I love it when I know nothing about a film but then discover it on Netflix.
Thats what happened here and I wasn’t disappointed. A deaf mute writer lives in her isolated home on the edge of a forest. And then a psycho nutjob comes her way.
Its suddenly a case of do or die with the writer fighting for her life whilst trying to outwit her tormentor and somehow survive.
This film is ingenious with a truckload of twists and turns to keep you hooked. Add amazing acting, direction and gorgeous cinematography and you have a gem of a horror movie.
It also has the best use of a corkscrew since Friday the 13th Part 4: The Final Chapter and a reference to Extremities.
Watch it and renew your relationship with the edge of your seat. Stunning.
A documentary about Danny Fields, the record industry A&R man/artist liaison/cultural barometer who was the friend of so many great bands and artists and more importantly, had a hand in making sure they could get record deals and record their music so that their genius could be shared with the world.
This documentary gets it just right- there are moments of animation to illustrate the narrative but these don’t overpower the film, there are many musicians and personalities who are either interviewed or spoken about but it doesn’t feel like some kind of bragging rollcall. There are also perceptive and very interesting insights into being gay in a small town and also when Danny had left home and was carving his adult life.
As for the artists, all of the groups and singers who changed my life are here. From hanging out with The Velvet Underground to working and socialising with The Doors, The Ramones, Jonathan Richman, The Stooges, Nico, MC5…This is a life spent in the thick an alternative American musical history and you feel privileged to be a part of this. There are also hidden gems that are priceless- a taped phone call with Nico, a recording of the first time Lou Reed is played The Ramones and how elated he is by it.
I bought Raw Power by Iggy and the Stooges at the age of 14 and it changed my life. And Danny Fields is partly responsible for this. This documentary helps to shed light on a hidden force who made this possible.
A film that was on my ‘Haven’t got round to seeing it yet’ list. Until now.
Journalists at the Boston Globe investigate sexual abuse of children by local Roman Catholic priests- and uncover much more.
This is based on a true story and feels authentic and not over-dramaticised for the big screen.
The locales are pinpoint perfect too. Note the cramped offices of The Globe compared to the splendid locations frequented by the higher echelons of the church and those paid to defend them. Corruption pays well- but only if you have no soul.
Notice also the Boston street scenes- this is a film that loves the city.
The performances are also amazing. Mark Ruffalo deserves special praise here- the best performance I’ve seen in a film in a long, long time. Batman was pretty damn great too 🙂
A brilliant film that indeed casts the spotlight onto the darkest of places. This deserves all of the many accolades it received and continues to receive.
It’s amazing what you find when you go trawling through the microfiche archives for your local newspaper.
When browsing through the back issues of The Yorkshire Evening Post for 1979 I noticed that The Warriors, Walter Hill’s gritty, comic book style New York action flick was actually shown at a ‘members only’ cinema called The Tatler here in Leeds rather than the bigger Odeon and ABC cinemas where I’d expect a big studio film (The Warriors was made by Paramount) to play. Why was this?
The Tatler Cinema Club, Leeds
With a bit more research I discovered why. Local authorities here in the UK can view any film that the BBFC has rated 18, or when The Warriors was released, X certificate. They can then go further than the BBFC and ban a film outright if they wish to do. These are exceptional cases but in the past, this has happened. The Life of Brian was notoriously banned in Hull until 2008.
This can also happen in reverse- a local authority can show a film in cinemas in its threshold that the BBFC has banned. This occurred in 1999 when Camden Council awarded The Texas Chain Saw Massacre a special ‘C for Camden’ certificate to show the film even though it was still banned by the BBFC. I was lucky enough to see the film during this run. It was reclassified as an 18 and no longer banned by the BBFC shortly after this.
The original ticket stub from the TCM screening in 1999. The film was certified ‘C for Camden’ but still banned by the BBFC.
In the case of The Warriors, the local authority here in Leeds chose to ban the film even though the BBFC has classified it as an X. This was due to the violent content of the film.
What the film critic in The Yorkshire Evening Post had to say about The Warriors and its local authority ban.
However, you can’t keep a great piece of art down for too long. There was a loophole that meant that any banned film can be shown uncut in a licensed ‘members only’ cinema even if it’s been banned by the BBFC or a local authority.
Original Yorkshire Evening Post newspaper ad for The Warriors and its Tatler run
And that’s just what happened in Leeds. The Warriors was shown at The Tatler Cinema- a ‘members only’ cinema that at that time was showing ‘erotic’ (or as we’d say here in Leeds- ‘mucky’) films.
Original newspaper listing for The Warriors in Leeds. Don’t understand the ‘One Hours Wait’ though- yet another mad rule that applies to such clubs?
This must have been a massive two fingers up to the Leeds local authority who thought that no one would be able to see this film that they thought would corrupt and inspire a whole slew of really nicely choreographed gang violence here in Leeds as The Armley Baseball Furies fight for their turf against The Gipton Riffs.
This loophole was amended by the BBFC decades later to prevent uncut films (specifically with pornography in mind) being shown in members cinemas if the BBFC had banned them or not certified them R18.
Original Warriors UK quad cinema poster
Strange bedfellows- The Warriors, a film made by huge studio Paramount Pictures being shown at a cinema that primarily showed porn. Overzealous censorship makes great comedy.
Inside The Tatler. Plush for a cinema that showed mucky films.
meathookcinema.com 