Wes Craven’s Chiller – Day 22 – 31 Days of Halloween

Wes Craven’s Chiller – Day 22 – 31 Days of Halloween

I remember loving this as a kid and renting it out from my local video store on numerous occasions.

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Michael Beck (yes, Swan from The Warriors and accomplice to Olivia Newton-John in Xanadu) is cryogenically frozen. His freezer pod at the plant that holds his body malfunctions and he starts to thaw. His mother is overjoyed. He can reenter her life and take over the mantle of big bossman in the high powered family corporation.

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It quickly becomes apparent that something is wrong with him- he walks around with what looks like three layers of pan-stick on his face, the family dog barks at him for no reason (he eventually kills the mutt) and he starts to make unscrupulous decisions in his job. Its almost as if he doesn’t have a soul…

I just rewatched this the other day and its, well, a bit lifeless (excuse the pun). There was plenty of scope to make some brilliant observations about businessmen not having a soul anyway and linking this to Reagan 80’s America. These possibilities were squandered.

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This was directed by Wes Craven for TV in 1985. This could have been directed by anyone. Craven was taking any old job at this time as he was skint- hence he directed Swamp Thing (a good movie) and The Hills Have Eyes 2 (any movie that features a dog having a flashback is devoid of criticism as you already know ITS BULLSHIT).

I don’t know if this did well in the ratings when it was shown in 1985. And I don’t really care. I hope Wes was paid well.

1 out of 5

The Forest (1982) – Day 21 – 31 Days of Halloween

The Forest (1982) – Day 21 – 31 Days of Halloween

I first saw this when I lived in Sydney, Australia. There was a great video store there called Dr What. Instead of replacing old titles with newer movies they just add to their collection. This is more like a movie archive than a video shop.

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And so I saw this entertaining, offbeat and lurid horror movie when it had long become out of print.

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A group of four city folk decide to go camping in them there woods. They quickly realise that things aren’t as they should be. A killer is hunting them for food (isn’t KFC just easier?) and the ghosts of firstly his dead children appear to the campers to warn them (you can tell theres something strange about them as their voices sound like they’re speaking in an echo chamber) and then the ghost of his dead wife.

The idea of these apparitions appearing to guide the living and warn them of the killers presence is a novel idea and very effective. ‘Where is he know?!’ asks one of the campers. ‘Right behind you!’ replies the children with relish. And they’re right!


It appears that the killer bumped off his wife after catching her in the sack with another man. The flashback fight scene between these two men has to be seen to be believed. Kinetic and deranged are two words that just don’t do it justice.


The fact that Killer Dad explains this backstory to two of the campers is reminiscent of an early Scooby Doo episode. But with actual ghosts rather than a janitor wearing a rubber mask resplendent with flourescent paint. Oh, and if there were throat slashings.


And add to that a doom laden 80s score which includes a few unintentionally funny pop ditties and you have the recipe for a great movie.

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Off kilter, quirky and full of character. Check it out. 3 out 0f 5

Something Weird

Something Weird

I became a fan of Herschell Gordon Lewis after reading about his work in the RE:Search book Incredibly Strange Films book (if you don’t own this tome then buy it NOW!!! Its been a major influence and point of reference in my cult film adoration).

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Around this time there was an episode of Jonathan Ross’ excellent Incredibly Strange Film Show devoted to Lewis and his work that I lapped up.

I then bought a copy of Two Thousand Maniacs on VHS in Forbidden Planet on first moving to London in the mid-90s. And boy, did it rock my world. Quirky, innovative, funny, full of character and gory as hell.

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From that moment on I became dedicated to buying as much of Lewis’ work as possible. Next came Blood Feast and then She Devils on Wheels. Both masterpieces, both seminal films.

Whats more my other cinematic heroes seemed to hold Lewis up for canonisation just as I did.

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The Pope of Puke meets his hero

I was gobsmacked when I heard that Arrow Video were to release a new boxset of his work. And from what I’ve seen its quite some boxset! Arrow Video go from strength to strength. I’m so glad they treat the films  that I hold close to my heart with the respect and love that I know they deserve.

The good people at Dread Central have just released this boxset unboxing video for us to salivate over-

Heres what is in the boxset via the press release-

The Herschell Gordon Lewis Feast
[Blu-ray + DVD – 17 discs] (October 25th)
Limited to 2500 copies!
Director: Herschell Gordon Lewis

In 1963, director Herschell Gordon Lewis pulled a cow’s tongue out of an actress’ mouth on camera, and in doing so, changed the landscape of horror cinema forever. That sequence was just one of numerous gruesome gags featured in Blood Feast, the film credited as being the world’s first gore movie. It’s no exaggeration to say that the modern gross-out movies of today owe their very existence to the pioneering efforts of H.G. Lewis. But whilst Lewis is most widely celebrated for his blood-and-guts epics (Two Thousand Maniacs!, The Wizard of Gore et al.), there’s more to the prolific director than splatter.

From tales of sordid photographers (Scum of the Earth) to sex robots (How to Make a Doll), from biker girl-gangs (She-Devils on Wheels) to youths-run-amok (Just for the Hell of It), and from psychic witches (Something Weird) to hard liquor-loving hillbillies (Moonshine Mountain), the filmography of H.G. Lewis reads like a veritable wish-list of exploitation movie madness.

Now, for the first time ever, Arrow Video is proud to present fourteen of the Godfather of Gore’s most essential films (including nine Blu-ray world debuts), collected together at last and packed full of eye-popping bonus content. So put your feet up, pour yourself a glass of good ol’ moonshine, and prepare yourself for a feast – H.G. Lewis style!

Features:

Fourteen of the Godfather of Gore’s finest attractions, newly restored from original and best surviving vault materials
High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the features and extras on 7 Blu-ray and 7 DVD discs
Additional 2 bonus Blu-rays featuring 1.33:1 versions of Blood Feast, Scum of the Earth, Color Me Blood Red, A Taste of Blood and The Wizard of Gore [limited editions exclusive]
Additional bonus DVD: Herschell Gordon Lewis: The Godfather of Gore documentary [limited editions exclusive]
28-page H.G. Lewis “annual” stuffed full with Lewis-themed activities plus archive promotional material [limited editions exclusive]
Newly illustrated packaging by The Twins of Evil [Feast edition exclusive]

BLOOD FEAST (1963) + SCUM OF THE EARTH (1963)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on Blood Feast with Lewis and producer David F. Friedman
Audio Commentary on Scum of the Earth by Friedman
Blood Feast Outtakes
Blood Perceptions – filmmakers Nicholas McCarthy (The Pact) and Rodney Ascher (Room 237) offer their insight on Blood Feast and the importance of Herschell Gordon Lewis
Herschell’s History – archival interview in which Lewis discusses his entry into the film industry including Scum of the Earth
How Herschell Found His Nitch – Lewis discusses more of his early work in nudie cuties and the making of The Adventures of Lucky Pierre
Archival Interview with Herschell Gordon Lewis and David F. Friedman from 1987
Carving Magic (1959) – vintage short featuring Blood Feast‘s Bill Kerwin
Blood Feast Radio Spot and Trailer

TWO THOUSAND MANIACS! (1964) + MOONSHINE MOUNTAIN (1964)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on Two Thousand Maniacs! with Lewis and producer David F. Friedman
Two Thousand Maniacs! Outtakes
Two Thousand Maniacs Can’t Be Wrong – Tim Sullivan (director, 2001 Maniacs) on Two Thousand Maniacs!
Hicksploitation: Confidential – visual essay on the history of the American South’s representation in cinema
David Friedman: The Gentlemen’s Smut Peddler – a tribute to the legendary producer featuring – Herschell Gordon Lewis, filmmakers Fred Olen Ray, Tim Sullivan and Bob Murawski
Herschell’s Art of Advertising – Lewis shares his expert opinion on the art of selling movies and how to hook an audience.
Trailers for Two Thousands Maniacs! and Moonshine Mountain

COLOR ME BLOOD RED (1965) + SOMETHING WEIRD (1967)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on Color Me Blood Red with Lewis and producer David F. Friedman
Audio Commentary on Something Weird with Lewis and Friedman
Color Me Blood Red Outtakes
The Art of Madness – visual essay on the recurring motif of mad artists as killers in horror cinema
Weirdsville – film Scholar Jeffrey Sconce on Something Weird
Lewis on Jimmy, the Boy Wonder, his 1966 children’s musical
A Hot Night at the Go Go Lounge! – Lewis’ 1966 dance short
Trailers for Color Me Blood Red and Something Weird

THE GRUESOME TWOSOME (1967) + A TASTE OF BLOOD (1967)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on The Gruesome Twosome with Lewis
Audio Commentary on A Taste of Blood with Lewis
Peaches Christ Flips Her Wig! – the San Francisco performer on The Gruesome Twosome
It Came From Florida – filmmaker Fred Olen Ray (Scalps) on Florida Filmmaking
Herschell vs The Censors – Lewis discusses some of the pitfalls involving local censorship and the lengths to which angry moviegoers tried to stop him
Trailers for The Gruesome Twosome and A Taste of Blood

SHE-DEVILS ON WHEELS (1968) + JUST FOR THE HELL OF IT (1968)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on She-Devils on Wheels with Lewis
Garage Punk Gore – filmmaker and musician Chris Alexander discusses the films and music of Herschell Gordon Lewis
The Shocking Truth! – Bob Murawski on his lifelong love for Herschell Gordon Lewis and what he has learned from Lewis’ films
Lewis on his 1968 film The Alley Tramp
She-Devils on Wheels Radio Spot
Trailers for She-Devils on Wheels and Just for the Hell of It

HOW TO MAKE A DOLL (1968) + THE WIZARD OF GORE (1970)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on The Wizard of Gore with Lewis
Montag Speaks – a brand new interview with Wizard of Gore actor Ray Sager
The Gore The Merrier – an interview with Jeremy Kasten, director of the 2007 Wizard of Gore remake
The Incredibly Strange Film Show: Herschell Gordon Lewis “The Godfather of Gore” – episode of the Jonathan Ross-hosted documentary series focusing on Lewis’ films, featuring interviews with Lewis, producer David F. Friedman, actor Bill Kerwin, etc
The Wizard of Gore Trailer

THIS STUFF’LL KILL YA! (1971) + THE GORE GORE GIRLS (1972)

Brand new introduction to the films by director Herschell Gordon Lewis
Audio Commentary on The Gore Gore Girls with Herschell Gordon Lewis
Audio Commentary on This Stuff’ll Kill Ya! by camera operator and Lewis biographer Daniel Krogh
Regional Bloodshed – filmmakers Joe Swanberg and Spencer Parsons discuss the Midwestern roots and work ethic of Lewis’ output and how The Gore Gore Girls represents the shift into transgressive ’70s cinema that would dominate the American horror lan
Herschell Spills His Guts – Lewis discusses his career post-The Gore Gore Girls, why he left the film industry and his role as a leading figure in the copywriting industry
Gore Gore Girls Radio Spot
Trailers for This Stuff’ll Kill Ya! and The Gore Gore Girls

Wow! I need this in my life. Find it HERE if you live in the UK or HERE if you live in the US.

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Death Line (1972) – Day 20 – 31 Days of Halloween

Death Line (1972) – Day 20 – 31 Days of Halloween

A film set in London Underground. A cannibal is the last of a generation of cannibals who live in the tunnels of Russell Square tube station. He hunts for food ie passengers as the late night trains are running.

Death Line was renamed ‘Raw Meat’ in America

This film is obviously based on the supposedly true story of Sawney Beane and his family- a cannibal who lived in a cave in 19th century Glasgow.


This film depicts 70s London beautifully. Theres a gorgeous opening sequence of a supposedly respectable gentleman frequenting the swinging seedy strip shows of Soho.

The setting of the underground of London is also very evocative. I know all too well how scary a deserted underground station can be when waiting for the last tube home. Thank God for the 24 hour tube.

Donald Pleasence stars as a hard bitten police detective. But hes too lovable to be truly nasty. Hes like a more affable version of Jack Regan from The Sweeney.

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The character of the cannibal actually evokes a great deal of sympathy from the audience. Yes he hunts people for food but you get the feeling hes just trying to survive like everyone else in the Big Smoke. He can’t speak except for the words ‘Mind The Doors.’ Oh, bless.

This is a quirky 70s British horror gem that captures a time in London history which makes it an amazing time capsule. Its story needed fleshing out a bit more though (pun not intended).

3 out of 5

Shudder TV launched in the UK

Shudder TV launched in the UK

Heard of Shudder? Its a bit like Netflix for lunatics with all of the content being horror. Not a rom-com in sight!

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Its now launched in the UK and the choice of films is immense! Exclusive content includes Mattie Do’s Dearest Sister, which recently screened at the BFI London Film Festival, and French mini-series Beyond The Walls, which screened at this year’s Horror Channel FrightFest. Other exclusive titles include Sadako Vs Kayako, Rob Zombie’s 31, supernatural drama We Go On, Nathan Ambrosioni’s Therapy and Alex De La Iglesia’s Witching And Bitching.

There are also old classics to choose from. Shudders press release says that ‘In addition, SHUDDER hosts an expertly curated library of hard to find titles and genre gems including Donald Cammell’s WHITE OF THE EYE and Jorg Buttgereit’s NEKROMANTIK which appear ONLY ON SHUDDER alongside stone cold classics from the HAMMER vaults and, for the first time on a streaming service and exclusive to SHUDDER, Clive Barker’s iconic HELLRAISER & HELLRAISER 2.’

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SHUDDER’s catalogue is available on Shudder’s website, mobile apps for iOS and Android users, Chromecast, the Roku platform and Apple TV. Theres a free one week-trial or £4.99 monthly/ £49.99 yearly membership, and more platforms being added in the months after launch.

Join up here- www.shudder.co.uk

Night of the Living Dead 4K Restoration Premiere Press Release

Night of the Living Dead 4K Restoration Premiere Press Release

More great news today! Heres the press statement regarding the 4k premiere of Night of the Living Dead-

Press Release: NEW YORK, October 19, 2016—The Museum of Modern Art announces the addition of George A. Romero’s horror classic Night of the Living Dead to the upcoming To Save and Project festival in November. The iconic horror film, widely diminished by duplication due to infamous copyright issues, will have its world premiere in its originally intended quality, thanks to a painstaking 4K digital restoration by MoMA and The Film Foundation. Director George A. Romero will attend the world premiere on November 5 at 8:00 p.m. at The Museum of Modern Art to introduce the screening. Tickets for that program go on sale October 22. An additional screening will take place at the Museum at 7:00 p.m. on November 12.
Perhaps the most influential horror film of the last 50 years, Romero’s classic is also one of the most abused—subjected, because of its public-domain status, to well over 100 home video releases of deteriorated quality. The film has now been restored to its full, original glory by The Museum of Modern Art and The Film Foundation, working from the original camera negative, which was carefully guarded over the years by the members of Image Ten, the Pittsburgh partnership that originally produced it.
Night of the Living Dead has long been the subject of restoration discussions after a missing copyright notice upon its original 1968 print left it open to duplication and public rerelease. Recognizing its cinematic impact immediately, MoMA first acquired an original print in 1970 for its collection. Now, decades later, the Museum presents this important motion picture in its best possible state after a painstaking audio and image restoration.
“It’s an honor and a thrill to have MoMA restore and present a horror movie that I and a group of Pittsburgh friends created nearly 50 years ago,” said Romero. “After working closely with MoMA and the Film Foundation on this restoration, I know the meticulous work that has gone into creating this new restoration and I am excited to terrify new audiences and devoted fans with a version that returns our film to the quality we originally intended.”
“Our annual To Save and Project festival showcases the best new restorations of masterworks and rediscoveries of world cinema. George Romero’s Night of the Living Dead set the standard for horror, and the figure of the zombie in its myriad incarnations on screens large and small. Until now, however, it has been impossible to truly appreciate the film’s formal beauty and visceral power,” said MoMA film curator and festival co-organizer Joshua Siegel. “Our state-of-the-art restoration draws upon the best original visual and audio elements previously thought to have been lost, ensuring that audiences will be able to enjoy Night of the Living Dead as originally intended by its creators for generations to come.”
“The Film Foundation is thrilled that George Romero’s groundbreaking film is being restored from the original camera negative and track. We hope this will allow a new generation to experience the film and appreciate the elements that made it so innovative at the time, and give it continued power and relevance today. George Romero’s involvement in the restoration means that this version will be definitive, and the only one that truly reflects his vision,” said Margaret Bodde, executive director of The Film Foundation.
The film was restored by The Museum of Modern Art and The Film Foundation with funding provided by the George Lucas Family Foundation. The restoration was overseen by George A. Romero and Image Ten—most especially, Gary Streiner, Russ Streiner, and John Russo—with restoration work done by Cineric Inc, NYC, and Audio Mechanics, Burbank, CA.
Among its many influences, Romero’s film is credited with creating the zombie as we know it today: the reanimated corpse with a taste for the living, seen in everything from The Walking Dead to Shaun of the Dead. Despite its humble Pittsburgh working-class origins, exploitation genre ties, and inadequate handling by the original distributor, Night of the Living Dead has set numerous precedents for motion pictures throughout the world. It was the first film of its kind to cast an African American actor as the lead character based solely on the strength of his performance, and tramples widely held taboos of the time—from respect for the dead and authority figures to traditional family relationships and the narrative tradition of heroes surviving to the film’s conclusion.
Night of the Living Dead premieres as part of The Museum of Modern Art’s 14th annual edition of To Save and Project, an international festival dedicated to celebrating newly preserved and restored films from archives, studios, distributors, foundations, and independent filmmakers. Running from November 2 through 23, 2016, To Save and Project is organized by Joshua Siegel, Curator, and Dave Kehr, Adjunct Curator, Department of Film, The Museum of Modern Art.
Tickets for all screenings are available two weeks prior to their screening date, beginning October 19. Tickets for the first screening of Night of the Living Dead will go on sale October 22.
Special thanks to Giulia D’Agnolo Vallan and Cindi Rowell for their assistance on this exhibition.”

The New York Ripper (1982) – Day 19 – 31 Days of Halloween

The New York Ripper (1982) – Day 19 – 31 Days of Halloween

This film has quite a reputation. It was submitted to the British Board of Film Classification for a rating. But it didn’t receive a rating. The head of the BBFC was so disgusted with the film that he made sure it was actually escorted out of the country. Its still cut to this day after it was resubmitted years later.


Does it deliver? In a word- yes! The murders are graphic, the violence extreme and the grime thick.

Yet its also beautifully shot and captures New York at its rotten 80s best. 42nd Street, prostitutes, the subway as a perilous way to travel, crime laden streets. Its all here.

And the killer has a Donald Duck voice.


Look out for the scenes involving the high class sexpot. Priceless.


Recommended. 3.5 out of 5.

Henry Portrait of a Serial Killer 4K Restoration Confirmed

Henry Portrait of a Serial Killer 4K Restoration Confirmed

Dark Sky have just confirmed that Henry Portrait of a Serial Killer to get the 4K treatment.

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Over at Bluray.com its quoted that ‘In celebration of its 30th anniversary, Henry: Portrait of a Serial Killer returns with a thrilling, cinematic presentation that cements its reputation as one of the most harrowing and original American films of all time. Dark Sky Films, a division of MPI Media Group, proudly presents it in a brand-new 4K scan and restoration from the 16mm original camera negatives, and featuring a new 5.1 audio mix from the stereo 35mm mag reels, all approved by director John McNaughton.’

There is a limited cinema release before the Bluray release also.