My early teenage years were when I discovered my three favourite living film directors- John Waters, William Friedkin and Martin Scorsese.
It was whilst I was frantically hunting down all of the movies made by Scorsese after first watching Taxi Driver when I was 14 that I read of a documentary made in 1977 called Movies Are My Life. I had a friend who was lucky enough to have Sky TV on which there was a one-off screening of this and so I gave him a blank videotape and begged him to record it for me. He obliged.
It didn’t disappoint. Over the years the tape it was on disappeared but it was just the other day that I was thinking about this documentary when I had the lightbulb moment that involved looking for it on the internet. And after a quick Google search I found it!
It’s great watching it again. It was made in 1977 after Scorsese had finished shooting New York, New York and was editing The Last Waltz. This was an iconic time for Scorsese when he had made so many classic movies and was yet to make even more.
Not only is the maestro interviewed about his career so far but his contributors and collaborators are also interviewed and it’s great to see such luminaries as De Niro, Jodie Foster, Steven Prince and Liza Minelli speaking about what’s like to work with such a visionary.
The film is also noteworthy as it shows the friendship that Scorsese had/has with Robbie Robertson. These were Scorsese’s wild years when he took certain substances to excess and ended up hospitalised because of it. The interviews with Robinson here capture this very vividly indeed (you’ll know what I mean when you watch the film!) A choice moment is when he looks out of the window into the night sky and says ‘It isn’t even dawn yet!’
It’s great that this peek into such a thrilling era of Scorsese’s filmmaking life was chronicled, not so great that this film was unavailable for so long. It’s fantastic that someone has uploaded it onto the internet but how long it stays up before it’s pulled down is unknown. If I was you I’d finish reading this, do a Google search and watch it now. Just to be sure. Note- the version on YouTube is cut. Go the Google route to watch the full version on the net.
Gail Osborne is a 16 year old who starts dating Steve Pastorinis who goes to the same school as her. It’s also around this time that she starts to receive abusive notes stuck in the grills of her school locker and also abusive telephone calls.
For a film, let alone a TV movie to deal with an issue such as stalking in 1978 was very brave indeed as it hadn’t entered the public consciousness yet and was largely an alien concept. But Are You In The House Alone? deals with the subject very intelligently and exposes it for the vile, terrifying and horrific practice that it actually is.
But the movie also deals with other issues such as Gail’s parents struggling with their marriage following her father losing his job. This again is dealt with brilliantly and feels integral to the plot rather than just feeling like padding to fill up the running time.
But Are You In The House Alone? also deals with rape, another taboo topic for 1978. It deals with it amazingly well with discussions regarding getting the rapist to court and obtaining a conviction against him being seen as being very difficult indeed.
I love doing 31 Days of Halloween as it’s a great chance to revisit horror films that I have seen in the past but also to watch films that are completely new to me. Some of these I’m really glad I took the time to watch. A small minority bowl me over as they are just so powerful and brilliant. Are You In The House Alone? is one such film. When it ended I literally had to just sit and digest what I had just experienced and think about just how trailblazing the production was especially for that time and for the topics it depicted without any sugar coating or saccharine gloss.
Are You In The House Alone? is a very unsettling experience as it worms it’s way into your head and will stay with you long after it has finished. And it’s a rare instance of a TV movie rightly finding it’s way onto Blu Ray (thank you Vinegar Syndrome!)
A hotel complex where a new building is being constructed is infested with killer ants.
I love the TV movies that featured a special guest star who was slumming it as work had dried up. Ants stars Myrna Loy as well as Suzanne Somers (!) and Lynda Day George (yes, the actress from Pieces!) so you know you’re in for a special time.
I actually remember watching this on UK TV in 1980 when I was the tender age of 5.
I love the fact that whenever the ants appear on screen we get discordant violins on the soundtrack.
This is surprisingly bright and breezy in tone until the ants become more prevalent within the storyline and then it becomes a lot more apocalyptic in tone (which is always welcome for cult film fans). The whole production is a triumph in camp however dark it tries to become.
Ants aka It Happened at Lakewood Manor holds up very well though. The TV movie was also issued on DVD in 2014. This might not be some kind of classic uncovered from the vaults but it’s nice to see it has a life after being shown on TV all those decades before.
This infamous film from 1978 starts with an anonymous man wearing a balaclava and going on a killing spree. He uses a different tool for each murder such as an electric drill, a screwdriver and nail gun.
But then events take a bizarre twist as we get to see who the killer is and…to tell you anymore would ruin several surprises that the movie has in store. And it has plenty of surprises to shock us with!
This film has such a notorious reputation and none so much as in Britain where it was firstly cut for it’s initial cinema release but then banned outright on video as it was then labelled as one of the more shocking video nasties.
There is an authenticity to the killing spree we witness and with the film in general. The balaclava motif felt all so real as it was a staple of killers such as Ted Bundy who was prolific during this era. Also, The Yorkshire Ripper was killing women with the implements used in the film around this time which gives it an extra layer of horrific realness.
Your jaw will hit the floor when you watch Cameron Mitchell’s central performance. It truly is demented genius.
I’m so glad that The Toolbox Murders is now appreciated as the fantastic piece of psychotic art that it truly is. Watch out for the 4K scan on Blu Ray. The film looks and sounds amazing and has finally gotten the treatment it so rightfully deserves.
Maggie and Ben inherit an old farm by default (the man who it was actually left to had to inhabit the farm within 30 days but we see him attempt to move in in the dead of night but runs his car into a tree after swerving to miss a mysterious girl who intentionally caused the accident which results in the car exploding on impact).
Maggie has a strong feeling that she’s been at the farm before and wonders if a phenomenon such as reincarnation actually exists as she remembers cooking in the farm kitchen, living at the farm and more sinister episodes. This freaks her out as she tells her husband Ben that she doesn’t want to move in even though he is excited at the prospect.
There is quickly established links to witch trials which took place at the farm in years gone by.
For a 1970 horror TV movie, Crowhaven Farm pulls no punches. There are some very taboo aspects to the plot that are just as taboo now as they were back then. With the short running time, the action zips along which adds to the quickly developing insanity of how the plot develops that lends a surreal aspect to proceedings.
As I’ve said before, I hope a Blu ray company invests more in these made for TV gems and releases them looking and sounding as good as they possibly can with tons of extras. There are plenty of these movies to mine into and a horror audience who would gladfully lap them up.
This prime slice of Giallo starts with us witnessing the murder of a pharmacist. A women sees the murderer leave the premises which places a target on her own head. Her boyfriend undertakes some amateur sleuthing to try to find out who could be her would be assassin. Many twists and turns ensue with a few very stylish murders thrown in for good measure.
This is a really interesting film as the emphasis is on the whodunnit aspect of Giallo (the original pulp novels were actually crime novels that incorporated a whodunnit aspect as well as gruesome murders. These books had distinctive yellow pages with yellow being ‘Giallo’ in Italian) rather than the murders although these are fantastic in this film.
What more can I say? Beautiful direction, gorgeous locales, style coming out of every pore- this is Giallo, baby!
Allan (Anthony Perkins) wakes to find the family home is on fire. The fire kills his father and burns his sister. The trauma also makes him go blind. It was Allan who accidentally caused the fire as he placed cans of paint thinner too close to a heater making him take on a huge burden of guilt over such disastrous proceedings.
Allan returns home after being resident in a mental hospital. His sister explains that they will have to take on a boarder as the house can’t be upheld any other way. The man who takes the room instantly makes Allan suspicious. Add to this the blurry figure who he sees who appears to be haunting him (Allan can now partially see the world but everything is distorted and blurred). Is this figure real or the imaginings of his fragile mental state?
There is paranoia and ennui seeping out of every pore of this made for TV movie from 1970. This was actually produced by Aaron ‘Charlie’s Angels’ Spelling and goes to show how fantastic horror made for TV was at one period of time.
I could watch Anthony Perkins all day long. Not only was he a great actor but theres something about his mannerisms and body language that makes him perfect for the screen especially in horror ventures. He is in cracking form here as are all of the cast. Allan’s vulnerable state due to his impaired vision is fully exploited by the film and it works amazingly well as a device.
This was directed by Curtis Harrington who of course made the excellent Ruby starring Piper Laurie and Whoever Slew Auntie Roo?
Watch out for the sting(s) in the tail. This film manages to have more than one trump card up it’s sleeve which it delivers expertly for maximum chills.
As I’ve said in so many reviews thus far, this release deserves a fantastic Blu Ray release preferably on Scream Factory seeing as they are resurrecting other fantastic horror themed TV movies such as John Carpenter’s amazing Someone’s Watching Me!
One of the fantastic things about growing up as a child of the 70’s and 80’s and being a horror fan were the Public Information Films that were shown at random times both day and night on British TV. These could convey any burning issue from the dangers of abandoned old refrigerators on rubbish tips through to the importance of not using different kinds of tyres on your car.
Some could be quite humorous in tone. But some were the stuff of nightmares. They set out to scare the living bejesus out of you. And by Christ, they worked. Everything from the dangers of Rabies, how you could be maimed if you misuse fireworks and, as you will see, what can happen to the show-off children who play near water.
The eagle eyed will also see Terry Sue Patt aka Benny Green from Grange Hill as one of the kids.
This Public Information Film scared a whole generation from even thinking of going near their local river. This would also have been the generation who would later see Jaws either at the cinema (if they were old enough) or when it was first shown on TV. I wonder how many of my generation actually have hydrophobia as a result of this double whammy.
Lonely Water is a masterpiece of horror that was permitted to be shown at any time pre and post watershed on British television. Generation X have never gotten over it.
This film has the best plotline of any movie in the history of cinema. Really!
Joan Collins stars as a stripper in a burlesque joint. Her co-star is a gypsy dwarf named Hercules. He makes advances on his co-star but when she knocks him back he places a curse on her unborn baby making the unborn child psychopathic.
If that wasn’t enough, the film also co-stars Donald Pleasance, Ralph Bates and Caroline Munro. Kids TV legend Floella Benjamin even stars as a nurse. Holy great casting, Batman.
The film effortlessly captures the period with 70’s London looking beautiful but with a sleazy underbelly as exemplified by the strip club. The film also gives La Collins an opportunity to look breathlessly fabulous in every scene. And every scene necessitates a costume change for Joanie.
And then there are the fantastic kills from the baby from hell. I love how the film cuts from some awful act of violence to the cutest baby you’ve ever seen. It feels completely jarring, surreal and works really well.
I Don’t Want To Be Born also goes by other titles such as The Devil Within Her, Sharon’s Baby and The Monster which is the title that is being used for a new Blu Ray release from Network Releasing who are fantastic with their titles and so I look forward to how great this title will look. 70’s Joan Collins in High Def! We really don’t deserve it. And we’ve only just had Blu Ray releases of both The Bitch and The Stud.
I actually think this film is a masterpiece. It’s also my favourite film from 1975. Yes, I think it’s better or maybe just as good as Jaws and One Flew Over The Cuckoo’s Nest.
Of course there are those who dismiss this title as just 70’s exploitation fluff. But that lazy summation disregards the beautiful cinematography, the time capsule aspect of the time the film captures both on and off camera (there was a real thirst for horror movies amongst British cinema goers in the 70’s) and the set design which is pinpoint perfect. Oh, and the acting is pretty fantastic too. This film may be an Exorcist/Rosemary’s Baby rip-off but just like Beyond The Door it more than holds it’s own just like Piranha did in the wake of Jaws or Zombie Flesh Eaters after Dawn of the Dead.
Ramon the baby alligator gets flushed down the toilet. 12 years later Ramon is now living in the sewers where he has ingested hormones that have made him grow massively. He’s also very hungry.
Alligator is a fantastic horror film that also has a brilliant sense of dark humour. But this isn’t one of those ‘comedy horrors’ that are light on horror and heavy on naff laughs.
Robert Forster stars as the cop with the receding hairline who is on the case. With snappy (pun not intended) dialogue by the fantastic John Sayles, more quirky characters than you can shake a stick at and masterful direction by Lewis Teague (who would later direct the equally brilliant Cujo) this movie really delivers.
Watch out for the garden party scene. It’s a doozy.
Alas, when Alligator was released in the UK the BBFC cut almost all of the gore from the film so that it would receive an ‘A’ certificate (the equivalent to today’s PG rating). The film would then be resubmitted uncut to the Board in 1991 and would receive a 15 rating with all previous cuts waived.
You know you’ve made a great film when a toy company makes a game based on it.