Gruesome Twosome

I remember as a kid being obsessed by the posters on display outside my local Odeon cinema. And not just the posters but also the lobby cards underneath showing various scenes from the films. These were the days before posters were stringently censored in the same way that films were in the UK (and yes, posters were altered if they were deemed to be too graphic. The poster for A Nightmare on Elm Street 2 was just a black affair as the original featured Freddy Krueger in full eye-splitting technicolour. The poster for Reanimator featured a severed head and this was also altered so that the back of the head could be seen rather than the face as it lay in a metal tray).

I remember some time in 1979 seeing this poster for a double bill of The Incredible Melting Man and The Savage Bees. I was 4 years old.

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The poster that made me lose many nights sleep…

If anything caused me the most nightmares as a child it was this poster. It was like someone had just told me that there were many dangers in the world and that we were all fucked. And I loved it. There was a darker underbelly to life and the door to that had just been opened for me at an early age by a B-movie double bill poster.

I’ve seen both films and both are brilliant. The Incredible Melting Man has a gorgeous transfer onto Blu ray by the ever excellent Scream Factory. But what has happened to The Savage Bees? If this was also to get the Scream Factory Blu ray treatment I’d be ecstatic.

 

 

 

Welcome!

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As this is a new site I thought I’d take some time to introduce myself. My name is Simon and I’m a film aficionado. I studied film for 3 years in London and am undertaking a teacher training course so that I can lecture in the subject.

But before you think that my tastes in film are constrained to the so-called classics of the subject I will have to correct you. I was born in 1975 and remember first hand the birth of video in the UK, the home video boom and also the ensuing Video Nasties controversy. I was lucky in that my parents were very liberal when it came to my viewing habits. The first two videos rented by my parents when we first started bought a VCR were Captain America (a cartoon version from the 60s) and Basket Case. I was much more interested in the latter and wasn’t disappointed. Its still one of my favourite slices of exploitation cinema.

The local video stores were my training ground when it came to learning about my tastes in cinema. Video releases in those days focussed more on the most graphic, lurid and sensationalistic movies with artwork that was just as attention grabbing. I would spend hours in these video stores salivating over video art that featured rotting green zombies, kickass Kung-Fu masters and blaxploitation actresses brandishing shotguns. In other words, I was in heaven.

From there I started to explore more films and even some arthouse movies. I also learnt about the work of auteurs who were highly respected. But before you think I was watching stuffy and boring old nonsense I’d just like to point out that the auteurs I’m talking about are people such as John Waters, William Friedkin and Hershell Gordon Lewis.

I then moved to London to study film and had at my disposal the best cinemas in the world showing all manner of the obscure and cult. When I arrived I went to see a retrospective of Russ Meyer’s work at what I though was an art cinema. It actually turned out to be a porno moviehouse. But I’ll save that story for a later posting ; )

My taste in Film and TV is eclectic to say the least. Within this website I’ll be extolling the merits of Public Information adverts, killer nun movies, gems set in women’s prisons, rape revenge films, animals vs humans shockers…the list goes on and on.

Do you love edgy and extreme cinema? Welcome aboard!

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