This slasher movie starts in the most obvious seting for a film of this ilk- a campfire! We hear of Madman Marz who was a vile man by all accounts. Abusive to his family until he decides to kill them with an axe. He then casually goes to his local tavern to have a drink or ten but not before he’s placed the bloody axe on the bar. He’s then jumped by a posse of men who bury the axe in his face and attempt to hang him for his crimes. When they go to cut down his body the next day they find that it isn’t there anymore.
Three guesses where he is and that he’s still murdering people.
I watched this film on the same day that I watched another film I had heard plenty about- Pieces. How’s that for a double bill?
My first thought on watching Madman was ‘Oh my God! That’s Gaylen Ross!’ Yes, Fran from Dawn of the Dead is one of the cast members. Why wasn’t she in more films? She’s a legend.
The other prevailing thought I had was that Madman kicks ass royally. This is far from your bland and cliched summer camp based slasher film. The kills are amazing, it’s gory as hell and the killer is fantastic.
Madman plays with the tropes of the early 80’s slasher film and feels like a breath of fresh air in much the same way as Jeff Lieberman’s Just Before Dawn. There is deft and innovative direction by Joe Giannone which places this head and shoulders above similar fare.
Add to this an excellent and very effective electronic score by Steve Horelick and you have one hell of a ride.
Madman also went under the alternate title of Slaughterhouse.
A prelude shows a prank in which a socially awkward and sexually inexperienced student is lured into having his first sexual encounter. What he doesn’t know is that the woman waiting for him in bed is actually a corpse stolen by medical students. On discovering this, Kenny becomes unhinged and is rightly traumatised.
Three years later the same students sans Kenny travel together on a train that doubles as a costume party. They start to be picked off one by one. Who could the killer be?
It’s pretty obvious who it is but y’know…
This is one of the horror films that starred Jamie Lee Curtis that helped cement her status as The Scream Queen after Halloween in 1978. Of all of her horror vehicles from this time, I have to say Terror Train is my least favourite. It’s beautifully lit, with a gorgeous colour palate but remains strangely cold for me. A cross-country on a sleeper train could have been the perfect locale for a horror film but for me, the movie is surprisingly suspense free and not very atmospheric at all.
Slasher films in those days offered more than just kills for their audiences and there’s plenty of teen drama between the characters and even a magician in the guise of David Copperfield to add something different to proceedings.
But Terror Train is certainly substandard when compared to Halloween 2, Prom Night, The Fog and, of course, the first Halloween.
A far too mediocre entry in the slasher sub-genre.
This 1980 slasher movie concerns a jilted lover who kills his ex prior to her wedding day. He’s now been released from prison and intends on repeating history as he’s after a soon-to-be bride.
The film borrows heavily from Halloween (the piano score, the autumnal street shots etc etc) and even the title card for the movie uses the Friday the 13th font. But for what it is, it’s actually really enjoyable.
The look of the film captures early 80’s small town America in all it’s soft gaze, wood panelled glory. The kills are actually well executed, inventive (watch out for the fish tank scene) and the killer is very scary indeed. He needs to work on his non-psycho face though as he looks like a serial killer even when he’s just out and about. It’s a bit of a giveaway.
The opening ‘film within a film’ scene is also fun. The kind of self-referential quality that the film possesses could in part be because renowned future film academic Vera Dika worked on the film as script consultant and as part of the editorial department. She would go on to write about the slasher genre and it’s conventions in her book Games of Terror.
This film will never be a shining beacon of the genre but it’s a great way to pass an hour and a half. It’s also my favourite Tom Hanks movie.
Healthy horny idiots go camping in the woods (I know, an alien scenario for a slasher film!) The woods they go to were the location of a bloodbath decades earlier as someone from a gypsy camp was falsely accused of rape by a female member of the townsfolk. The townsfolk burnt down the gypsy settlement but one of the younger members of the travellers escaped albeit with massive amounts of burns. The present day campers get the feeling that someone is watching them and then start to be dispatched by You Know Who.
The Prey was made in 1980 but not released in the States until 1983. Edwin Brown was directing porn movies before he decided to branch out into horror. And it shows! The sex scenes in this movie are a lot more raunchy than in other slasher movies. Theres a longer version of this film called the ‘Gypsy Cut’ which contains a full prologue regarding the traveller characters. This sequence is VERY sexual and feels like the sequences of porn movies that you see before sexual organs get an airing. This includes the kind of flat acting that you could only see in pornography.
The film feels like it wants to establish the fact that it’s a Hillbillies vs City Folk movie and even has a character playing a banjo!
But whilst this is a blatant Friday the 13th rip-off theres enough here to hold your interest. The kills are very effective (courtesy of special effects guru John Carl Buechler), the cinematography is stunning (even if scenes shot in a forest are pretty hard not to portray as beautiful. Check out the scale of some of the shots and how the humans are sometimes shown as minuscule in comparison to the woods. Also, check out the abseiling scene). Theres also a very unexpected ending that shows that Ol’ Scarface has other plans for the Final Girl rather than killing her. This reminded me of the backstory to the mutant family in the masterpiece, The Hills Have Eyes. The kill of the Final Girl’s friend before this is also very left-field and takes the audience by surprise (no, I’m not going to disclose what it is!)
Check out the Arrow Films Blu ray. Both cuts are on there along with a gorgeous transfer and plenty of extras.
3 out of 5 stars