This film works on many different levels.
Firstly, its a cracking horror film/thriller about a child murderer on the loose in the Berlin of 1931. Lang’s use of framing and lighting is a revelation and would prove highly influential in the wider medium of film.
The film is also an amazing snapshot of Germany at the time, post World War I. A broken down society that is in need of repair with its people looking to different authority figures for a solution.
Finally, the film has many things to say about crime and punishment. But it also has a lot to say about justice. The killers crimes are abhorrent but there are no crimes that don’t warrant a fair trial. When the baying crowd with murder on its mind needs to satify its bloodlust, will it just be those who are guilty that are next in their sights? This film was made when the Nazi Party were starting to rise in popularity. Which makes this film even braver and brilliant.
An audacious, daring piece of art.
5 out of 5
In the 80s with new horror films like The Evil Dead pushing the boundaries of the genre, television companies thought that older horror films ceased to be scary and so could be shown during the daytime. And so I saw Nosferatu which was made in 1922 one Bank Holiday morning. It couldn’t possibly frighten me, right?
It scared the shit out of me. And watching it again now it still freaks me out. An unauthorised adaptation of Dracula (the estate of Bram Stoker sued and wanted all copies of Nosferatu destroyed. Luckily this didn’t happen) this is beautifully shot and directed. In fact I could look at any frame from this movie and drool. This is an early example that a horror film didn’t have to be some kind of example of low culture but could actually be art.
Max Shreck’s Nosferatu is pitch perfect and the very embodiment of evil. This film stays in your head long after its finished with certain images being so striking and horrifying that they become seered into your psyche.
5 out of 5.