.

The Tingler is no exception. It captures the opulence and majesty of 50’s American living in some scenes (check out the set design) but also a kind of affectionate simplicity of small town life symbolised by the gorgeous little moviehouse.

But then theres the pure hilarity of The Tingler which is obviously a large rubber bug. Its one of the funniest scenes in the movie when Price tries to convince fellow characters that The Tingler could in fact kill a man effortlessly and quickly. But then thats the magic of Price- a camp knowingness and deadpan delivery. A raised eyebrow from him says more than a hundred lines from an inferior actor.

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Even the introduction from Castle could be evaluated as high art if it was viewed merely as a short film rather than as an intro to his movie. The filmmaker warns people of what is to come and that they should scream for their lives if they experience what is being played out to them on the screen.

High art. C’mon Criterion- release a William Castle boxset already.

Day 10- 31 Days of Halloween- Nosferatu (1922)

Day 10- 31 Days of Halloween- Nosferatu (1922)

In the 80s with new horror films like The Evil Dead pushing the boundaries of the genre, television companies thought that older horror films ceased to be scary and so could be shown during the daytime. And so I saw Nosferatu which was made in 1922 one Bank Holiday morning. It couldn’t possibly frighten me, right?

It scared the shit out of me. And watching it again now it still freaks me out. An unauthorised adaptation of Dracula (the estate of Bram Stoker sued and wanted all copies of Nosferatu destroyed. Luckily this didn’t happen) this is beautifully shot and directed. In fact I could look at any frame from this movie and drool. This is an early example that a horror film didn’t have to be some kind of example of low culture but could actually be art.

Max Shreck’s Nosferatu is pitch perfect and the very embodiment of evil. This film stays in your head long after its finished with certain images being so striking and horrifying that they become seered into your psyche.

5 out of 5.