I actually went to see Lady Bird because the trailer was so good. Any film that uses ‘Days of Steam’ by John Cale instantly grabs my attention.
Lady Bird is a quirky film that makes me want to punch the air with delight. Thank Christ for all of the filmmakers who see things from a different perspective and dare to portray events by thinking outside of the box rather than just following the herd.
The lead character of Lady Bird is finishing up at school and waiting to go to college. The netherworld period of transition just before the bird leaves the comfort of the family nest is poignant, restless and full of conflicting emotions- a fact which doesn’t escape the filmmakers.
There are gorgeous observations concerning family relationships and dynamics. One scene involves Lady Bird and her mother having a very serious and embittered argument in a thrift store. But this all ends abruptly on the discovery of a beautiful dress. Suddenly all resentments and grievances evaporate as mother and daughter bask in the glory of this maroon lace concoction.
Another thing about the film that I loved was the Catholic setting. It was refreshing that we have such a setting in a film and it isn’t full of cruelty and abuse (OK- maybe thats me as I’ve watched both Spotlight and Silent Night, Deadly Night recently). Watch out for the inspirational Mother Superior, the all too enthusiastic play director/wannabe football coach and the drama teacher. All great characters which compliment this unique film.
The entire cast are awe-inspiring. Saoirse Ronan owns the role of Lady Bird and is perfect. And its great to see Laurie Metcalfe on our screens again after years of watching Roseanne.
Offbeat, innovative and original. Lady Bird deserves all of the praise its receiving at the moment.
Why is it that when I see that Film 4 funded a film that its going to look like its been made for TV and lacking in scope or depth?
This film could have been a massive example of social justice warrior filmmaking (damn those white men in power!) But instead there are so many twists and turns that characters who were earlier stereotyped as either ‘goodies’ (the strong woman, anyone of colour, the white man labelled a ‘faggot’, the midget…) or baddies (white men with power to abuse, of course) are in fact shown to be three dimensional and fully nuanced. Everyone is capable of good and evil. Yes, even white men can be good! Its a miracle. I hope Oprah has seen this movie.
Sometimes the film’s comedical stance works wonders, sometimes it feels awkward seeing as the film is about makes the rape and murder of a young woman.
The lead character of Mildred is one of the most interesting I’ve seen in a long time and is played to perfection. In fact there are great performances all round. Woody Harrelson is fast building a filmography that would be the envy of any actor.
But the film doesn’t knit together quite right. And sometimes its ‘politiks’ feel so holier than thou that I wanted to vomit. Mildred only looks happy when embracing her black co-worker. Virtue, anyone?
On the plus side, its photographed beautifully with Ebbing looking absolutely gorgeous.
So, not a masterpiece. But with enough redeeming qualities to ensure you’re not looking at your watch.
A movie that goes one way but changes direction massively.
In fact before the plot twist that occurs I thought this was a film about the most unlikable and privileged kids I’d ever seen on screen. In fact they’re so privileged that when they got to college they would be the biggest social justice warriors, I thought as I drifted away from the dull film.
In fact the only tension or frisson in the first half hour was more centred around the couple next to me who kept talking throughout the film. They stopped after I suddenly shrieked ‘For fucks sake! Shut the fuck up!’
But then the film has a huge volte face regarding its plot and it touches upon something that is still taboo in real life and on film- killers who are children. In fact, as soon as the film started to touch upon this film I instantly thought of the case of James Bulger. I was genuinely shocked to see the use of a can of paint in the film. Anyone who knows about the proceedings of Bulger’s death will know that paint figures predominantly. Was this coincidental or intentional?
The film could have now developed into something much darker, brutal and savage. It doesn’t exploit this brilliant plot twist and is a bit too obsessed with gloss rather than grit. The last 15 minutes are extremely contrived and more Hollywood than horrorshow. This is a shame. The very end of the film is funny but this should have been a vivid display of gallows humour rather than a jokey conclusion to a good but not great movie.
A wasted opportunity. But not a failure- in this era of reboots and reboots (the curse of modern film), any trace of originality and innovation should be cherished.
If you want to see a much better ‘killer kids’ film watch Bloody Birthday. The best Christmas horror films are still Black Christmas, Silent Night, Deadly Night and Christmas Evil. If you want to watch a movie about vapid, overprivileged kids, you’re asking the wrong person.