It takes a great big set of balls to make a sequel to a film that is recognised as a classic. One such film is Halloween. Is the sequel any good?
Well, yes it is actually. There are many things to love.
One such thing is that the film carries on straight after the events from the first film. Laurie is taken to hospital and Michael Myers follows her. This is audacious in the extreme. It also means that the feel and look of the original need to be similar to the iconic original. And whilst Carpenter isn’t directing this time (he co-wrote the film with partner Debra Hill and co-scored with Alan Howarth), new boy Rick Rosenthal does a pretty good job. It feels for the most part like the first film but that doesn’t mean that its as good. But if Halloween is A+ then Halloween 2 is B+.
The hospital provides the perfect setting for the terror to continue. Yes, there aren’t many people in the building but its a small local hospital. Stop nitpicking, horror geeks. The setting also means that Michael can use medical implements to kill with- ironic when these instruments are intended to save lives rather than shorten them. Hence, Michael’s weapon of choice is a scalpel. In other scenes he also uses syringes (inserted into eyeballs!) and a therapy pool is turned up to boiling and a nurse is dunked underwater until her face receives the face-peel from hell whilst drowning at the same time. This scene was severely cut in the UK video release. In its uncut glory it really is something to behold.
In fact, the murders in this film are a lot nastier and more graphic than in the original. When Halloween 2 was made the slasher genre it inspired was in full swing. This film had something to prove and so the murders are very nasty indeed. Its like the makers of Halloween 2 were trying to show that they were still head and shoulders above the rest of the pack. And they succeed whilst doing so with artistic aplomb.
There also seems to be a grittiness and cynicism underlying the film that is both endearing and entertaining to watch. Examples of this jaded mentality are peppered throughout the movie. A child is admitted with a razor blade embedded in his mouth which alludes to the ‘razor blade in the candy’ urban legend. A female reporter tells a colleague when reporting Myers’ bloodbath from the first film ‘You need the parents’ permission to get a statement. If you can’t get it then get a statement anyway!’ The nurse who deals with the child bleeding from his mouth shows no compassion at all and gets the child and his mother to wait whilst the child suffers. The security guard Mr Garrett is seen reading a comic book instead of doing his job properly. Hence he doesn’t see Myers on his CCTV monitors. The doctor who treats Laurie’s injuries from the first film was at the same party as her parents and is actually drunk on the job. These quirks make Halloween 2 much better than its competitors. Whilst this isn’t George A Romero level social commentary this film isn’t as vacuous as many slasher imitators and still has astute observations to make.
But there are a few (but not many) examples of the film pandering or conforming to slasher movie conventions. One such is the scene in which Mr Garrett goes to investigate a break in. There is the cliched cat scare and also a door being opened to have lots of boxes fall onto the rotund night watchman. Whilst this all happens as a build up to Michael finishing off this character these events would never have happened in the original film. In fact, wasn’t there a cat scare in Friday the 13th Part 2? Thats more the kind of thing to find in that franchise than the Halloween films.
Also, the nudity and sexual references are ramped up in this film. Hence there are more titties and the irritating character of Bud singing a really unfunny dirty version of Amazing Grace. I cheered when he was killed by Michael in such a non-descript way. His vile character deserved no more than this.
Within this film is the revelation that Michael is actually Laurie’s brother. Hence why Myers wants to kill her- hes killed one sister, hes come back for the other. This plot detail doesn’t feel forced and gives the film the truly chilling dream sequence that Laurie has- including seeing an evil looking Michael in his asylum.
Theres also appearances of other characters from the first film. Annie appears as a corpse (!) and Laurie’s crush Ben Tramer is killed by when running from a gun wielding Dr Loomis (more of that cynicism). Freud would have a field day with the Myers costume that Tramer is wearing. Was this the film being really clever by suggesting a kind of subconscious incestuous desire between Laurie and Michael or was it just being really stupid by having Ben coincidentally wear the exact same costume as Michael? The examination of the teeth of Ben Tramer’s charred body fully depicts the sequel’s mentality- where the original used the economy and anonymity of shadowplay and genius framing this film presents the horror in full sight with all of the lights on, warts and all. Nothing is hidden, on any level.
On the whole the film feels similar to the original and pulls off, for the most part, the impossible. Jamie Lee Curtis is as kickass as ever as Laurie (check out the big chase scene- its edge of the seat brilliant) and Donald Pleasance is also excellent (even though some of his dialogue lapses into camp. ‘I’ve been trick or treated to death!’ says a neighbour to which Loomis replies ‘You don’t know what death is!’ I stifled a laugh).
The score is a progression of the original score. Where the original was piano led with a smuttering of synth, this score is all synth with the original songs elaborated upon by Carpenter and Alan Howarth. Its a great soundtrack even though, like the film itself, it isn’t as great as the original. The score for this film was named one of the best soundtracks of all time by Empire Magazine.
This film is great fun. Its as good as a sequel to a masterpiece could be. Which is the highest praise possible. Judging by the other Halloween movies featuring Myers, this could have been a lot worse.
4 out of 5