This entry into the taboo ‘killer kid’ horror sub-genre involves 9 year old Mikey. The first scene shows him slaughtering his entire adoptive family (yes, really) in one fell swoop. Whats more, hes videotaped the whole thing for his later entertainment. Mikey is found hiding in a closet by the police officers investigating who could have done this. After fobbing them off with a fake description of the perpetrator he is then placed up for adoption.
The majority of the film is centred around Mikey’s new life with his new family. He starts out by looking every bit the model angelic child but then red flags start to appear. Then the number of ‘accidents’ and casualties starts to grow.
The power of this film is that it was filmed and feels like a TV movie. It adheres to this genre’s conventions but subverts it because of it’s controversial subject matter. This juxtaposition works amazingly well especially as the film pulls no punches when it comes to the truly sadistic and brutal deeds of it’s central character. The performance of Brian Bonsall is pitch perfect as the psychopathic child. It’s also great to see Ashley Laurence from Hellraiser fame make an appearance as Mikey’s concerned teacher.
This film was actually made for the ‘straight to video’ market in the US but was then to be released theatrically in the UK. The film was submitted for a certificate to the BBFC and was awarded an 18 cert in November 1992. But then things took an unexpected turn. The abduction of toddler James Bulger by two other children dominated the news in February of the next year and the media was stating how horror films and specifically home videos must be the cause. A number of films that had been released were targetted with Childs Play 3 taking most of the blame. The Daily Mail (who else) noted how Mikey was a future release and involved a child killer. Surely this couldn’t be released now, could it, they opined. Head of the BBFC, James Ferman then took the unprecedented step of taking back the 18 certificate that had been granted to Mikey and banning it outright. It’s hard to believe that this happened but it did. Mikey was resubmitted for a certificate in 1996 but was rejected. The film is still banned in the UK.
Donny is a very damaged person. After an incident at work sees one of his colleagues set himself on fire, we see Danny freeze with terror at the incident. This is explained through flashbacks. We see that as a boy his mother used to punish him by burning his forearms.
When he returns home from work he finds that his domineering mother has actually passed away. We then see her throughout the film in different stages of decomposition.
Donny then constructs a flame-proof room in his house and lures women back there to strip them naked and set fire to them using a flamethrower whilst they are hung up.
As a study of mental decay this is closer to Maniac than Repulsion. Lurid, sleazy and generally unsettling, this shocker deserves it’s notorious reputation.
The original title of the film was actually The Burning (the print I saw actually had this title card) but when the filmmakers found out that another film was being made using this name they quickly changed it.
The BBFC cut three whole minutes from this film for it’s cinema release and then banned it outright for video. Most of the cut material was from the first murder involving the florist Donny tricks into coming back to his house. And this sequence is VERY full-on! Theres shades of Ed Gein to Donny’s MO. But without Gein’s flair for interior decoration.
The first three victims he torches to death he then dresses in his dead mother’s clothes and places in armchairs. He rants to them as if they’re still alive which gives us a very darkly entertaining glimpse into his twisted psyche. He sometimes hears their voices.
As you can tell from the plot elements I’ve described above this certainly isn’t a film to put on in the middle of a family get together (unless you want them to leave of course). But if you love deranged, unhinged and off kilter horror then you’ll love this Check out the new Blu Ray release. The print is gorgeous.
Two young teenagers cross paths (or tracks) with a trio who degradate and sexually humiliate them. One of them is accidentally killed, the other jumps from the train to escape her captors. The trio then find themselves at the home of one of the teenagers. Revenge ensues.
Stylish direction and cinematography prevail in this film whilst the 70’s Euro vibe is captured very well indeed. Just like Last House this film is VERY extreme!
In fact this film was banned by the BBFC when submitted for cinema screenings in 1975. The video was placed on the Video Nasties list in 1983 but was then acquitted the year after and promptly removed from the DPP list.
You know those films that are so predictable that they have you saying ‘I knew that was going to happen’? Island of Death is the exact opposite of those kind of movies.
A British couple arrive on the island of Mykonos with only one thing in mind- seducing the locals then dispatching of them whilst one of the pair takes pictures of the whole event.
This film feels like the film Lesley was making in the brilliant Alan Bennett ‘Talking Heads’ monologue so memorably recited by Julie Walters.
The inhabitants are like characters from John Waters and Andy Warhol/Paul Morrissey films. If this isn’t enough of a recommendation then I don’t know what is. Some scenes have been sped up also. The spirit of Benny Hill lives on.
The Greek locale is gorgeous and acts as a great backdrop for the film’s pervy goings on.
Sleazy, sordid and very entertaining. This is one of the best (and most bizarre) films on the Video Nasties list.
Look up ‘Island of Death Full Movie’ on YouTube and luxuriate in it’s slapstick depravity.
The ancient practice of witchcraft in Swinging 60’s New York.
Rosemary and Guy Woodhouse move into the gothic apartment building known as The Bramford. Guy is an actor who doesn’t seem to be getting the big breaks he deserves. That is until he meets the eccentric couple Minnie and Roman next door and then suddenly his luck changes. Could this change in his fortunes be coincidence or is there more than meets the eye?
Everything about this film is perfect.
On watching this masterpiece again I really tuned into the themes of gaslighting, narcissism and coercive control that occur between the characters who have something to hide from poor Rosemary. Check out the subtle exchange of glances that are swapped between Guy, Minnie and Roman after the Castavets are told that Rosemary is pregnant.
The film is also about abuse and the need for the victim of that abuse to speak her truth and have her voice heard. The scene of her telling what she believes to be the truth to Charles Grodin’s Dr Hill is both liberating but then ultimately heartbreaking.
Watch out for Polanski’s direction and marvel at how deft, innovative and revolutionary it is. The scene where Minnie is sat on Rosemary’s bed just out of view still makes me crane my neck to look around the door frame to see her more clearly. Now thats genius.
The film builds to one of the most unsettling climaxes in film history. And then the scene after that is is even more disconcerting.
Ruth Gordon’s performance is one of the best I’ve ever seen in any movie. The perfect alignment of perfect writing with an actress who was born to play the part.
Look out for the cameo by William Castle.
I cannot recommend this film enough. If you haven’t seen it you’re in for a treat. If you have seen it then watch it again. You’re still in for a treat.
This movie was on my ‘must see but haven’t got round to yet’ list for the longest time. But whilst other titles on said list turned out to be great (take a bow Pieces and Madman) can the same be said for The Mutilator? Can a movie with such a great poster and tagline live up to expectations?
This was originally released as Fall Break. The MPAA found the film so violent that they were ready to slap an X rating on it. Whilst there was no problems with the film’s distributors booking the movie into theaters in the big cities those in Middle America refused due to the X. Hence the movie was re-edited and rereleased as The Mutilator.
Skip forward to the ever great Arrow Video finding an uncut print when it was called Fall Break and releasing it with a wealth of extras.
The plot concerns a young boy accidentally killing his mother as he cleans one of this hunting obsessed father’s guns. Years later we see the young man now at college and going to his father’s beach condo (I’m taking it that the obligatory cabin in the woods was already booked) for some R&R. But someone is watching them and picks them off one by one.
It’s all pretty generic- even to the point that it’s so routine that it almost feels like it’s a spoof or send-up.
Even gory kills don’t make up for a massive lack of suspense and innovation.
A far-out and thoroughly groovy tale of the swinging scene of 1970’s California. But also a disturbing tale of childhood abuse. Molly has fantasies of tying up men that also involves the use of razors. Two American Football stars are found butchered. Could Molly be responsible? Have her fantasises started to overlap with reality?
The great thing about the Video Nasties list was that it contained low-key gems that were truly left-field like this movie.
The film doesn’t really make much sense but it doesn’t have to. The Drive-In and 42nd Street crowd would have been watching this film with their friend Mary Jane in attendance. And its possibly much more of a mind-expanding experience that way. But either way this is a very enjoyable piece of off-kilter 70’s goodness.
The film also looks unexpectedly gorgeous. And so it should as the Director of Photography was a young Dean Cundey. He shot this just two years before Halloween.