Tales From The Crypt was released in 1972- a horror movie made up of five different tales of terror.
One of these vignettes was ‘…And All Through The House’ a Christmas based story regarding a woman who has just bumped off her hubby for his insurance. But she has more to content with…You can watch it here.
This segment is noteworthy for many reasons. The fabulous story with a twist in the tail, the gaudy and quite fantastic 70s decor, the Tales From The Unexpected on crack feel to the proceedings.
But the best ingredient is the casting of The Very Ms Joan Collins in the lead role. She is perfect in this (shes pretty much perfect in everything). Never has anyone looked so exquisite- even when shes being throttled by a maniac Father Christmas.
For more 70s Joanie horror fun check out The Within Her aka I Don’t Want To Be Born aka Sharon’s Baby. One of the best movies of the 70s. And one of the most demented. But I’ll save that for a future blog post.
One of the few Dario Argento films I haven’t seen. Until now that is.
And what a treat! A rock drummer notices that hes being watched by a mysterious stranger. He confronts this person in an abandoned opera house and after disarming him of a knife accidentally stabs him. This is all witnessed a photographed by an onlooker who wears a very unsettling dolls mask.
Cue many twists, turns and red herrings.
Even by giallos standards this is an amazing film- gorgeous locations, imaginative cinematography, brilliant quirky characters and last but not least, Bud Spencer is in this film. Bud Fucking Spencer! Whats not to like?
Another thing I love about this is that one of the characters is gay, camp and proud of it. Not once is he depicted as subhuman, deviant or somehow inferior. That means a lot- especially to a gay film critic. If Argento could imbue gay characters with some kind of dignity in 1971, why couldn’t Martin Scorsese recently in Wolf of Wall Street? Dario- loving your work.
I watched this on Shameless Entertainment’s Bluray release. Highly recommended- it does the film a real justice.
4.5 out of 5
An intelligent, original horror film is as rare as hen’s teeth nowadays. Hollywood seems content on remaking, rehashing and plundering the past glories of the genre with predictably mediocre and overexplained results.
Let The Right One In is one of those rare gems however. Set in snow laden 80s Sweden this is the story of a bullied child who befriends a young vampire. And then the sparks (and blood) fly.
Brilliant written, acted and directed- this film is never less than stunning. Its not often that a film lives up to its hype (The Babadook is an example. Horror fans were so hungry for a great horror film that they called it a classic. Its very good but not a classic) but this does. Its power lies in properly developed characters, silences and the audiences intelligence not being underestimated.
4 and a half out of 5