Review: ‘I, Tonya’ (2017)

Review: ‘I, Tonya’ (2017)

Like many people the only thing I knew about ice skater Tonya Harding before this film was the incident of violence that she inflicted upon Nancy Kerrigan. This film deals with Tonya’s upbringing and her life in general leading up to this point.

One striking feature of the film is that it well and truly breaks down the fourth wall with characters speaking to the audience and even disputing their version of events as the alleged events are being played out. Theres even one sequence in which Tonya’s mother admonishes the film’s screenwriters as she seems to have dried up in the film’s narrative.

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‘This didn’t happen!’- differing versions of events are played out and refuted directly to the audience

The film depicts the sheer insanity of the events that led up to the fateful encounter with Kerrigan but it never feels like this has been exaggerated or that it descends into farce. Theres an air of authenticity as we see the craziness and dysfunction unfurl before our bewildered eyes.

The setting of working class America also feels real, warts and all. The film depicts the obstacles to true success and the snobbery that Tonya has to endure and overcome. Theres an irony to the nouveau riche mothers, skaters and judges of ice skating looking down on Tonya for being cheap and trashy when all of the contestants are encouraged to look that way but without the actual poverty. The mainstream world of the sport doesn’t like the real thing but rather a contrived and affluent ‘faux’ version of it. It reminds me of a Dolly Parton quote- ‘It takes a lot of money to look this trashy’.

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The right kind of furs, the right kind of sequins- the trash aesthetic of the world of ice skating

But whilst many events in the film are hilarious and surreal, the incidents of domestic violence depicted are as harrowing and serious as they deserve to be. These sequences still disturb, as well they should.

There are amazing performances from the central three actors of Stan, Robbie and Jenney as Tonya’s mother- a force of nature who is great entertainment on the screen but would be a nightmare in real life.

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Mommie Dearest- Allison Janney as Tonya’s mother

A special mention is needed for the soundtrack- any film that features both Siouxsie and the Banshees and Fleetwood Mac is something very special indeed.

4 1/2 out of 5

Review- Spotlight (2015)

Review- Spotlight (2015)

A film that was on my ‘Haven’t got round to seeing it yet’ list. Until now.

Journalists at the Boston Globe investigate sexual abuse of children by local Roman Catholic priests- and uncover much more.

This is based on a true story and feels authentic and not over-dramaticised for the big screen.

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The locales are pinpoint perfect too. Note the cramped offices of The Globe compared to the splendid locations frequented by the higher echelons of the church and those paid to defend them. Corruption pays well- but only if you have no soul.

Notice also the Boston street scenes- this is a film that loves the city.

The performances are also amazing. Mark Ruffalo deserves special praise here- the best performance I’ve seen in a film in a long, long time. Batman was pretty damn great too 🙂

A brilliant film that indeed casts the spotlight onto the darkest of places. This deserves all of the many accolades it received and continues to receive.

4 1/2 out of 5

Review- ‘On The Waterfront’ (1954)

Review- ‘On The Waterfront’ (1954)

A young ex-boxer and a priest team up with the sister of a victim of the local mob to find out who killed her brother and try to stop the mob from unfairly controlling all of the work and wages that should be going to the dockers in the area.

This is one of those films that everyone says is a classic but I hadn’t got round to seeing. All I can say is- the people who say this is a classic are undervaluing the film greatly. I knew as I was watching this that one of my favourite films that I hadn’t even seen for the first time from start to finish yet was unfurling before my very eyes.

Karl Malden, Eve Marie Saint and Lee J Cobb are all remarkable.

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But then theres Marlon Brando. One still of him from this movie, any still of him from this movie is worth a million Monets. The fact that he went into acting and the movies specifically is a wonder. To see his face, his expressions, everything about him in this film projected onto a huge cinema screen reminded me why I love the movies. Flawless.

5 out of 5. A masterpiece.