Like many people the only thing I knew about ice skater Tonya Harding before this film was the incident of violence that she inflicted upon Nancy Kerrigan. This film deals with Tonya’s upbringing and her life in general leading up to this point.
One striking feature of the film is that it well and truly breaks down the fourth wall with characters speaking to the audience and even disputing their version of events as the alleged events are being played out. Theres even one sequence in which Tonya’s mother admonishes the film’s screenwriters as she seems to have dried up in the film’s narrative.
The film depicts the sheer insanity of the events that led up to the fateful encounter with Kerrigan but it never feels like this has been exaggerated or that it descends into farce. Theres an air of authenticity as we see the craziness and dysfunction unfurl before our bewildered eyes.
The setting of working class America also feels real, warts and all. The film depicts the obstacles to true success and the snobbery that Tonya has to endure and overcome. Theres an irony to the nouveau riche mothers, skaters and judges of ice skating looking down on Tonya for being cheap and trashy when all of the contestants are encouraged to look that way but without the actual poverty. The mainstream world of the sport doesn’t like the real thing but rather a contrived and affluent ‘faux’ version of it. It reminds me of a Dolly Parton quote- ‘It takes a lot of money to look this trashy’.
But whilst many events in the film are hilarious and surreal, the incidents of domestic violence depicted are as harrowing and serious as they deserve to be. These sequences still disturb, as well they should.
There are amazing performances from the central three actors of Stan, Robbie and Jenney as Tonya’s mother- a force of nature who is great entertainment on the screen but would be a nightmare in real life.
A special mention is needed for the soundtrack- any film that features both Siouxsie and the Banshees and Fleetwood Mac is something very special indeed.
A young ex-boxer and a priest team up with the sister of a victim of the local mob to find out who killed her brother and try to stop the mob from unfairly controlling all of the work and wages that should be going to the dockers in the area.
This is one of those films that everyone says is a classic but I hadn’t got round to seeing. All I can say is- the people who say this is a classic are undervaluing the film greatly. I knew as I was watching this that one of my favourite films that I hadn’t even seen for the first time from start to finish yet was unfurling before my very eyes.
Karl Malden, Eve Marie Saint and Lee J Cobb are all remarkable.
But then theres Marlon Brando. One still of him from this movie, any still of him from this movie is worth a million Monets. The fact that he went into acting and the movies specifically is a wonder. To see his face, his expressions, everything about him in this film projected onto a huge cinema screen reminded me why I love the movies. Flawless.
I missed this when it was first released. However, at the time I saw clips of the fights scenes and the slow mo bullet sequences and was duly impressed. What would i think of the film on first viewing almost 20 years later?
I never lost interest during this film and I can see why it was such a huge hit in 1999. Its heartening when any highly stylised film which isn’t utter base level bilge to take megabucks at the box office.
But heres where The Matrix succeeds brilliantly. It offers mind blowing concepts- but isn’t too deep. It offers striking visuals- which unfortunately quickly became de rigueur as many other films, commercials and pop videos copied this visual style. Not the fault of the filmmakers and as they say, imitation is the sincerest form of flattery.
Certain parts of the film feel like a comic book fans fapfest. The costumes assumed by the main protagonists would only be thought cool by basement dwelling geeks. Black PVC, long coats and clumpy boots- a cyberpunk’s wet dream. Soo late 90s.
But this film did dare to take to the masses something original and daring. It succeeded. Fair play especially in these times of stale remakes and turgid reboots. But don’t try to interpret things too deeply. Beneath the surface isn’t a whole lot of depth or substance. Precisely why it was so massive.
The scene need the end where we learn that Neo really is ‘the one’ is one of the most bombastic, unintentionally hilarious sequences in modern cinema. I don’t know if its pure cheese, genius or both. Which is noteworthy in itself.
But for a film that tries to show us what the modern world is really like and what it revolves around I’ll still stick with They Live. A film that accomplishes its mission statement with less gloss, has infinitely more depth, substance and charm and does so on a substantially smaller budget than The Matrix.
Why is it that when I see that Film 4 funded a film that its going to look like its been made for TV and lacking in scope or depth?
This film could have been a massive example of social justice warrior filmmaking (damn those white men in power!) But instead there are so many twists and turns that characters who were earlier stereotyped as either ‘goodies’ (the strong woman, anyone of colour, the white man labelled a ‘faggot’, the midget…) or baddies (white men with power to abuse, of course) are in fact shown to be three dimensional and fully nuanced. Everyone is capable of good and evil. Yes, even white men can be good! Its a miracle. I hope Oprah has seen this movie.
Sometimes the film’s comedical stance works wonders, sometimes it feels awkward seeing as the film is about makes the rape and murder of a young woman.
The lead character of Mildred is one of the most interesting I’ve seen in a long time and is played to perfection. In fact there are great performances all round. Woody Harrelson is fast building a filmography that would be the envy of any actor.
But the film doesn’t knit together quite right. And sometimes its ‘politiks’ feel so holier than thou that I wanted to vomit. Mildred only looks happy when embracing her black co-worker. Virtue, anyone?
On the plus side, its photographed beautifully with Ebbing looking absolutely gorgeous.
So, not a masterpiece. But with enough redeeming qualities to ensure you’re not looking at your watch.
WARNING- The ending of this film is so sugar coated that you will become diabetic.
This film is basically saying ‘Life sucks whether you have a facial deformity or not’.
Julia Roberts is great (as per). Owen Wilson is in a film that isn’t an utter embarrassment for once (way to go).
But the film feels like an overlong episode from some bright and breezy TV show. Theres no real depth even though the subject of someone being different could be examined perceptively in relation to human nature and people’s vicious pack mentality.
Theres also some vile stereotyping going on here. All the bullies within the film are white and stinking rich. The goodies either have a facial deformity, are related to him, aren’t white or are a member of another religion (the Jewish headmaster). Social justice filmmaking. Urgh.
If John Waters had made this film, the lead character would have accentuated his unique looks, dressed in drag and owned this film. Maybe Mr Waters could remake this. In fact I think hes already made that film- it had songs, dance routines, Divine and was called Hairspray.
Watch Mask instead. You get Cher and bikers thrown in as well.
A young family move into a house where a young man killed his entire family. And they wonder why the house price was so low.
Cue all manner of haunted house shenanigans- flies, crucifixes being turned upside down, the kids suddenly acquiring imaginary friends, red eyes being seen through the window at night, black ooze overflowing from the toilet…the list is endless.
It feels like every camp and childish haunted house cliche has been poured into this movie that is actually based on a hoax. This sets the tone for the film.
There are some funny moments though- watch out for the vomiting nun and the worst teeth brace you’ll ever see. It looks like some kind of torture device.
Also, Margot Kidder seems to be have some kind of naughty schoolgirl, proto Britney Spears vibe going on in this film. Shes all pigtails and short skirts with thigh length socks. A bit pervy. Keep your fantasies in the bedroom, hun.