Top 10 Fan Made Movie Posters

Top 10 Fan Made Movie Posters

On my search for movie posters on the internet for my articles I come across a massive amount of fan made movie posters. Correction- I come across a massive amount of really good fan made movie posters. Heres a collection of the best I’ve seen so far (this could change as I stumble across more…)

And so, in ascending order…

No. 10- Captain America: The First Avenger

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Such a classic American hero gets a classical poster concept.

The Art Deco framing and reimagining for Cap works brilliantly well here as the lines synonymous with this genre also emphasise movement, action and speed.

The red, white and blue of Cap’s costume works really well against the monotone of the background’s gun metal grey.

No. 9- Friday the 13th Part 3

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How do you even think about reimagining a horror villain as well known as Jason Voorhees? Like this. Take only single colours (the blue background, the green of Jason, the red lettering that looks it has been written in blood- very Manson Family) and make the image as iconic as possible to reflect the film and central figure.

This is further demonstrated when you realise that it was this Friday instalment that introduced Jason’s hockey mask to proceedings (R.I.P. Shelley). This image further emphasises the iconic dimension to this.

The red and green also remind me of the red and green stripes of Jason’s sparring partner, Freddy Krueger. A nice touch. Red and green are also the colours used for 3D- which this film was shot in. Another nice touch.

No. 8- The King of Comedy

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Sometimes simple is best. This poster is minimalism used to brilliant effect. The painting of Pupkin is gorgeous. And that’s all thats needed.

No. 7- Double-Bill – The Birds and Up

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A fan made poster for an inspired double-bill coupled with absolutely gorgeous artwork. The colour of Up, the Gothic darkness of The Birds. The juxtaposition works beautifully.

The typography and aged look to the artwork works amazingly well also. I’d pay to go and see this double-bill anyway, but this poster would make me go and see both of these films even if I hadn’t heard of them.

No.6- Drive

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I’m loving that this artist has used Gosling’s stuntman mask and brought it to the fore for this poster. I’m also loving that he/she has referenced the iconic poster artwork and bald head motif from Dawn of the Dead resplendent with blood splatter.

I noticed the gore/slasher elements of Drive when I first saw it. It appears I wasn’t the only one. Bonus points for the weathered/vintage look to the poster.

No.5- Dr. No

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A sign of a great fan poster- it fools you into thinking that it was possibly conceived and conceptualised at the time of the film’s release but not used by the studio.

This is what has happened here- the artist has utilised the same style of artwork used at the time, assimilated it and come up with something just as brilliant but completely original.

You can tell that the artist knows this film and the series it belongs within inside out.

No.4- Jaws

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There are so much Jaws fan posters on the internet and there are so many that are utterly brilliant.

This entry wins out as it terrifies me. Freud would have a field day with this. The enormity of the shark, the unsuspecting woman who is oblivious to her fate, the black water the shark is lurching up from. The sea could be the psyche, the shark our deepest fears that are waiting to attack and consume us whole. But that would be a Tarkovsky film and not the Spielberg classic we all know and love.

This poster still gives me shivers as I’m looking at it whilst typing this entry.

No.3- A Nightmare on Elm Street Part 2- Freddy’s Revenge

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Such a simple premise that no-one else thought to do it! The gay subtext of Freddy’s Revenge is brought to life and placed centre stage on this poster. Thankfully it’s done by someone who is extremely talented and brilliantly gifted.

There was even a ‘Drag pre-show’ before this screening and a discussion about ‘queerness in the horror film’ after it.

This film has become a gay classic as well as newly reappraised by the horror community. It may not have been the sequel to the first that fans wanted but this curve-ball of a film has rightfully now been taken to horrorhound’s black little hearts.

No.2- The Shining

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This fan poster is stunning. All the disturbing aspects of the film, all of the disturbing scenarios of the film and the utterly disturbing transformed persona of Jack Torrence are  all upclose and personal on this artwork. And the choice of style for this poster is perfect for this with each brushstroke evoking so much.

When I marvel at this poster I think of the brilliance of artists such as Lucien Freud and Jenny Saville. Really. It’s that good!

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‘Stare’ by Jenny Saville

No.1- The Texas Chain Saw Massacre

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Well, where do I even begin with this beauty?!

My eyes almost popped out of their sockets when I saw this for the first time. Quite possibly, one of the best movie posters (fan-made or official) I’ve ever seen. And loads to discuss.

When I saw this I instantly thought of the Disco-era of the 1970’s whereby a disco dancers moves would be collected together in one picture, the same figure side by side, showcasing the very best of their dancefloor poses.  I then remembered that was in fact a picture like this that was used to publicise Saturday Night Fever with John Travolta as Tony Monero being captured in various poses of disco brilliance.

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Five moves of Travolta, referenced in the TCM poster with five moves of Leatherface

Theres also a similar collection of poses of Juliet Mills from the horror masterpiece Beyond The Door that was used in the film and as a still.

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The colours on this TCM poster also compounded this Disco 70’s feel as well as the colours also echo the lit up coloured squares on the dancefloors of the era. This is a culture clash that has something in common- TCM came out at the same time as Disco was starting to take off and just two years before Travolta shook his groove thing and became a household name.

The rainbow colours also act as a signifier of the rainbow flag of the LGBT community. I don’t think Leatherface has ever been recognised as an icon of the trans movement even though he is biologically male but loves to apply make-up…to masks made of his victim’s skin. It’s unconfirmed where Travolta stands when it comes to all things LGBT.

 

Day 10- 31 Days of Halloween- Nosferatu (1922)

Day 10- 31 Days of Halloween- Nosferatu (1922)

In the 80s with new horror films like The Evil Dead pushing the boundaries of the genre, television companies thought that older horror films ceased to be scary and so could be shown during the daytime. And so I saw Nosferatu which was made in 1922 one Bank Holiday morning. It couldn’t possibly frighten me, right?

It scared the shit out of me. And watching it again now it still freaks me out. An unauthorised adaptation of Dracula (the estate of Bram Stoker sued and wanted all copies of Nosferatu destroyed. Luckily this didn’t happen) this is beautifully shot and directed. In fact I could look at any frame from this movie and drool. This is an early example that a horror film didn’t have to be some kind of example of low culture but could actually be art.

Max Shreck’s Nosferatu is pitch perfect and the very embodiment of evil. This film stays in your head long after its finished with certain images being so striking and horrifying that they become seered into your psyche.

5 out of 5.

Day 6- 31 Days of Halloween- The Abominable Dr Phibes (1971)

Day 6- 31 Days of Halloween- The Abominable Dr Phibes (1971)

Vincent Price’s Dr Phibes avenges the death of his wife by bumping off the culprits with each murder having a biblical connection.

Very camp, very funny and very unsettling- this is one of Price’s best just like Witchfinder General and the Poe films he also made with Roger Corman.

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Check out Phibes’ clockwork band- one of the eeriest things committed to celluloid.

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Also check out the classic art deco decors and groovier surroundings that capture the early 70s so fantastically.

Caroline Munro appears but only as photos of Phibes’ tragic dead wife.

4.5 out of 5

Day 2- 31 Days of Halloween- Battle Royale (2000)

Day 2- 31 Days of Halloween- Battle Royale (2000)

A class are transported to an island and its then disclosed that they have to kill each other with the last person left standing the winner.

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Brutal (as you’d expect) but also witty, humane and strangely poignant in places. This film is brilliantly acted, directed with style and is beautiful to look. Murder and deception has never looked so good. In fact the ‘killing for sport’ theme reminded me of one of my favourite films, Turkey Shoot.

And thats all I’m going to say. To say anything more would ruin the film completely. See it.

4 out of 5

Burial Ground – Day 12 – 31 Days of Halloween

Burial Ground – Day 12 – 31 Days of Halloween

Zombies, gore and guts. Oh and spaghetti.


Whats noticable about this film is the incest subplot involving the effeminate manchild character called Michael played by Peter Bark. I didn’t know about this when I first watched the film. Its now seered into my mind for better or worse. This film is for titmunchers of all persuasions.
3 out of 5

 

A Nightmare on Elm Street (1984) – Day 7- 31 Days of Halloween

A Nightmare on Elm Street (1984) – Day 7- 31 Days of Halloween

This is the movie that made me into a major fan of horror and cult cinema in general. I saw this when I was 11 years old on its release onto video. Since then I watched it numerous times and know it off by heart.

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The original UK video artwork

With a film so ingrained into my psyche it would have very easy to watch it again for this review and miss out details and nuances that I would tend to subconsciously gloss over. Such is the tendency on watching a film so many times. I have therefore made a real effort to watch this again with fresh eyes and ears and imagine seeing it for the first time. Here goes.

One thing that strikes me is Wes Craven’s subversion of the horror genre. Like Halloween, this film is presented as a teen movie. Tina talking to Nancy about the dream she had the night before is punctuated by Rod talking about waking up with a hard on. The teen girls talk is penetrated (pun not intended) by a horny teen male’s talk of sex. But then Craven subverts the 80s teen genre with the brutality of the following events just like Romero subverted the horror drive in sub-genre with the brutality and pessimism within Night of the Living Dead. ANOES reads like a knowingly atypical 80s teen movie up until Tina’s quite extraordinarily violent demise.

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Teen movie girls just hanging out

The scene of Glen playing the airplane sound effect tape also plays like a scene from an 80s teen movie. Again, Tina’s death shows that this is no ordinary 80s horror movie depicting teens. Instead it stands out as an intelligent horror film that is just as violent as the most shocking video nasty Mary Whitehouse was trying to ban.

Not only is Tina’s death too graphic for an average 80s horror movie, its also too innovative. Tina literally climbs the walls and ends up on the ceiling. If Lionel Ritchie wants to dance on the ceiling then Wes Craven wants to portray a more realist depiction of the 80s- a bloodied victim being lifted skyward and killed on the ceiling.

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Teen movie subverted

Tina’s death also subverts horror film conventions like Psycho and Night of the Living Dead did. The female character we presume to be the female lead is dispatched of early on in the film just like Marion Crane was in the shower and Barbara was made incapacitated via her catatonic state.

Thus it is left to Nancy Thompson to become the film’s heroine. She fulfils all of the classic attributes for being a Final Girl. Where as Tina has been shown to have just had sex with Rod, Nancy is shown as chaste by rejecting her boyfriend Glen’s invitation for a game of hide the salami.

There are several incidents and signs that make Nancy realise the truth about the dream world, whatever happens in it and how elements from this world can be brought into the real world. The burn on her arm during the classroom dream, the single feather she sees floating out of her bedroom window, the cuts on her arm and the appearance of Freddy’s hat she retrieves in the dream clinic are all used for Nancy to gain knowledge which leads to Nancy eventually applying this logic to bring Freddy out of her dream so that he can be defeated. This demonstrates another Final Girl attribute- shes smart.

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The Final Girl uses her resourceful and logic to hatch a plan

There is a sequence that shows where Nancy may have got her Final Girl attributes from- her mother. When Nancy is almost killed in the bathtub, Marge deftly picks the bathroom door lock. Maybe this resourcefulness has been passed down from Marge to Nancy. Later in the film Marge confirms Nancy’s Final Girl status by saying ‘You face things, thats your nature. Thats your gift. But sometimes you have to turn away.’ This also predicts the end of the film.

Nancy’s proactive qualities are also shown by her taking sleeping pills and drinking copious amounts of coffee. She doesn’t want to succumb to sleep and potential death until shes hatched a plan and had a crack at defeating Freddy.

This plan also shows Nancy’s Final Girl attributes- and her boyfriend’s ineptitude. Nancy asks Glen to stay awake and stand guard over her. She wants to go into her dream, grab Freddy and bring him into the conscious world. He fails, falls asleep and Nancy is left to battle Freddy alone. The fact that she isn’t killed shows her strength and the fact that she can do this alone. Its also a subversion of horror film cliches. Rather than having a guy defeat the killer, Nancy will do it herself.

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Nancy battles Freddy whilst Glen sleeps

There is another example of Nancy’s resourcefulness being highlighted at the expense of inept male characters. Nancy brings Freddy into the real world and as he stumbles into each of the traps she has laid she calls out for help to the cop watching her house. Its only after her repeated screaming for help and saying ‘Get my Dad, you asshole!’ that he says ‘I’d better get the Lieutenant…’ Men are seen as impotent, inactive and ineffective.

The scene which precedes it in which Nancy lays the traps in her house for when she brings Freddy out of the dream sphere. This has to be one of the most empowering scenes in horror history. Craven loves his booby traps with them being an ingredient of both Last House on the Left and The Hills Have Eyes. But they have never felt so satisfying as in Nightmare. This is true Girl Power rather than the fake manufactured kind peddled by The Spice Girls in the 90s.

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Girl power

The scene in which she shows the peak of her Final Girl qualities is the penultimate scene with Nancy showing Freddy that she feels no fear towards him anymore and turns her back on him- the ultimate act of power and defiance. She literally takes away his power and becomes all powerful herself.

Freddy Krueger’s cruelty manifests itself throughout the film. This man was a child molester and murderer ‘the most loathsome of creatures’ as Craven said and the seriousness of this isn’t passed over. Freddy likes to inflict harm to himself to disgust and repulse his victims. Hence he slices off two of his fingers when pursuing Tina and slices himself open during Nancy’s school dream. Both of these acts are done whilst smiling sadistically. Freddy seems to revel in the Grand Guignol act he can transform his body into.

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Grand Guignol

There are also signifiers towards the sexual and violating nature of Freddy’s crimes- the scene where he says ‘Come to Freddy’ to Nancy and then flicks out his tongue vulgarly is repulsive in the extreme. Also the scene involves Freddy’s tongue coming out of the telephone receiver demonstrates another violation. The most obvious example of Freddy’s sexual intent of his crimes is when Nancy is in the bath. Freddy’s glove appears from in-between her legs. This scene depicts Nancy as victim in the most vulnerable of situations in the same way that Hitchcock did with Marion Crane in the shower.

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Freddy’s sexual threat

And yet these aren’t the only examples of Freddy’s need to violate and invade. He wants to intrude into the different spheres of his victims lives- their homes, schools, even their bedrooms. And yet his biggest violation is the sphere of their sleeping lives. By violating this sphere he can affect their conscious non-sleeping spheres also.

Craven seems to be critiquing Reagan era America within the film. The neighbourhood is shot to look idyllic on the surface- gleaming white houses with no trace of any dysfunction at all. Advertising at this time was saturated with these kind of images.

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The American lie

However, Craven is ironically sending up the images seen so frequently in the adverts of the day. Scratch beneath the surface of the characters living in these houses and theres parents hiding a secret and the lynching of a child murderer after several of their children had been murdered by him. Maybe this influenced David Lynch and his portrayal of small town life in Blue Velvet.

The ultimate signifier that things aren’t quite right in this idyllic town is that whenever the neighbourhood is shown in this Norman Rockwell way, the angelic little girls are shown to be actually jumping rope to a rhyme about Freddy. This is a crack in the shiny veneer of the manufactured lie.

Another way in which Craven is showing the rancid underbelly of Reagan America is through his depiction of the law in the film. Policemen are shown to be either inept and pathetic, sometimes dangerously so. Rod Lane dies in police custody and is of Hispanic descent. This painfully mirrors news stories then and now as this is still a pertinent issue. This is portrayed in the film as the loaded look Rod’s father exchanges with Nancy’s cop father during his son’s funeral when the priest says that ‘He who lies by the sword must die by the sword’.

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The Police as ineffective and incompetent

The example of the policeman who is supposed to standing guard over Nancy outside her house as she brings Freddy into the real world also shows that the police are inefficient and this can result in lives being lost. Institutions valuable to American society under Reagan aren’t functioning properly.

There is also another valuable insight into American society at the time of the film’s production. When Tina is killed in her bed, Rod sees no killer just Tina being killed by an invisible force. This is eerily like a filmic representation of AIDS, the invisible killer that is killing thousands of people in their beds. With hindsight this is telling of the mentality of the Reagan led era- it was decades before Reagan even acknowledged AIDS as a disease that needed to be combatted even when people close to the Reagans such as actor Rock Hudson was dying of the disease.

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Silence = Death

The fact that the film depicts a female character as resourceful, strong and assertive as Nancy also goes against the female gender role the Reagan era wanted women to aspire to. It wanted women to be wives, mothers and homemakers. They should have no aspirations or ambitions let alone possess or demonstrate any redeeming qualities.

Watching this film again was a treat. I loved the film as a child and my opinion hasn’t changed. The film is multi-layered, insightful and above all a kickass horror film experience.

Heather Langenkamp’s amazing portrayal of Nancy heads a brilliant cast. The photography is stunning as is Charles Bernstein’s menacing synth score. Only the rushed and lacklustre ending marrs the film.

This rightly deserves to be seen as a horror classic.

4 and a half out of 5

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Wake in Fright- Day 6- 31 Days of Halloween

Wake in Fright- Day 6- 31 Days of Halloween

A young schoolteacher trues to escape small town Australia and reach Sydney…but gets waylayed in the darkest possible way.

This is an amazing examination of small town madness, the unspoken madness of such a life and the brutality and destruction undertaken by men.

Its also an amazing portrayal of cabin fever being caused by nothing but huge open spaces.

The film features another insane petformamce by Donald Pleasance who is in top form. If this doesn’t act of enough of a recommendation then I don’t know what will. 

The kangaroo hunting scenes are strangely beautiful just like the rest of the film. The outback has rarely looked so gorgeous on film. However, what goes on there means that this is far from a 70s tourist board film.


The rediscovery of this film and its subsequent restoration restores my faith in humanity. This film is too important and brilliant to be left unseen and decaying in a basement somewhere. This movie would make a great double bill with Nic Roeg’s Walkabout.