A young couple have their young baby snatched away from them and offered as a human sacrifice to an ancient tree to prolong it’s life by the infant’s nanny. We then see a short time later the Druid nanny from Hell starts new employment caring for another couple’s child.
This tautly and stunningly beautiful film was director William Friedkin’s first excursion into the horror genre again after that low-key film that he directed in 1973 that no-one ever talks about anymore. Just kidding. Friedkin’s first horror movie after The Exorcist was bound to garner much press and this film did. It was also predictable that any film that wasn’t as genre-defining and revolutionary as The Exorcist would provide howls of derision and bad reviews which was the fate for The Guardian.
I refuse to think of any film directed by William Friedkin to be irredeemably bad or massively flawed. And this truly is the case with The Guardian. Amazingly directed, beautifully shot, pinpoint perfect performances (a big shoutout goes to Jenny Seagrove as the anti-Mary Poppins) and you have a taut 1990 film that has more positives than negatives. If anything is lacking it’s maybe the generic source material and the constant re-writes that affected the film. But it’s interesting to see such a great director working on strictly genre fare and seeing what happens. This reminds me of Martin Scorsese directing Cape Fear and seeing what he could do within such parameters.
The horror scenes are great and the buildup of tension is lovingly established. The film establishes the feeling of placing the well being of your baby into someone else’s life and that someone turning out to be a nutjob (if only the film had ditched the supernatural element and made it about a psycho nanny instead. This film could have been to childcare what Jaws was to sharks). The loss of control and the erosion of some of the most precious parental boundaries are fully explored here and the result makes for a very chilling film.
Time has been very kind to The Guardian. It’s established a fanbase and isn’t the disaster some critics would have you believe it was at the time. In fact, it’s a very good movie.
***and a half out of *****