Review- Children of the Corn (1984)

Review- Children of the Corn (1984)

I first saw Children of the Corn when it was first shown on UK TV in the mid 80’s. The following day it would appear that most of my school friends had seen the movie too as we all recalled the events of the film in grisly and lurid detail.

On watching the film again recently I can say that it holds up very well indeed. The plot involves two characters called Vicky and Burt taking a roadtrip and happening upon a small Nebraska town called Gatlin. A major red flag goes up when the couple notice that on approaching the town the radio now only plays content that appears to be Baptist ‘fire and brimstone’ style sermons.

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What Burt and Vicky don’t know is that three years earlier the town’s adultfolk had been slaughtered on the wishes of 13 year old Isaac who has set up his own religious sect with ‘He Who Walks Behind The Rows’ as their god, the rows being the huge cornfield which is central to Gatlin. A failed harvest had prompted the uprising with Isaac asserting that his new god needs human sacrifices to be appeased and so that there are bountiful harvests as a result. Young child Job wasn’t involved as his father didn’t like Isaac and so wasn’t allowed to go to a gathering organised by Isaac for all of the town’s children. Job’s sister Sarah also wasn’t there as she was severely ill with a fever. She is shown to have some kind of psychic powers and depicts what she sees from the future in the pictures she draws.

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Things go from bad to worse for the adult couple who have now stumbled across the town which has been run by Isaac and his henchman deputy Malachi for three years now. When they hear about the adult trespassers they demand for them to be captured and then sacrificed to their cornrows deity. Poor Burt and Vicky. They discover Job and his sister who assist them in not becoming human sacrifices.

This film has a great premise which is based on a short story by Master of Horror Stephen King. The film also taps into one of the last taboos especially in film which is that of the killer child. And here we have scores of them. The milleu of the religious sect and the small details connected to this like the children being made to change their names to more biblical monikers also adds to the utterly sinister tone of the film. It also shows what can go wrong when a setback or downturn of fortunes can be taken as an opportunity by a charismatic person with sinister motives to come to prominence and give the downtrodden and disillusioned someone to believe in even though he/she is up to no good.

The opening scene takes place in a diner in which the children present (after being given the nod by Isaac) poison and violently slaughter the adults in attendance. I remember being utterly shocked by this scene in particular when I first saw the film and I can reliably report that it’s hasn’t lost any of it’s power to shock decades later.

But this isn’t the only sequence which has the power not just to shock but also to worm it’s way inside your head. The sequence in which Vicky is placed on a cross with it then being hoisted up, the shot showing the weapons hanging from the hands of the children as they descent on a house which has one of the couple in it and the gruesome scene in the church as we see what happens to the children who come of age are such examples.

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The casting of the movie is also excellent with Sarah Hamilton as Vicky and Peter Horton as Burt. But the attention to detail regarding the casting of the children is just as impressive. The casting of the freakishly sinister Isaac and his horrifyingly hillbilly deputy Malachi are inspired. In fact, it seems they cast every child with unconventional and unique looks.

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Another great quality that the film possesses is whether He Who Walks Behind The Rows is actually a real supernatural force or just completely fabricated by Isaac.

There are also some 80’s visual effects in the film which are still extremely pleasing to the eye and have aged very well indeed.

In fact the same can be said about the whole film. In lesser hands, this could have aged terribly and been forgotten about. Instead we get a film where thought and innovation were used to fully bring to life King’s great plot idea and which still has it’s own rabid fanbase. However the film still doesn’t get enough praise or recognition when films are talked about which were adapted from King’s novels. This is a real shame. Maybe this will change.

***and a half out of *****

31 Days of Halloween 2020- Day 26- Diary of the Dead (2009)

31 Days of Halloween 2020- Day 26- Diary of the Dead (2009)

George A Romero’s 2009 zombie flick and a concept that involves the found footage of a film student assembled into a movie by one of the film’s other characters. All of the movie is shot on camcorders and other similar devices available at the time commercially.

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This found footage chronicles a group of film studies students who are travelling home across country. They witness firsthand and record the apparent dead coming back to life as zombies.

The film gets the balance right between narrative for the casual film viewer, gore for the purist horror fans and metaphor/soul searching content for the serious cineaste (there are plenty of issues raised about what the truth actually is, the suppression of the truth by the mainstream media, the truth being conveyed by bloggers and those not working in the corporate media. The idea of what the truth is is also relevant regarding filmmaking in general as the ‘truth’ you are seeing is in fact the truth of the person who has shot the footage and also the person who has edited it).

The film never lags and feels like a fresh perspective on the zombie genre and Romero’s Living Dead series in general. The characters are interesting with the audience fully engaging with them and wanting to see what will happen to them. Most importantly, they’re not irritating.

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But for the horror fans there are also new and innovative kills concerning how to kill a zombie. The scene involving a pickaxe being used whereby a freshly bitten human kills both himself and the zombie who has just taken a chunk out of him at the same time has to be seen to be believed.

We even get Romero’s take on if zombies should run or not after the Dawn remake and the undead’s speed and athleticism therein. A character says that zombies would never run as their ankles would break as (duh) they’re dead. And he’s right.

***and a half out of *****

31 Days of Halloween 2020- Day 22- The Ambulance (1990)

31 Days of Halloween 2020- Day 22- The Ambulance (1990)

A young cartoonist Josh chats up a young woman named Cheryl in the street (the board at Gillette must be despairing at this) but when she collapses she is then taken to a nearby hospital in an ambulance which has been called for her. When Josh tries to track her down there appears to be no trace of her being taken to any hospital in an ambulance. Josh then learns that the same fate happened to Cheryl’s roommate. Something fishy is going on. Does it have anything to do with that specific ambulance?

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With such a great premise I was expecting a cross between Coma and Maniac Cop. But, alas instead this is more like a TV movie that feels very slight and somewhat hollow.

I was also expecting more as this was directed by the great Larry Cohen and whilst there are some great directorial flourishes and some great dialogue which Cohen also wrote (all of the supporting characters in Cohen’s films have the best in quirky left-field comebacks), they don’t save this movie.

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A wasted premise and a shame.

** out of *****

31 Days of Halloween 2020- Day 19- Dawn of the Dead (2004)

31 Days of Halloween 2020- Day 19- Dawn of the Dead (2004)

A remake of the much loved and revered masterpiece Dawn of the Dead was always going to be sneered at by fans and film scholars alike when the project was announced.

I actually saw the film on it’s release when I was visiting Glasgow and was expecting to roll my eyes constantly whilst saying ‘Psst!’ under my breath a few hundred times (but not too loudly…) during the film’s running time. I was pleasantly surprised though. Whilst it was no worthy competition for Romero’s original film in terms of it’s coveted place in horror history, it was far from mediocre. In fact, it was really rather good!

The opening scenes show central character Ana finish a long shift as a nurse at her local hospital and return home. The next day a little girl from her neighbourhood comes into her house and shows that all it not well. She has changed into a zombie and fatally attacks her partner, ripping out a chunk of his neck with her teeth. Very quickly, he then springs back to life and also in a zombiefied state like the girl who attacked him.

Ana gets to her car and we then see that the very fabric of society has broken down almost completely. People are either dead and running around as zombies and trying to kill others, or they are still human but have either gone completely crazy (witness Ana’s neighbour armed with a gun) or are in ‘survival of the fittest’ mode with no regard for anyone else around them (someone attempts to hijack Ana’s car by trying to jump into it).

After running off the road, Ana crosses paths with cop Kenneth who, with other characters (one of them pregnant!), goes to the neighbouring mall for refuge.

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The mall is where the majority of the rest of the movie takes place just like the original. There’s even a nod to the first film with a sign for a shop called Gaylen Ross. The theme of a crisis bringing out the best and worst in a person’s character is explored well here with the security guards who are already in the shopping centre having marked it as their territory and only letting the new arrivals take refuge if they surrender their weapons and adhere to their rules and laws. This is very Lord of the Flies.

The next day even more characters are interjected into the narrative by way of a delivery truck and we now have our cast in place for the rest of the film. And this is one of the major strengths for the remake and that is that the characters are so brilliantly sketched and well rounded. There is a fantastic diversity and range within the characters with some changing by the time of the film’s conclusion so that our expectations are constantly being challenged and contradicted with seemingly vile people redeeming themselves and vice versa.

The film also perceptively displays human relationships at work. On first arrival most of the characters rub along pretty well. But being in a confined space together soon causes divisions and differences to develop and flare up. The film soon becomes something akin to events in a season of Big Brother but with, obviously, more at stake.

As well as great characterisation we also get great make up and effects. The special effects for the film were actually by the company owned by Heather Langenkamp aka Nancy Thompson from the Nightmare on Elm Street films! She should be very proud with the results as they are fabulous.

Scott Reiniger, Ken Foree and Tom Savini from the original all get cameos well as the Gaylen Ross reference/homage.

The zombies in this film move a lot faster than their blue-skinned counterparts from the original which massively divided fans with Romero himself saying that he didn’t like this aspect. I personally think it doesn’t really bother me as it’s something new just like the film itself. There’s also a new rule regarding the dead turning into zombies with there being a set time of a few seconds before the dead arise again. I thought this was also an interesting new aspect of this remake/reimagining.

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There is also some great humour in the movie also. Witness the ‘Celebrity Squares’ game that Kenneth plays with his gun shop buddy who is trapped on the roof of his business nearby. This also blossoms into a great moment of camaraderie and dare I say bromance between the two characters. Again, this echoes the same kind of relationship that Scott and Peter had in the original. I thought that it was great that this was reproduced in the remake.

I have to say though that on watching this film again for this review after seeing it on it’s original release brought diminishing returns this time around. It was almost like when you know what to expect with this remake half of the fun has gone.

This remake will never come close to the original film. But on first viewing it was interesting, innovative and had some artistic merit. It’s also a great rollercoaster ride that didn’t make me roll my eyes once.

***and a half out of *****

31 Days of Halloween 2020- Day 18- Children of the Damned (1964)

31 Days of Halloween 2020- Day 18- Children of the Damned (1964)

A sequel to Village of the Damned which is less a continuation of the plot and instead like a film containing characters who possess the same powers as the children in the original but under different circumstances.

Whereas the original took part in a countryside idyll, the action within this film is based in London. A gifted child called Paul is studied and observed by the relevant governmental authorities. Other almost supernaturally gifted children are also discovered and brought to the city so that UNESCO researchers can witness them at work. They are brought from places as varied as China, Russia and Nigeria.

These gifted children then abscond from each of their respective embassies that they are staying in and take refuge in an abandoned church. It’s here that the authorities and the army find them and have to decide whether to try to coax the children out or destroy them if they pose a threat to humanity. It’s here that a tense standoff encroaches.

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This film as opposed to the original is firmly on the side of the children who we see as persecuted and in need of human support. The original depicted them as inhuman, devoid of emotion and empathy and very much as villains in a horror film. Children of the Damned elicits sympathy and compassion for the children who are shown as unjustly discriminated against, ostracised and treated as freaks in many ways. Having high levels of intelligence and other powers such as telekinesis are gifts but also hindrances. Witness the speech Paul’s mother shrieks at him that she should have destroyed him before she took him in her arms for the first time.

I made the mistake of reading the reviews for this film before I actually watched it. The few examples I could find were derogatory and very unflattering. They were also wrong, in my humble opinion. Children of the Damned may not be as good as the original film it is a sequel to but is still a vivid, well written, engaging film that is well worth a view. The shots of 60’s London are beautiful. A special mention to Ian Hendry (Repulsion) who heads a stellar cast.

***and a half out of *****

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31 Days of Halloween 2020- Day 15- Village of the Damned (1960)

31 Days of Halloween 2020- Day 15- Village of the Damned (1960)

Mysteriously one day everyone in the village of Midwich suddenly lapses into unconsciousness. After a few hours everyone just as mysteriously wakes up. Two months later every woman in the village who is able to become pregnant finds that they are pregnant.  Whats more the embryos are found to develop abnormally fast.

The children look eerily alike with blond hair and strange eyes. They are also shown to possess intelligence way beyond their years. As the children grown older they are shown to be able to control other’s actions through using their ‘stare’ in which their eyes seemingly glow and hypnotise their prey. They are also able to read other’s minds. As if that wasn’t enough, they display a telepathic bond between themselves also.

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There soon develops a separation between the ‘normal’ children and indeed people of the village and the ‘gifted’ children. The twain very rarely mix except within their respective families.

But then strange and unaccountable deaths of locals start to occur in the village. One example is of a villager who was an excellent swimmer suddenly drowning. Another example finds the children causing a man to crash his car into a wall at high speed. The dead man’s brother tries to avenge his death but is forced by the children to shoot himself instead.

The children appear to have a complete lack of empathy, compassion or indeed, humanity. They appear to be complete devoid of emotion or warmth.

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When dealing with such entities it is realised that drastic measures have to be taken as has been demonstrated by other countries who have also shown evidence of similar mutant children in recent years.

And that’s all I’m going to tell you! The ending is a real shocker! In fact this is a superb adaptation of one of my favourite books (The Midwich Cuckoos) by one of my favourite authors (John Wyndham- and if you haven’t read any of his books I implore you to read some NOW!)

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Amazing direction, perfectly acted, a great sense of tension until the shocking conclusion. This film wasn’t just taboo then but also feels taboo now, such is the power of the material. This was remade by John Carpenter in 1995.

There was a VERY funny parody of this movie within The Simpsons with a new movie called The Bloodening playing at a Springfield drive-in. Have a look on YouTube for the clip. It’s The Simpsons at their best.

****and a half out of *****

31 Days of Halloween 2020- Day 13- The Exorcism of Emily Rose (2005)

31 Days of Halloween 2020- Day 13- The Exorcism of Emily Rose (2005)

A novel twist on the ‘demonic possession’ sub-genre. This is more a courtroom drama regarding the priest who tried to save a girl (Emily Rose) from possession by a demon but which resulted in her death. Father Moore faces life imprisonment for his activities trying to save the teenage girl’s life.

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There are of course flashbacks to the actual possession and how it manifested itself and also the resulting exorcism ritual.

Any film that deals with this topic will of course draw comparisons with The Exorcist and any film going up against the 1974 classic will ALWAYS lose.

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But The Exorcism of Emily Rose is passable even if it employs the broadest brushstrokes and whilst it may look great, there isn’t a great deal of detail, nuance or depth to the events.

If you flicked onto this whilst channel surfing this is perfectly enjoyable. But don’t scratch too far beneath the surface because you won’t find much.

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**and a half out of *****

31 Days of Halloween 2020- Day 12- Frightmare (1974)

31 Days of Halloween 2020- Day 12- Frightmare (1974)

***TRIGGER WARNING!!!*** This is a Pete Walker movie.

In 1957 Dorothy Yates and her husband Edmund are convicted of murder and cannibalism (!) and sent to an asylum until the film’s present day (1974). They are then released supposedly fully cured and living a quiet life. But are they? The answer, of course, is no! The film shows Dorothy not being cured at all but using the cover of giving tarot readings to people who she then kills and eats.

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The film also deals with Jackie (Edmund’s daughter from a previous marriage) who regularly visits the couple offering gifts of animal brains whilst falsely telling them that they are actually human remains and that she is actually killing people so that her stepmother doesn’t relapse and remains free. It is also revealed that her father had actually faked being complicit in the crimes and faked madness so that he could stay with his wife. Jackie lives with Debbie, a wayward 15 year old who is the actual daughter of the couple who was placed into an orphanage as a baby just after her parents were institutionalised. She has recently been expelled from there as she is too much for the authorities to deal with and so spends most of her time with her boyfriend who is the leader of a violent biker gang.

Wow. There’s a lot going on in this film that is typical Pete Walker fare in that it’s dark, violent and dares to go to the places that other milder horror films dare not go. Which is exactly why I love him. He knows exactly what horror fans want and he delivers it in spades.

But there is more than meets the eye. Frightmare is also blackly funny, almost (and intentionally) vaudevillian at times and extremely intelligent. This is not just a horror movie but also a funny and very perceptive satire on family values and blood (pardon the pun) being thicker than water.

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Add to that gorgeous cinematography, amazing locales (loving the London scenes and surrounding area shots) and a moment in time being captured not just on film but also regarding film (this was a boon time for British horror with Hammer, Tigon, Amicus and directors like Walker all making great horror movies which would do amazing business at the box office).

I love the scene where Jackie drags her new boyfriend out of a screening of Blow Up. What a great statement on art movies which were then in vogue in some quarters of the mainstream.

All of the characters are brilliantly drawn and portrayed fantastically well with Walker regular Sheila Keith playing Dorothy with twisted relish. She is also able to be completely nuts one minute and then change into a repentant innocent little wife persona when her husband has seen what she’s done.

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The magnificent Sheila Keith

Kim Butcher as Debbie is also great when it comes to portraying a young girl with the quality to make others do her evil bidding for her. This is shown when she tells her biker boyfriend about the barman who wouldn’t serve her but then embellishes the story. Her boyfriend and his biker friends wait for him after the nightclub they are in has closed up to give him a good hiding. She reminds me of Chris Hargensen from Carrie.

The film hits every target it aims for with a bullseye and is pretty much perfect. I honestly think Frightmare is a twisted masterpiece.

***** out of *****

Soundtrack of the Week- The Fog (1980)

Soundtrack of the Week- The Fog (1980)

I actually think John Carpenter is as great a musician and composer as he is a film director.

A great example is his amazing soundtrack for his 1980 masterpiece, The Fog. Just as the film was a traditional ghost story rooted in the past but taking part in the present, his soundtrack completely conveys this.

There are the pianos and synths present on his scores for Halloween and it’s sequel but there are also musical nods to the past representing the timelessness of the campfire story being told to us as it plays on the screen. In fact, the starting story by John Houseman told to the assembled children around a fire on the beach makes an appearance as the first track on the soundtrack.

But it’s also worth noting how Carpenter conveys the concept of the fog within the music. There is the recurring motif on some tracks of air being released and spreading out. The way the fog moves is also represented on some tracks with a sense of it gliding through the music as a living, breathing malevolent being (the start of the epic Antonio Bay especially demonstrates this).

I felt like I have grown up with this soundtrack as I bought the Varese Sarabande edition in 1994 when I arrived in London to study film analysis, the 2000 Silva Screen edition which featured even more tracks not present on the previous edition but it is the 2012 Silva Screen edition which is the most complete edition you can buy. It contains cues not used on the original album all of which are great and the whole album is also remastered.A lot of these cues were used on the Special Edition DVD which was released in the early 00’s.

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The 2012 Silva Screen edition of the soundtrack. The most complete collection of the film’s music and remastered to boot. Buy this one.

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The Varese Sarabande edition…

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…and the 2000 Silva Screen edition

An essential soundtrack to an essential film, The Fog is an example of Carpenter firing with all six guns.

Day 24- 31 Days of Halloween- Psychic Killer (1974)

Day 24- 31 Days of Halloween- Psychic Killer (1974)

Arnold Masters has several axes to grind. Hes in prison for a crime he didn’t commit (his mother who had a tumour who due to be operated on but wasn’t. The doctor who was due to undertake the procedure was then found dead in his office by Arnold who was then framed for his murder).

He tells his backstory to a fellow prisoner who confides his story to Arnold in return. His daughter was turned into a prostitute by a pimp. He says to him that he will seek revenge on this man by carving his name into his chest and slitting his throat. Lo and behold, sometime later he tells Arnold that hes done it and without leaving his prison cell. Before Arnold can ask him how, his confident scales the prison fence and jumps from the very high prison wall killing himself. It is later confirmed in the paper that the pimp indeed was murdered in the way the prisoner stipulated.

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Arnold then inherits his friends belongings one of which was an amulet. This allows the owner to leave their body and travel psychically anywhere they want. Perfect for seeking revenge against your perceived enemies and enacting revenge.

Arnold is then found to be innocent and released. Those who failed his mother are then one by one found dead in very strange circumstances that defy logic and reason.

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The original UK quad poster. What a double-bill!

I remember seeing the trailer for this film on almost VIPCO video back in the 80’s. The trailer was extremely evocative and I’m glad to say that now that I’ve seen the film it is every bit as brilliant as it’s trailer.

Early/mid 1970’s America is captured beautifully and the film has it’s own very eccentric character. Check out the murders and how unorthodox they are- whether they involve a shower, a new building’s cornerstone or a bacon slicer and mincing machine! The sequence involving the nurse before she steps into the shower from Hell could have been lifted from one of the great Russ Meyers’ movies.

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Matron!

This is a great concept for a horror movie- someone spiritually leaving their body to avenge their grievances through the power of their minds. Transcendental meditation and other New Age concepts were very fashionable in the 70’s and so it’s great that this should mind it’s way into an exploitation movie made for 42nd Street and the Drive-Ins.

And if you need any other recommendation for seeing this I’ll just say this. It stars Neville Brand!!!Now if that isn’t enough of an incentive then I don’t know what is.

4/5 out of 5 stars