See John Carpenter’s Halloween. Win A Toaster

See John Carpenter’s Halloween. Win A Toaster

I’m loving going through the Yorkshire Evening Post’s archives to reveal the ads used to publicise a film’s release. I fondly remember seeing these as a kid- little glimpses into a film’s grittiness and sleaziness when I was too young to actually see the film.

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Original Halloween ad for it’s Leeds screening in 1978

 

The other day I stumbled upon the original ads for one of my favourite films, Halloween.

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I also came across the original film review which was very positive (which it should have been!)

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Original Yorkshire Evening Press review of Halloween from 1978

In fact it appears that the film ran for quite a few weeks here in Leeds. The folks here have great taste!

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‘3rd Great Week!’

But I’m especially loving the fact that a competition was run in the newspaper to publicise the film. I’m just astounded that the prices couldn’t have been more topical for the film’s content- a new set of knives, an endless supply of coat hangers, driving lessons (although Michael Myers seemed to get by without these when he escaped from Smiths Grove).

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Hilarious contest. Can you complete the titles?!
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Review- Black Christmas (1974)

Review- Black Christmas (1974)

Whilst it’s widely thought that it was John Carpenter’s Halloween that initiated the slasher genre those who actually know anything about horror know that it was actually Bob Clark’s Black Christmas made in 1974. In fact, Clark and Carpenter worked together on a project after Black Christmas was made. Clark said to Carpenter that he no longer worked in horror but that he had had an idea for a horror film that was never realised. This would be based around the occasion of, you’ve guessed it, Halloween! Carpenter then later asked to use the idea for a film he was to due to work on and the rest is history. This isn’t to say that Carpenter ripped off Clark but this explains how The Babysitter Murders (the original idea for Halloween) suddenly morphed into the masterpiece we now know and love.

In fact, the opening shots of Black Christmas are similar to those of Halloween- the killer’s point of view camera shot. Halloween reveals who this person is (and it’s one hell of a reveal) but Black Christmas doesn’t. In fact, the killer isn’t revealed fully throughout the entire film which is the first reason that Black Christmas is so revolutionary.

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The story involves a group of female students on the night before they leave their sorority house to go home for the holidays. They start to receive very disturbing phone calls and things start to get dramatically worse soon after.

Another reason to love Black Christmas is that the extent of the killer’s mental instability is shown by the first girl he kills. She is suffocated and then placed in a rocking chair in the attic where the psycho is hiding out. Throughout the film we see him ranting and manically rocking her.

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Arguably some of the most disturbing sequences within the film are when the intruder calls the girls. They don’t know the calls are actually being made by the killer who’s in the attic within the same house. From the calls we come to learn that the person making them is called Billy and that he seems to be playing out incidents from his past, incidents rife with cruelty, abuse and possibly murder. Bob Clark used five different actors for the calls. These phone calls are some of the scariest, most disturbing and unsettling sequences I’ve ever seen in a horror film. They were even cut when the film was first released in the UK.

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Theres also the fact that Black Christmas was the first film to use the now established trope of a killer’s phone calls coming from inside the same house as their potential victim(s). This was years before When A Stranger Calls.

Another great thing about the film is the humour contained within the movie especially from Margot Kidder’s character, Barb. It’s amazing that such an unnerving film can still have genuinely funny interludes but without forsaking the movie’s tension.

But maybe thats because the film is extremely tense indeed. Theres a certain sense of doom to the proceedings that are depicted in the movie. A great example is where Olivia Hussey’s character Jess has just found out that the calls are coming from the sorority house, that Billy is ensconced within it but so are two of her friends (the audience knows otherwise as we saw them get dispatched earlier). On going upstairs (even though the police have phoned and demanded that she leave the house immediately) she enters one of the girl’s bedrooms to discover their dead bodies- and the killer looking at her through a crack in the door. This sequence is one of scariest in horror history.

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Add to this one of the most warped endings I’ve ever seen in a horror movie and you have a masterpiece.

Theres only two horror films with the ability to give me sleepless nights. One is The Exorcist, the other is Black Christmas. Essential.

5 out of 5 stars

Blu Ray Review- When A Stranger Calls (1979)

Blu Ray Review- When A Stranger Calls (1979)

I learnt about When A Stranger Calls after seeing the excellent horror film compilation Terror in the Aisles. I then saw the full film and was blown away. I bought the bare bones American DVD release years later and thought that was the best cineastes would get regarding this film.

So I was thrilled when I learnt that the amazing company Second Sight Films were releasing the movie on Blu ray with a ton of extra features. These include the sequel. And the original short film The Sitter that director Fred Walton made prior to the feature length film. And the soundtrack. This sounded like one hell of an amazing package. Does the reality live up to the specs?

The Film-

A young babysitter receives phone-calls asking if shes ‘checked the children’. After numerous calls to the police she learns that the calls are coming from inside the house (this plot device had only been used one time before in film terms with that film being Bob Clark’s Black Christmas in 1974).

After this extremely tense first 20 mins the film shifts gear and the second act of the film involves the killer, the cop determined to catch him and a bar patron the killer first rather clumsily tries to pick up and when that fails, stalks.

The last act of the film involves the babysitter years later again with the killer trying to kill her again.

Lazy critics and film fans will have you believe that the first and last acts of this film are great, with the middle act (and majority) of the film being boring and pedestrian. This is utter rubbish. My thoughts on the film and particularly the middle act of the film can be found here.

When a Stranger Calls is a masterpiece and I believe one of the best horror films ever made. Really. It should be mentioned in the same breath as Halloween, The Shining and Psycho but isn’t. Maybe this Blu ray release will help to rectify this situation.

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Video-

The transfer on Second Sight’s Blu ray is amazing. The picture quality is flawless and visuals crisp even though the intended look of the film is quite soft. I compared this release to the Region 1 DVD I mentioned earlier and this transfer represents a significant step up in terms of visuals especially in the scenes that happen at night or where shadows are involved. One scene that nicely demonstrates this is the nocturnal walk home the character Tracey takes from the bar.

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Audio-

The audio is just as great as the visuals. Previous releases had a tendency to sound muffled and flat in places. Second Sight’s release rectifies this to such a degree that both music and dialogue are crystal clear and easy to hear. There no need for a manual sound mix using your remote with this release as with so many other releases from other labels.

Features-

This release is jam-packed with special features and the kind of features that fans of the film were waiting decades to see.

Firstly, we get director Fred Walton’s short film The Sitter that was made as a short film with Walton hoping to expand this into a full-length feature after the success of Halloween. It’s interesting to see that a lot of the nuance and detail that are present in the When a Stranger Calls are already a part of The Sitter. The ice maker as a source of terror, Dr Mandrakis’ funny line about ‘we even have low fat yoghurt’ and the opening of the front door to reveal a detective are all in place in The Sitter showing that attention to detail was there from the very start. These elements weren’t added as an afterthought into the full length feature. I’ve waited years to see The Sitter and the wait was worth it. It certainly feels like the embryonic streak of genius that would later be more fully realised in the later film.

The Blu ray also includes the TV movie sequel When A Stranger Calls Back. It was great to finally see this film after hearing so much about it. The character arcs of Carol Kane and Charles Durning’s characters feel realistic and authentic and this is a worthy continuation of their stories. As with the main feature the video and audio on this movie are both top notch.

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Also included are interviews with director Fred Walton, stars Carol Kane and Rutanya Alda and composer Dana Kaproff. For a film of which little was known, fans suddenly have a treasure trove of information about the film’s genesis, it’s production and it’s reception. Walton’s interview is the most revealing and is full of anecdotes which shed considerable light on the film. One such is how actor Tony Beckley felt massively insecure about acting with an actress as great as Carol Kane. Colleen Dewhurst said something to him that instantly remedied the situation beautifully and restored his confidence in his abilities.

And if these special features weren’t brilliant enough we also get the film’s soundtrack on CD (a great addition as Dana Kaproff’s score is a massive part as to why the film works so well), a booklet including an excellent essay on the film and a replica of the original film’s poster.

Of all of the Blu rays I’ve bought this year this is by far the best. A great film has been given the treatment it truly deserves. But I have come to expect this kind of product from Second Sight Films as they were responsible for the amazing package released for The Changeling. I look forward to their release of Boys in the Band early next year.

5 stars out of 5.

31 Days of Halloween- Day 31- Dawn of the Dead (1978)

31 Days of Halloween- Day 31- Dawn of the Dead (1978)

The sequel to George A Romero’s Night of the Living Dead shows that the zombie epidemic has gotten much worse and society is on it’s knees. Two television workers plan to escape with two SWAT team members in the TV station traffic helicopter in search of…whatever they can find that’s better than their current situation.

There is so much to love about this friggin’ film. The tenement opening scene (the shoulder bite was cut by the BBFC as was the exploding head), the way the film suddenly changes course completely as the four fly off in the helicopter, the scene where they land to fill up the copter with fuel (theres the taboo of zombie kids being shot here. Theres also the amazing scene of the zombie having his head decapitated by the helicopter’s blades) and then we get to THE SHOPPING MALL!!!

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The shopping mall/man trap

The mall is one of the greatest locations ever used in a film. Imagine having this shopping centre at your personal disposal with everything inside being free and your property. I love Romero’s social commentary regarding this. The dream of consumerism quickly rings hollow as do the images being conveyed within the advertising produced before the zombie epidemic. Within the extended cut of Dawn (which is just as good, if not better than the original theatrical cut of the movie) the female character Francine is the only person who wants to leave the mall when the topic comes up of whether to move on or not. The men state that they have everything they need here and so should stay but Francine says that the mall is ‘a rut. A trap’. Ans she’s completely right.

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The four main characters

The zombies continue to come to the mall (Stephen mentions that ‘this was a big part of their lives’) which is a brilliantly wry observation by Romero. In this film the living dead have a very aesthetically pleasing blue tinge to their skin. Within the film the blood is redder than red making the film fully realise it’s comic-book vision. But it’s more than this. The film looks like a series of Pop Art paintings come to life. Andy Warhol had plenty to say about consumerism and mass production (his studio was called ‘The Factory’). It’s almost like he was art director on this opus.

But aside from all of the insights and allegories, this film is just great, great fun! The kills are innovative, disgusting and completely brilliant (Tom Savini returns to make-up and special effects duties and this film is probably the best demonstration of his work). Savini also stars as the members of a biker gang who try to take over the mall and seize it from the main four characters.

Wanna see a custard pie fight between bikers and zombies? Wanna see a zombie Hare Krishna, nurse and nun? Wanna see John Amplas (the lead from Romero’s earlier ‘Martin’) as a Pop Art Hispanic dude? It’s all in this film- and much much more.

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A zombie gets a custard pie in the kisser

I also love the character arc for Francine and the bromance between Peter and Roger.

This film has it all. Seriously.

5 out of 5 stars

31 Days of Halloween- Day 25- Bug (1975)

31 Days of Halloween- Day 25- Bug (1975)

An earthquake uproots cockroach-like bugs that can set fire to things and, more importantly for a horror film, also to animals and humans. But never fear, a biology professor played by Bradford Dillman is on the case.

This great little 70’s B movie is directed by Jeannot Szwarc (who would go on to make the hugely enjoyable Jaws 2 and the brilliant campfest that is Supergirl) and produced by William Castle (no introduction needed). Gorgeous Californian locations, bugs setting cats alight (is it un-PC to find this hilariously entertaining?) and also crawling into huge teased 70’s women’s hairdos and letting rip. This is a great popcorn movie.

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But then the movie changes course and gets all metaphysical as the film’s designated bug expert starts to research the incendiary insects in greater depth and even starts to communicate with them!

This is the kind of film that you could stumble upon on a late night TV channel and absolutely love. A low-key joy.

4 out of 5 stars

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31 Days of Halloween- Day 21- Beware The Rapist (1979)

31 Days of Halloween- Day 21- Beware The Rapist (1979)

When I was growing up I loved the Nanny State Public Information Films. They were akin to state produced horror shorts extolling the dangers of everything from playing near rivers to mixing different types of tyres on the same vehicle.

Beware The Rapist is an American PIF (called Public Service Announcements or PSA’s over there) made in 1979. Produced at the height of some of the most prolific serial killers being at large (Ted Bundy is obviously the inspiration for the preppy looking Christmas card salesman, the balaclava wearing perverts could easily be based on The Golden State Killer) this film offers common sense advice to vulnerable women so that they come to no harm.

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Telephone terror

This advice sometimes comes across as extreme (‘once you get home, lock yourself in!’) but this is shown to be better than becoming another victim. This film holds up a mirror to society at that time and the ghoulish events happening with shocking regularity. But it also reflects the somewhat doom-laden advice from American authorities. Protect yourself- or else!

This is a treat for horror and exploitation fans. Gritty, nerve-jangling and based on fact. Truth is stranger- and more brutal- than fiction.

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Beware The Rapist depicts many different scenarios and locales that can suddenly turn nightmarish. Every setting is here- the laundry room, in the supposed safety of one’s car, the late night walk home. In many ways this film reminds me of the ‘urban horror’ situations depicted in the opening credits of the mid-80’s crime series The Equalizer.

The music used is library based. The same library music used for Dawn of the Dead or the genius Australian women’s prison drama Prisoner Cell Block H. And if that isn’t enough of a recommendation then what is?

An amazing time capsule. You can watch it here.

5 out of 5 stars

31 Days of Halloween- Day 8- See No Evil (1971)

31 Days of Halloween- Day 8- See No Evil (1971)

I knew this would be a great film when I saw it was written by Brian Clemens who wrote, amongst other things, the amazing series called Thriller. I wasn’t wrong. This is a cracking movie.

Mia Farrow plays Sarah, a girl who is returning home after being in hospital after a fall from a horse has made her go blind.

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She is greeted by her mother and father. She goes for a nap and doesn’t realise that when she wakes up her entire family have been murdered. There is a VERY unsettling sequence in which she doesn’t realise this and goes about her business with the dead bodies of her nearest and dearest around her. When she enters the kitchen we are shocked to discover that as she makes a cup of coffee the killer is actually sat at the kitchen table watching her every move while she is completely oblivious.

She soon discovers everyone is dead. And thats when things start to become really tense.

The killer is kept secret from the audience but it identifiable only because of a distinctive pair of boots he wears, each with a star on them. The killer’s walk from the cinema at the very start of the film is an incredible sequence.

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Theres stars from stage and screen in this film. Norman Eshley (Tristran’s dad from George and Mildred), Michael ‘Boon’ Elphick, Paul ‘Just Good Friends’ Nicholas and Lila Kaye, the landlady from The Slaughtered Lamb in An American Werewolf in London all appear.

Mia Farrow is totally believable in the lead role and coupled with some excellent direction and we have some truly tense, edge of the seat moments. Check out the scene where she moves around and through the arches in the huge house she lives in so that the killer won’t see her. Outstanding acting and camerawork.

I watched Indicator’s Blu ray for this review and it is exceptional. Theres even another cut of the film that went by the title ‘Blind Terror’ on the disc. Indicator are fast becoming a Blu ray label to rival the very best Blu ray companies out there.

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4/5 out of 5 stars