A young family move into a house where a young man killed his entire family. And they wonder why the house price was so low.
Cue all manner of haunted house shenanigans- flies, crucifixes being turned upside down, the kids suddenly acquiring imaginary friends, red eyes being seen through the window at night, black ooze overflowing from the toilet…the list is endless.
It feels like every camp and childish haunted house cliche has been poured into this movie that is actually based on a hoax. This sets the tone for the film.
There are some funny moments though- watch out for the vomiting nun and the worst teeth brace you’ll ever see. It looks like some kind of torture device.
Also, Margot Kidder seems to be have some kind of naughty schoolgirl, proto Britney Spears vibe going on in this film. Shes all pigtails and short skirts with thigh length socks. A bit pervy. Keep your fantasies in the bedroom, hun.
2.5 out of 5
A remake of the 1958 classic gets a 70s update.
The premise is the same but the reasons behind it are different. It seems like each incarnation of this film reflects the unrest of each society it was made in.
This film depicts the 70s swing towards pop-psychology and psychiatry that was popular at the time. The psychiatrist characters played by Leonard Nimoy and Jeff Goldbloom brilliantly convey this angle.
But the film also shows American society and its people in disarray. Post-Watergate and post-Vietnam politics and the related disillusionment fuel the characters and general feel of this film. No one knows who to trust, what the truth is or who/what to believe in anymore.
Paranoia is also a key component in this movie. This makes the film a very intense watch and quite exhausting at times. Whilst I love this film its a movie I have to be in the mood to watch. It seems like tiny nuances and interactions that characters would normally take for granted are given thought time, credence and then magnified. An example is when Brooke Adams character is bumped into. There is then a sequence in which Adams and this character are walking away from each other down a corridor but take turns to look at each other over their shoulders.
There is also a sequence where Adams is walking around San Francisco and passes a bust city bus. Every single passenger is looking right at her. Is the camera capturing reality or the internal and paranoid thoughts of Ms Adams?
The paranoia and suspicion escalates until we get to one of the most famous unsettling endings in movie history.
Brilliantly acted, written and directed. This really is a prime slice of time capsule filmmaking then is strangely as relevant today as it was in the 70s. This is also one of the best San Francisco movies ever made. The city looks amazing and provides a gorgeous backdrop to the film’s events. Added kudos for the mud baths locale.
Look out for the cameo by Robert Duvall as a priest on a swing and the man-dog that suddenly appears who is a weird fusion of a banjo playing character and his dog earlier in the film.
4 out of 5.
A boat sails into New York but the only person onboard happens to be a morbidly obese zombie who seems to be pissed off and hungry. The daughter of the boat’s owner decides to venture to where her father had been, a Caribbean island called Matul. She takes along with her a journalist who smells a story.
This film was butchered by the BBFC on its initial release. The distributors decided to release a stronger uncut version that then lead to the film being banned and placed on the DPP video nasties list.
This film is reknowned for going the extra mile. Ever wondered what would happen if a zombie took on a shark? Of course you have! This film features it. Add to the mix a revolutionary eye-gouging scene, a great score by Fabio Frizzi and one of the most iconic ending scenes in horror history. Oh, and some of the most annoyed zombies with especially bad attitudes and you have a great movie.
This Italian shocker directed by maestro Lucio Fulci actually billed itself as a sequel to the Argento cut of Dawn of the Dead in Italy. Is it a masterpiece like Dawn? No. But its still one hell of a ride.
I’ll always have a soft spot for this movie. An obscure horror film made in America in the 70s and set in a drive in. Whats not to like?
Could it be the mentally challenged employee there called Germy who could be the killer? Or the local sex pest we see the cops interview? (‘I didn’t do anything wrong! I was just at the drive in to beat my meat!’)
Yes, its slow in places, yes there are obvious filler scenes to pad out the running time. But its full of character and is pretty scary.
I first saw this on VHS and then DVD in the 80s and both released through VIPCO. It was the worst print used for a transfer EVER. The film is now on Blu ray through Severin Films and looks amazing after a long lost print was found, where else, but in an abandoned drive in. Life imitates life. Or something.
3.5 out of 5
In the 80s with new horror films like The Evil Dead pushing the boundaries of the genre, television companies thought that older horror films ceased to be scary and so could be shown during the daytime. And so I saw Nosferatu which was made in 1922 one Bank Holiday morning. It couldn’t possibly frighten me, right?
It scared the shit out of me. And watching it again now it still freaks me out. An unauthorised adaptation of Dracula (the estate of Bram Stoker sued and wanted all copies of Nosferatu destroyed. Luckily this didn’t happen) this is beautifully shot and directed. In fact I could look at any frame from this movie and drool. This is an early example that a horror film didn’t have to be some kind of example of low culture but could actually be art.
Max Shreck’s Nosferatu is pitch perfect and the very embodiment of evil. This film stays in your head long after its finished with certain images being so striking and horrifying that they become seered into your psyche.
5 out of 5.
One sign that you’ve made a horror classic- your film spawns a slew of imitators.
Sometimes one or two of these imitators are witty, knowing and innovative.
Thats what happened here. Jaws made such a splash (pun intended) that there were plenty of rip-offs. Piranha was one such film but was great on its own terms rather than being a pale imitation.
Director Joe Dante said the original screenplay for this Corman produced film was dire. He worked on it with John Sayles and made Piranha into the hoot it is today. Quirky characters, great scenarios and references to other works such as The Creature From The Black Lagoon abound. One lead character plays a Jaws arcade machine at the start of the film. The movie knows exactly what it is and isn’t afraid to shout it out.
Another great facet of the story- its the heroes of the piece who actually cause the near disaster they have to deal with.
The leads are amazing (Bradford Dillman and Heather Menzies) as are the supporting cast that features Kevin McCarthy, Corman regulars Paul Bartel and Dick Miller and Euro scream queen Barbara Steele.
A cult classic and deservedly so.
4 out of 5.