Review- Clash of the Titans (1981)

Review- Clash of the Titans (1981)

I have a strange history with this film. As a 10 year old boy I had to have 6 (count em- 6!) teeth removed in one sitting with my dentist due to my mouth being ‘overcrowded’. As a treat after having these extractions (‘He made no noise whatsoever! I could have taken out his teeth all day!’ the dentist said to my Dad. My father looked suitably proud) I was taken to Granada TV Rentals to rent a movie. I rented Clash of the Titans to watch whilst the gas wore off and the pain started.

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Watching the movie again almost forty years later, it fares very well indeed.

The film is based on Greek mythology and revolves around Perseus and his exploits. I love the fact that the film doesn’t sugar coat the darker aspects of these tales that are being depicted with the more gruesome aspects of Perseus’ adventures being shown in all their gory glory. Hence, we get Calibos’ hand being cut off, the full on horror of Medusa and the three blind witches (one of whom is played by acclaimed actress Flora Robson which leads me to think that once a woman in the acting profession hits a certain age she is instantly cast as a ‘grotesque’).

The film had an all star cast that the studio was quick to publicise in it’s promotional material.

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And a fine cast it is with Laurence Olivier, Maggie Smith and plenty of other esteemed stage performers lending serious gravitas to proceedings. Harry Hamlin who was cast as Perseus and was largely unknown at that time does a great job after being pushed centre stage and having to compete with such lovey heavyweights.

Fun fact- this film was written by Beverley Cross who was married to Maggie Smith who is cast as Thetis. Cross is written about extensively in Kenneth Williams’ Diaries.

Talking of the promotional material for the film, check out the poster artwork. It’s high art.

Clash of the Titans also brought in Ray Harryhausen for his use of stop motion effects for the depiction of such mythical beasts as The Kraken and Medusa. These sequences are a distinct highlight of the film and also hark back to other sandal and sorcery classics like Jason and the Argonauts.

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In fact, most of the effects depicted in the film work well and have aged very well indeed. But, there are a few that look a bit stagey and unreal. These involve back projection with figures being superimposed over the top of this- and it looks like it! Thankfully, these sequences are few and far between. The film was made at a time where special effects were in transition with films with much bigger budgets being able to stump up for the effects they required. One obvious example is that of Superman which showed that a man really can fly…but especially when millions of dollars are pumped into the illusion.

Clash of the Titans received the ultimate honour on it’s release in that it was awarded a Look In Special. For those of you unlucky to not know, Look In was a kids magazine that was billed as a Junior TV Times and featured TV stars, musicians and other pop culture figures. It was popular in the 70s and 80s. I’m guessing that the front cover of this special edition wasn’t illustrated by a professional artist.

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***1/2 out of *****

Meathook Cinema Hall of Fame- Pieces (1982)

Meathook Cinema Hall of Fame- Pieces (1982)

For the longest time I didn’t get around to seeing Pieces. Just like the movie Madman, I had seen the poster and video artwork numerous times but hadn’t got around to actually investigating the film.

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But rather than being the average cookie-cutter slasher movie that I imagined it to be, it was a different beast altogether.

J. Piquer Simon’s shocker of a movie is actually a Spanish/American/Puerto Rican production with Valencia in Spain being used instead of Boston where the film is based.

Right from the opening scene we get to see how crazy, extreme and violent this film is going to be. We see a young boy putting together a jigsaw. This is seen by his mother who smiles until she sees what the jigsaw is actually of- a naked woman. She scolds and strikes the child whilst demanding that he brings some bin bags for her as she is going to burn everything he owns. She then starts going on a hunt to see if her young pervert of a son has any other filth stashed anywhere else.

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Before she can find anything though she is struck in the head by her young son who has found an axe rather than disposal bags. With Mother safely disposed of the young boy then deflects away from the fact that he was the one to have dismembered Mama by being found crying and whimpering for his mother in a closet by the police who have been called to suggest that he was hiding whilst his mother was being axed to death by someone else. It works.

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And this is only the film’s opening scene. It then flashes forward forty years with the action happening on a university campus. Someone is killing students but who could it be?

We see the killer wearing a fantastic Giallo-esque disguise which perfectly covers his identity therefore providing us with another Giallo trope- the whodunnit. Who could the killer be? Thankfully we’re provided with possible candidates and possible red herrings. The film does this with relish with one shot involving the campus gardener Willard lovingly cleaning his chainsaw.

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There are so many reasons to love this film whether it’s the kills (the hint is in the film’s tagline ‘You don’t have to go to Texas for a chainsaw massacre!’ Whereas TCM actually cut away from the camera seeing the murders, this camera in Pieces sticks around so that the audience gets their money’s worth. The murders seem to have been dreamt up in a pre-production brainstorming session. I can imagine the makers of Pieces proclaiming ‘What would happen if someone with a chainsaw got into a lift with a victim. Or what if a girl is rollerskating but then runs into a full length mirror?!’), the VERY quotable one-liners that beggar belief (‘The most beautiful in the world is smoking pot whilst fucking on a waterbed!’) right through to the sequences that are so over-ripe and overly dramatic that they are ensured a place in the hearts of the most ardent horror fan (one such sequence is the ‘Bastard’ scene that is so unbelievable that once it’s seen it can never be unseen. I think of this scene as my message to the world).

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Pieces is the gift that just keeps on giving. A stone-cold classic.

***** out of *****

Review- The Purge (2013)

Review- The Purge (2013)

A new political party called The New Founding Fathers of America (the clue is in the name) comes into power after the U.S. goes through a depression in their economy. Very soon they find that the country is back on an upward trajectory with the economy improving and unemployment hitting an all time low. Crime has also become almost non-existant. This is partly due to the party passing a new annual event called The Purge in which for one night all crime is legal and will not result in prosecution. Emergency services are suspended for the duration of The Purge. Because of this the crime rate for the rest of the year is also very low.

The Sandin family settle into their secured home for The Purge night hoping that it passes without incident. However, the boyfriend of their daughter Zoey who is forbidden from seeing her sneaks in before the house’s security system is activated and decides that tonight would be a good night to settle affairs with her father. The Sandin’s son Charlie sees a man desperately screaming for help on the houses CCTV system and decides that he can’t just leave the poor man out there and so disables the houses security system so that he can allow the man to enter their house rather than being left vulnerable on the street. This provokes a posse to come to the house to demand that the family turn over the man to them or they will be forced to enter the house themselves.

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When I saw that this was a Platinum Dunes/Blumhouse film my heart sank. But, it’s actually a pretty solid and enjoyable film! There are elements that I don’t normally associate with films from these stables like, oh, suspense, intelligence, great acting and genuine scares.

Issues regarding law and order and the idea of bloodlust as a form of entertainment aren’t looked at to their fullest but I think that this works to the film’s benefit. In an era of films overanalysing any kind of statement regarding society or dumbing such issues down for their audiences, this is most welcome. It’s almost as if the filmmakers are crediting the audience with a modicum of intelligence. Which is nice.

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The ending is just as abrupt as the end of the night itself but again I didn’t mind this. Theres no overlong and cloying ‘deep’ speeches given by characters about what they are going through/have been through. It gives the film an air of being akin to a short sharp shock which again, I quite liked. It was much preferable to MTV style philosophising.

The storyline regarding the vulnerable man being inside the house whilst others try to get in to kill him reminded me of the 1983 Canuxploitation masterpiece, Siege which is a much better film and is due to be released on Blu ray soon by Severin.

This is no masterpiece but it’s still a fun hour and a half and I’ve seen worse. Much much worse.

*** out of *****

Review- Hating Peter Tatchell (2021)

Review- Hating Peter Tatchell (2021)

A new addition to Netflix, this documentary chronicles the life and activism of Peter Tatchell who has campaigned for gay rights and indeed, human rights since his late teens.

Born in Australia, he campaigned for issues such as Aboriginal land rights whilst at college.

He moved to Britain where days after his arrival he learnt of the Gay Liberation Front, promptly joined and then within a month was a major player who wasn’t just participating in events but also helping to organise them.

The film details chronologically his campaigns including the time when he ran as a Labour candidate for the seat at Bermondsey in the by-election in 1983 after joining Labour in 1981. He was openly gay and the opposition’s campaigns against him were based on homophobia and smears with hatred directed against gay people being rife within wider society at the time.

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The leaflet used by Liberal Simon Hughes during the Bermondsey by-election. Notice the homophobia- ‘straight choice’ being one example. Hughes was later outed in the press when a newspaper claimed he had been using a gay chat service called Man Talk. Oh the irony.

Whilst you may think Hating Peter Tatchell is a congratulatory affair that does nothing but praise Tatchell and his actions, this isn’t the case with the campaigns staged by his group OutRage being explored and spoken about his the many people who contribute to this film. Such actions as outing several prominent people within the church as gay whilst they condemned homosexuality in the name of their faith and disrupting a prominent Easter service given by George Carey the then Archbishop of Canterbury made Tatchell as many detractors as supporters in the press.

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OutRage disrupts the Easter service given by The Archbishop of Canterbury

But it was Tatchell’s direct action that switched public opinion towards him. Seen as foolish by some (although no one can deny he has guts) to stage citizen’s arrests on such figures as Robert Mugabe, Mike Tyson and even Vladimir Putin, he suffered physical retaliations in some of these actions and has suffered semi permanent brain damage as a result. Tatchell saw this as being a small price to pay when fighting for the rights of others.

The contributors include such luminaries as Stephen Fry, Tom Robinson and Ian McKellan who interviews Tatchell. Even George Carey is interviewed about the incident regarding the disrupted Easter service.

The film shows that Tatchell had the tenacity, strength and conviction to openly oppose certain people and their views whilst fighting for the rights and dignities of often marginalised groups. He wants equality and this means fighting for all sides regarding this. An example of this was when he fought for heterosexuals to have the right to have civil partnerships as he could see that they provided some advantages to some rather than traditional marriages.

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We are also taken on one of his campaigns so that we can see how nerve wrecking such an event is, how much planning goes into it and how courageous Tatchell is. The event in question is Peter going to the Olympics being held in Russia to expose the country’s vile stance regarding gay people there.

From revolutionary agitator to national treasure but don’t let that fool you. Tatchell’s work isn’t over yet. This documentary shows just how valuable the Tatchells of this world really are and what REAL activism looks like.

4 out of 5 stars

Review- Despair (1978)

Review- Despair (1978)

Dirk Bogarde stars in this 1978 Fassbinder film as Hermann, a chocolate factory owner living in Berlin during the Weimar Republic who suffers from dissociation. He dreams of escape. On his travels he meets a homeless man who he thinks can imitate him in a scam. This will involve his faked murder so that he can escape his life. His wife will then receive a substantial insurance pay out because of his supposed death. In reality Hermann will vanish to Switzerland, live below the radar and start a new life. Will Hermann’s plan go without a hitch?

I love the mystery of this film. It really is a puzzle of a film and sweeps us along on it’s gorgeous journey. Twist follows turn and back again. 

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The whole cast are perfect with Dirk Bogarde being perfect as Hermann. The screenplay is brilliantly adopted from a Nabokov novel by Tom Stoppard with snappy and wicked dialogue that positively crackles.

The look of the film is muted and also beautiful because of it. It lends massively to why the film works so well as it’s visually and uniformly a treat for the eyes. Enjoy the ride which will keep you guessing until the final frame.

**** out of *****

 

 

 

 

Review- The Marriage of Maria Braun (1978)

Review- The Marriage of Maria Braun (1978)

This 1978 Fassbinder movie starts with the film’s eponymous hero Maria getting married to her husband Hermann in Germany during World War II just as a bomb being dropped threatens to curtail proceedings. Thankfully the couple’s union is officially sealed and Hermann then goes off to fight in the war himself.

After learning later that her new husband has been tragically killed Maria starts to go to a local bar frequented by American soldiers to work as a waitress. She meets a black US soldier called Bill who she then starts a relationship with. They are just getting it on one day when…to tell you anymore would be to reveal a huge plot detail that I’m not going to spoil for you!

I first heard about this film when at university studying Film Studies as one of my tutors had the poster for the movie on her office wall.

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Whilst it’s interesting to see a character doing what needs to be done to survive and indeed prosper within challenging circumstances, I found this film to be a bit, erm, flat. I’ve read great reviews regarding it with many critics and casual viewers stating the opinion that this is one of Fassbinder’s best movies. When it was originally released it not only wowed the critics but also performed very well at the box office. But I think that this is maybe because many of the more radical and idiosyncratic aspects of Fassbinder’s films aren’t present here hence making it more palatable for cinemagoers used to more mainstream and linear films.

I think that if you have a lead character who can become so detached and cold as to exploit those around her for her own gain even if it’s done in exceptionally destitute circumstances, you don’t have an especially likeable character who audiences can engage with. At least that’s what I felt. Plenty of critics and moviegoing audiences disagree though.

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Not a complete disaster by any stretch of the imagination with great acting and fantastic cinematography as ever by Michael Ballhaus who would go on to work with Scorsese after his tenure with Fassbinder was over.

**and a half out of *****

Review- Beware of a Holy Whore (1971)

Review- Beware of a Holy Whore (1971)

Fassbinder’s 1971 film concerns a German film crew waiting for a production to start whilst on set in a Spanish hotel lobby.

The film starts with the verbal recanting of a Goofy cartoon. This is possibly the most linear and conventional part of the entire film’s narrative but that’s not an insult. The rest of the film shows fragments of how the characters interact with each other on many different levels. The movie also shows the power relations and how these shift throughout the film’s duration.

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The film crew resemble a Germanic version of the trope of superstars Warhol used to use. With waiting comes emotions ranging from an utter lack of enthusiasm through to explosive rage about proceedings not starting when they should or crew members not doing what they should when filming does actually begin.

This film was based on Fassbinder’s experiences of making the film Whity. It must have been hell for him judging by the events depicted here.

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If you’re looking for a film with a linear narrative, a ‘start, middle and end’, if you will, this isn’t for you. But if you’re looking to be swept away by Fassbinder into a film that is more of an experience, then you’ll love this.

Review- Katzelmacher (1969)

Review- Katzelmacher (1969)

This early Fassbinder film concerns a group of dissatisfied and directionless young people who turn their attentions away from themselves and the relationships within their inner circle when a young Greek man arrives looking for work and lodging. Soon the group rumour mill goes into overdrive as they perceive the young man as an outsider and so demonise and persecute him.

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Another great character driven piece by the German maestro with the ugliest facets of human nature being explored as the members of the insular and narrow minded group start to spread rumours and make their prejudices known towards young Jorgos. After an innocuous chance meeting in the street with one of the women from the gang, the group’s Chinese Whispers soon snowball to him having tried to rape her as well as other crimes such as him being a Communist.

The men of the group then seize their opportunity to beat him up for crimes he isn’t guilty of.

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Conformity, group hysteria and mobbing by the gang are all explored perceptively within Katzelmacher which makes it, unfortunately, ring all too true.

Beautifully acted, perfectly framed and directed and with a gorgeous late 60’s black and white which is icy cool and absolutely gorgeous.

Look out for the scene of the young woman dancing.

Highly recommended.

**** out of *****

31 Days of Halloween 2020- Day 28- Dr Terror’s House of Horrors (1965)

31 Days of Halloween 2020- Day 28- Dr Terror’s House of Horrors (1965)

As soon as I saw that this 1965 Amicus film was directed by Freddie Francis I knew that the direction and photography would be beautiful. And I was right! I was also excited as I knew that this was a horror anthology film and starred two heavyweights of the genre, Peter Cushing and Christopher Lee.

As well as Cushing and Lee the cast also includes Alan ‘Fluff’ Friedman, Donald Sutherland and Roy ‘You’re a Record Breaker!’ Castle. We even get Kenny Lynch appearing in a cameo role.

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Travellers in a train compartment are joined by the very sinister Dr Schreck who whips out his deck of tarot cards and tells each of his fellow traveller’s fortunes. Each fortune told is a separate episode in this anthology.

The separate stories involve vampirism, a vine seemingly related to a Triffid that comes to life, lycanthropy, voodoo and black magic and a severed hand. I want to give more details away about each segment but there are so many brilliant twists and turns that writing any more would be like trying to tiptoe through a field full of landmines.

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Each episode is completely different from each other, taking place in a real breadth of locales and circumstances which keeps the film as a whole really varied and interesting.

This film has all the ingenuity of five separate mini episodes of Tales of the Unexpected. Each concept is unpredictable, genuinely ingenious and likely to surprise most viewers.

A joy from start to finish with perhaps the biggest twist coming after each of the characters fortunes has been told.

****and a half out of *****

31 Days of Halloween 2020- Day 23- Halloween 4- The Return of Michael Myers (1988)

31 Days of Halloween 2020- Day 23- Halloween 4- The Return of Michael Myers (1988)

I remember when this was released on home video in 1988. I couldn’t wait to watch it as the poster alone harked back to the original film, it’s mythology and the very Panaglide soaked vision that helped make it such a masterpiece. I was hoping for the film to be just as impressive. If they could have a decent stab (pun not intended) at reproducing the feel of the first film with it’s excellent first sequel taking place in Haddonfield Memorial Hospital then they could do it with this new film. 

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Notice the imaginery on the poster- Michael’s mask and the view of the house over the road as Tommy Wallace would have seen it in the original film. The illustrations are great too.

However, the film was closer to the tacky UK poster made for the film. I saw H4 on home video and HATED it! Would I feel the same when I embarked on watching it recently as I did in 1989?

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The tacky poster for the UK release of H4. Take the great illustrations made for the original, add horrible fonts and an inappropriate and clumsy pic of Myers from the film.

The answer is ‘Yes’ I still hated it but with many more years of film criticism under my belt I was better equipped to articulate why I despise it so much.

So what is Halloween 4: The Return of Michael Myers? It’s part teen drama, part TV Movie of the Week, part very violent episode of Goosebumps and last but certainly not least, it’s a cynical horror franchise sequel for idiots who wouldn’t know a decent horror film if they tripped over it.

The plot of the film goes like this- both Dr Loomis and Myers sustained horrific injuries after the literally explosive ending of Halloween 2 but both survived (of course). Mikey Boy has been in a coma for the ten years following this (the action takes place here during Halloween 1988) and is just about to be (stop if you think you’ve heard this one before…) transferred between hospitals. In the ambulance during this journey he hears that he has in fact got a niece and as she’s unlucky enough to be within the female line of the Myers family tree he kills his escorts and escapes to try to get to his niece to finish her off.

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This is all so reminiscent of the first film that already the film shows that it’s been made to give the fans exactly what they want but whilst not adding anything new when it comes to the plot. It also very quickly establishes that everything that made the first film a masterpiece doesn’t get a look in.

Halloween 4 really is just a man in a Michael Myers mask (and a crap one at that) stalking and killing people. No art, all base level vacuous nonsense. Not that a horror film has to be ‘art’ but a sense of tension, imagination and innovation are always welcome within a horror film project. Even making a blatant cash cow of a film project can still have all of these qualities whilst still giving the fans what they want and making a decent film at the same time.

And what’s worse, Michael’s niece, Jamie is so unlikeable that you’re just praying for Uncle Mikey to accomplish the job very quickly indeed.

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Annoying niece

Not even the odd mildly entertaining moment such as the lynch mob killing the wrong guy instead of Michael can save this stodgy mess. The ending is so bad it’s laughable. In fact, for a terrible moment the filmmakers even suggest with such an ending that a whole slew of movies which would feature Jamie as the killer. Now that would be REAL horror. 

You know you know nothing about horror or filmmaking in general if you walked out at the end of Halloween 3 and your first response was ‘Where’s Michael?!’ instead of marvelling at it’s brilliant cinematography, direction, soundtrack let alone being blessed enough to have spent an hour and a half in the company of Tom ‘The Man’ Atkins.

Halloween 4 is the film made for people who just watch horror films because people are killed in them, without knowing anything about what makes a great horror movie. Halloween 4 is the anti-Halloween 3. And that’s one of many reasons why I hate it so much.

*out of *****