Review- The Fan (1981)

Review- The Fan (1981)

I’ve wanted to see 1981’s The Fan for the longest time and finally, it was shown on TV here in the UK (the channel Talking Pictures is amazing and never disappoints!)

Sally Ross (Lauren Bacall) is an actress who is heading a Broadway musical. She is also the target of super-fan and super-stalker Douglas Breen (Michael Biehn) who professes his undying love for her in numerous letters that are intercepted and responded to by Ross’ assistant who grows increasingly worried about the mental state of this particular fan. She even raises it was Ross who admonishes her for treating a fan badly. But then things go from bad to worse.

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I’m pretty sure I’d have the same expression as the woman on the left if I got to meet Lauren Bacall

Was the wait to see this film worth it? YES! There’s so much to love about The Fan.

Firstly, I found myself aghast at the cast. Not only do we get Bacall, Biehn and James Garner but also Hector Elizondo, Griffin Dunne and Dwight Schultz (from The A-Team!) We even get a non-speaking cameo from Charles Scorsese (father of Martin) in a theatre audience scene.

The Fan doesn’t skimp when it comes to the gritty and deranged nature of stalking which wasn’t a crime or behaviour that had been discussed widely at that point yet. Although, the film was released a few months after Mark Chapman shot dead John Lennon outside The Dakota Building (where Bacall used to live spookily enough) and so stalking was set to enter the zeitgeist and prompt more conversations. Biehn is excellent as Douglas Breen with the scenes in which we see him at a typewriter professing his love for Ross in his typed letters reminding me of the telephone scenes from Prom Night- dimly lit, claustrophobic and scary as hell.

In fact, Biehn is fantastic at turning from loving to psychotically menacing at a dime. He’s perfectly cast.

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The film is also very gory that mirrors a lot of films that were bigger budget efforts but didn’t skimp on the blood perhaps to tap into the demographic who were going to see slasher movies. In fact, there’s an amazing scene in the New York subway in which you definitely get a Dressed To Kill vibe that apparently this film’s producer Robert Stigwood had just seen.

There’s also a nod to Cruising with one scene involving the killer getting picked up in a gay bar and leaving for a tryst which takes place on a rooftop. Sex and death go hand in hand with this scene. What would Genet say?!

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Cruising in a gay bar. Is that Truman Capote next to Douglas?!

I love the look of the film with it having a certain haze as if there’s Vaseline on the camera lens.

Another thing I loved about The Fan was that it’s a great New York movie. This actually feels like a cleaner and more genteel vision of New York from that time. Maybe the filmmakers thought there was enough sleaze in the events taking part in the film without depicting the sleazier locales of the city as well.

And then there’s the camp. Not only do we get divine creature Bacall gracing the role of Sally Ross but with the action revolving around her heading a Broadway musical, we get deliciously gay rehearsals and even get to see the finished product on opening night resplendent with a song that was subsequently nominated for a Razzie (a sure stamp of approval) that was written by Tim Rice. Hell, we even get Do The Dog by The Specials over one earlier scene in a record store. Talk about contrasts.

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The unbridled camp of the stage show Never Say Never. Silver lame, dry ice and raspberry neon. A design for living.

The Fan bombed at the box office on its initial release and was derided by Bacall who hated how gory and violent it was. James Garner even said it was the worst film he ever made. Some reviews were fair but others were really bad (yes there’s that Gene Siskel again).

I love The Fan and feel that maybe audiences didn’t fully engage as at that time stalking as a crime hadn’t entered public consciousness yet. Remember, another film that dealt with stalking was The King of Comedy which was released the following year and also underperformed. Some films are way ahead of their time and judged very well by history with both films finding their audiences and being appreciated more now.

One person online said that this would make a great double-bill with The Eyes of Laura Mars. That’s very true. Both films are as camp as a row of pink tents but with gritty and genuinely disturbing scenes that reflect the slasher film sensibilities of the time.

Look out for the remarkable edition of The Fan on Blu ray on Scream Factory.

4 and a half stars out of 5

31 Days of Halloween- Day 31- Are You In The House Alone? (1978)

31 Days of Halloween- Day 31- Are You In The House Alone? (1978)

Gail Osborne is a 16 year old who starts dating Steve Pastorinis who goes to the same school as her. It’s also around this time that she starts to receive abusive notes stuck in the grills of her school locker and also abusive telephone calls.

For a film, let alone a TV movie to deal with an issue such as stalking in 1978 was very brave indeed as it hadn’t entered the public consciousness yet and was largely an alien concept. But Are You In The House Alone? deals with the subject very intelligently and exposes it for the vile, terrifying and horrific practice that it actually is.

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But the movie also deals with other issues such as Gail’s parents struggling with their marriage following her father losing his job. This again is dealt with brilliantly and feels integral to the plot rather than just feeling like padding to fill up the running time.

But Are You In The House Alone? also deals with rape, another taboo topic for 1978. It deals with it amazingly well with discussions regarding getting the rapist to court and obtaining a conviction against him being seen as being very difficult indeed.

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I love doing 31 Days of Halloween as it’s a great chance to revisit horror films that I have seen in the past but also to watch films that are completely new to me. Some of these I’m really glad I took the time to watch. A small minority bowl me over as they are just so powerful and brilliant. Are You In The House Alone? is one such film. When it ended I literally had to just sit and digest what I had just experienced and think about just how trailblazing the production was especially for that time and for the topics it depicted without any sugar coating or saccharine gloss.

Are You In The House Alone? is a very unsettling experience as it worms its way into your head and will stay with you long after it has finished. And it’s a rare instance of a TV movie rightly finding its way onto Blu Ray (thank you Vinegar Syndrome!)

Grade- A