When you recognise a murder weapon which could implicate a hacksaw wielding murderer who’s already killed two other people, what do you do? You go to stay in a remote secluded clifftop villa with your friends, that’s what! Nothing could go wrong…

This is a fantastic slice of giallo directed by Sergio Martino in 1973. It’s all here- the sumptuous locales, the amazing insistent music score, the deft and stylish cinematography and direction. But, best of all, there’s one of the most disturbing and iconic killers in giallo history (which is really saying something). And not only does he look great but he also kicks ass.

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This film expertly builds tension with some scenes reminding me of the later Halloween. I wonder if Carpenter had seen this film before making the 1978 classic. I sure as hell hope the makers of the new Halloween film have seen this film (I bet I know the answer to that question but I’ll wait until this film is released to either have my hunch confirmed or refuted).

An example of this tension within Torso would be the scene in which the lone survivor is in the villa with the killer thinking that there’s no one else there. She’s locked in her room but decides to try to get the key which is still in the lock on the outside of the door to fall onto a sheet of newspaper which she’s slid underneath. This way she can slide the key under the door and try and free herself. But then…you’ll have to watch the film to find out what happens. It’s a great scene in a great film.

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Imagine seeing this double-bill!

When it comes to giallo everyone seems to know the work of Dario Argento, Lucio Fulci and Mario Bava and for good reason. But Sergio Martino is an example of another giallo director who doesn’t get the attention he deserves. This is a shame as his work is stellar. And Torso is a great ‘in’ for the horror fan wanting to investigate his work.

4 out of 5

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