The Halloween 2 Riddle Solved?

The Halloween 2 Riddle Solved?

I’ve just reviewed Snapshot that was cheekily renamed ‘The Day After Halloween’ to capitalise on the success of John Carpenter’s masterpiece.

I remember the first time I saw this was on a copy of the soundtrack that I saw whilst browsing for soundtracks in the mid 90’s when I had moved to London to study film. ‘Well, I’ll be damned!’ I thought as I saw the title of the film and the same font used as for the original film. I was also amazed to see Sigrid Thornton on the album’s sleeve art. I had known and admired Ms Thornton’s work in the TV series Prisoner Cell Block H.

Now rewind a few years. It’s the late 80’s. I’m in Leeds after taking the bus from York to visit a brilliant film memorabilia shop called Movie Boulevard.

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It’s here that I buy a quad poster for the film Halloween 2. I wondered why it said ‘All New’ on it.

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The UK quad poster for Halloween 2

When I posted my review of Snapshot in the Meathook Cinema Facebook group yesterday one of my regular contributors Phillip Lopez Jimenez said

”I remember when that came out, the ads eventually had a banner that said Not a Sequel to Halloween but it wasn’t in theaters for very long…”

So is this why the posters for Halloween 2 had the words ‘All New’ written on them? Had this small (but perfectly formed) film from Australia which had tried to market itself as a sequel to Halloween perplexed the makers of the real sequel to the film to such an extent that they had to tell audiences that this was the real deal, the real sequel? It would appear so.

This ‘All New’ addendum was added to both the American and British posters for the film (the British poster is earlier in this article)-

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The original US poster

This also extended to the British and American/Canadian newspaper ads for the film-

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Original London newspaper ad
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Canadian newspaper ad. What a great double-bill!

A mystery solved. Take a bow, Phillip.

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Review- Snapshot (1979)

Review- Snapshot (1979)

I first learnt of this film as it was called The Day After Halloween and marketed as a sequel to John Carpenter’s classic. It isn’t. But it’s still a really interesting movie.

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I came across this soundtrack whilst browsing for vinyl in the mid 90’s in London. I didn’t know of a film that had cheekily billed itself as an unofficial sequel to Halloween.

Angela (played by Prisoner Cell Block H’s brilliant Sigrid Thornton) is persuaded to ditch her low paid hairdressing job and enter the world of modelling. Nude modelling.

This could have been a generic ‘nice girl gets led astray’ film but it isn’t. Theres too many genuinely unexpected twists and turns for it to be predictable. An example- Angela is stalked throughout the film by her creepy ex-boyfriend- who just so happens to drive a pink ice-cream van!

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There’s an air of unease and menace that runs through the whole film that gives it a truly unsettling feel.

Watch out for the ending- it’s very unsettling indeed.

4 out of 5

Review- Vigilante Force (1976)

Review- Vigilante Force (1976)

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An army vet is employed as a police officer to bring down crime levels in a small town. But he quickly becomes the problem rather than the cure.

This really is a B movie and reminds me of the blander half of the double-bills you used to watch in cinemas back in the day.

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It’s interesting to see Charles Cyphers pre-Halloween and John Steadman pre-Hills Have Eyes though.

Other than that it’s a bit of a yawn.

1.5 out of 5

Review- ‘Torso’ (1973)

Review- ‘Torso’ (1973)

When you recognise a murder weapon which could implicate a hacksaw wielding murderer who’s already killed two other people, what do you do? You go to stay in a remote secluded clifftop villa with your friends, that’s what! Nothing could go wrong…

This is a fantastic slice of giallo directed by Sergio Martino in 1973. It’s all here- the sumptuous locales, the amazing insistent music score, the deft and stylish cinematography and direction. But, best of all, there’s one of the most disturbing and iconic killers in giallo history (which is really saying something). And not only does he look great but he also kicks ass.

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This film expertly builds tension with some scenes reminding me of the later Halloween. I wonder if Carpenter had seen this film before making the 1978 classic. I sure as hell hope the makers of the new Halloween film have seen this film (I bet I know the answer to that question but I’ll wait until this film is released to either have my hunch confirmed or refuted).

An example of this tension within Torso would be the scene in which the lone survivor is in the villa with the killer thinking that there’s no one else there. She’s locked in her room but decides to try to get the key which is still in the lock on the outside of the door to fall onto a sheet of newspaper which she’s slid underneath. This way she can slide the key under the door and try and free herself. But then…you’ll have to watch the film to find out what happens. It’s a great scene in a great film.

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Imagine seeing this double-bill!

When it comes to giallo everyone seems to know the work of Dario Argento, Lucio Fulci and Mario Bava and for good reason. But Sergio Martino is an example of another giallo director who doesn’t get the attention he deserves. This is a shame as his work is stellar. And Torso is a great ‘in’ for the horror fan wanting to investigate his work.

4 out of 5

Review- ‘Death Weekend’ (1976)

Review- ‘Death Weekend’ (1976)

Harry is on his way to a country holiday home with his new ex-model girlfriend, Diane when they cross paths with a rowdy car-full of drunken yahoos who try to intimidate them. After the couple run them off the road and ruin the suspension on their car, they are tracked to their country lair with the angry men proceeding to invade this picuresque idyll.

Violence and rape ensues as the hillbilly gang seek revenge. In the course of events Harry is actually killed and Diane is raped when trying to escape. But then Diane turns the tables single-handedly and in brutal fashion.

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The original newspaper advert for Death Weekend when its showed in Yorkshire, UK in the 70s

They are elements of both Last House on the Left and Straw Dogs within this film’s premise (in the UK, this film played as part of a double bill with the latter film) but theres also enough to distinguish Death Weekend from these two films. Theres a strong feeling of the ‘haves vs have nots’ thats interesting. The hillbilly gang see what they don’t have within the house and their lives and instinctively seek to destroy and tarnish it.

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The UK quad for the Straw Dogs/Death Weekend double-bill

Also, this isn’t a case of the good vs the bad- when Diane arrives at the house by the lake she very quickly realises that Harry is a slimeball personified. Hes a swinger who has invited Diane to the house for one reason and that isn’t holding hands and going for long walks. We see him taking pictures of Diane as she gets undressed and showers as the mirrors in the swingers paradise masquerading as a country house are all two-way. Diane finds out this later when one of the gang stumbles upon the pictures that the pervert Harry has taken unbeknownst to her.

Also, just before the gang invades the house Diane is just about to leave as she learns that although Harry had told her that there were other guests who would be joining them, in fact this was a lie. Harry appears to be just as repellent as the gang members who are just about to kick the door in- its just his social class that separates him from them.

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The original newspaper ad for the film when it played with ‘The Changeling’ in the 70s

This film is also made noteworthy by the cast with Brenda Vacarro and Don Stroud deserving special mention.

A very good film that deserves a really good Blu ray release. In fact, this would be ideal for Scream Factory.

3 and a half out of 5.

Assault on Precinct 13/Halloween Leeds Newspaper Ads

Assault on Precinct 13/Halloween Leeds Newspaper Ads

More hidden treasures from the local newspapers of the past…

Assault on Precinct 13 played for four glorious weeks in Leeds (click on each ad to see it actual size).

 

Later it played in a double bill with the film Halloween.

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The best double bill EVER!!!
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The newspaper ad for the Assault on Precinct 13/Halloween double bill.

 

 

 

 

 

 

 

 

 

The Warriors (1979)- The Film Leeds Local Authority Tried To Ban

The Warriors (1979)- The Film Leeds Local Authority Tried To Ban

Its amazing what you find when you go trawling through the microfiche archives for your local newspaper.

When browsing through the back issues of The Yorkshire Evening Post for 1979 I noticed that The Warriors, Walter Hill’s gritty, comic book style New York action flick was actually shown at a ‘members only’ cinema called The Tatler here in Leeds rather than the bigger Odeon and ABC cinemas where I’d expect a big studio film (The Warriors was made by Paramount) to play. Why was this?

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The Tatler Cinema Club, Leeds

With a bit more research I discovered why. Local authorities here in the UK can view any film that the BBFC has rated 18, or when The Warriors was released, X certificate. They can then go further than the BBFC and ban a film outright if they wish to do. These are exceptional cases but in the past this has happened. The Life of Brian was notoriously banned in Hull until 2008.

This can also happen in reverse- a local authority can show a film in cinemas in its threshold that the BBFC has banned. This occurred in 1999 when Camden Council awarded The Texas Chain Saw Massacre a special ‘C for Camden’ certificate to show the film even though it was still banned by the BBFC. I was lucky enough to see the film during this run. It was reclassified as an 18 and no longer banned by the BBFC shortly after this.

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The original ticket stub from the TCM screening in 1999. The film was certified ‘C for Camden’ but still banned by the BBFC.

In the case of The Warriors, the local authority here in Leeds chose to ban the film even though the BBFC has classified it as an X. This was due to the violent content of the film.

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What the film critic in The Yorkshire Evening Post had to say about The Warriors and it’s local authority ban.

However, you can’t keep a great piece of art down for too long. There was a loophole that meant that any banned film can be shown uncut in a licensed ‘members only’ cinema even if its been banned by the BBFC or a local authority.

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Original Yorkshire Evening Post newspaper ad for The Warriors and it’s Tatler run

And thats just what happened in Leeds. The Warriors was shown at The Tatler Cinema- a ‘members only’ cinema that at that time was showing ‘erotic’ (or as we’d say here in Leeds- ‘mucky’) films.

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Original newspaper listing for The Warriors in Leeds. Don’t understand the ‘One Hours Wait’ though- yet another mad rule that applies to such clubs?

This must have been a massive two fingers up to the Leeds local authority who thought that no one would be able to see this film that they thought would corrupt and inspire a whole slew of really nicely choreographed gang violence here in Leeds as The Armley Baseball Furies fight for their turf against The Gipton Riffs.

This loophole was later amended by the BBFC decades later to prevent uncut films (specifically with pornography in mind) being shown in members cinemas if the BBFC had banned them or not certified them R18.

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Original Warriors UK quad cinema poster

Strange bedfellows- The Warriors, a film made by huge studio Paramount Pictures being shown at a cinema that primarily showed porn. Overzealous censorship makes great comedy.

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Inside The Tatler. Plush for a cinema that showed mucky films.